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Victorian Art Collection

Step back in time and immerse yourself in the enchanting world of Victorian art

Background imageVictorian Art Collection: Titania and Bottom from William Shakespeares A Midsummer-Nights Dream

Titania and Bottom from William Shakespeares A Midsummer-Nights Dream
1199541 Titania and Bottom from William Shakespeares A Midsummer-Nights Dream, (pencil and w/c on paper) by Fitzgerald, John Anster (1832-1906)

Background imageVictorian Art Collection: Naomi and Ruth, 1887 (oil on canvas)

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: The Fortune Teller, 1899 (oil on canvas)

The Fortune Teller, 1899 (oil on canvas)
989688 The Fortune Teller, 1899 (oil on canvas) by Wontner, William Clark (1857-1930); 81.9x67.9 cm; Private Collection; (add.info.: The Fortune Teller. William Clarke Wontner (1857-1930)

Background imageVictorian Art Collection: In a Rose Garden, (oil on panel)

In a Rose Garden, (oil on panel)
1199614 In a Rose Garden, (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 37.5x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel)

Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel)
824227 Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel) by Herring Snr, John Frederick (1795-1865); 34.9x45.1 cm; Private Collection; (add.info.: Orlando, a Bay Racehorse in a Loosebox)

Background imageVictorian Art Collection: The Milkmaid, 1902 (pencil and watercolour)

The Milkmaid, 1902 (pencil and watercolour)
652074 The Milkmaid, 1902 (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 52.7x34.9 cm; Private Collection; (add.info.: The Milkmaid. Charles Edward Wilson (1854-1941)

Background imageVictorian Art Collection: The Wappenshaw: A Shooting Match, (oil on paper)

The Wappenshaw: A Shooting Match, (oil on paper)
1199487 The Wappenshaw: A Shooting Match, (oil on paper) by Faed, John (1820-1902); 38.7x56.3 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageVictorian Art Collection: The Wrestling Scene in As You Like It, 1854 (oil on canvas)

The Wrestling Scene in As You Like It, 1854 (oil on canvas)
1199485 The Wrestling Scene in As You Like It, 1854 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 129x177.1 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Teatime (pencil and watercolour heightened with white on card)

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

Background imageVictorian Art Collection: Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)

Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)
1766697 Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x32.8 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: The Fortune Teller, 1907 (oil on canvas)

The Fortune Teller, 1907 (oil on canvas)
658467 The Fortune Teller, 1907 (oil on canvas) by Hardy, Heywood (1842-1933); 68.5x100.3 cm; Private Collection; (add.info.: The Fortune Teller. Heywood Hardy (1842-1933). Oil on canvas

Background imageVictorian Art Collection: Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)

Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)
1199561 Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas) by Beavis, Richard (1824-96); 115.5x178 cm; Private Collection; Photo eChristies Images; English

Background imageVictorian Art Collection: A Stroll in the Garden, (oil on canvas)

A Stroll in the Garden, (oil on canvas)
659807 A Stroll in the Garden, (oil on canvas) by Walbourn, Ernest (1872-1927); 91.4x60.9 cm; Private Collection; (add.info.: A Stroll in the Garden. Ernest Walbourn (1872-1927). Oil on canvas

Background imageVictorian Art Collection: A Puppy for My Lady, (oil on canvas)

A Puppy for My Lady, (oil on canvas)
659164 A Puppy for My Lady, (oil on canvas) by Hardy, Heywood (1842-1933); 25.4x68.5 cm; Private Collection; (add.info.: A Puppy for My Lady. Heywood Hardy (1842-1933). Oil on canvas

Background imageVictorian Art Collection: Title page and opening page from the Kelmscott Press edition of

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Background imageVictorian Art Collection: Study of a Head for The Bower Meadow, 1872 (black chalk)

Study of a Head for The Bower Meadow, 1872 (black chalk)
659777 Study of a Head for The Bower Meadow, 1872 (black chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.2x31.5 cm; Private Collection; (add.info.: Study of a Head for The Bower Meadow)

Background imageVictorian Art Collection: Elegant Conversation, (oil on canvas)

Elegant Conversation, (oil on canvas)
659850 Elegant Conversation, (oil on canvas) by King, Henry John Yeend (1855-1924); 45.9x66 cm; Private Collection; (add.info.: Elegant Conversation. Henry John Yeend King (1855-1924). Oil on canvas

Background imageVictorian Art Collection: Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil

Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil
659831 Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil, watercolour and bodycolour) by Foster

Background imageVictorian Art Collection: The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847

The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847
1765061 The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847, With Stonehenge Beyond, 1847 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H

Background imageVictorian Art Collection: The Doges Palace, Venice, from the Steps of San Giorgio Maggiore

The Doges Palace, Venice, from the Steps of San Giorgio Maggiore
652111 The Doges Palace, Venice, from the Steps of San Giorgio Maggiore, (pencil and watercolour heightened with white on card) by Foster

Background imageVictorian Art Collection: The Sleeping Girl, (oil on canvas)

The Sleeping Girl, (oil on canvas)
658486 The Sleeping Girl, (oil on canvas) by Corbet, Edith Ridley (c.1850-1920); 91.7x55.2 cm; Private Collection; (add.info.: The Sleeping Girl. Edith Corbet (1850-1920). Oil on canvas

Background imageVictorian Art Collection: Farmyard Friends, 1937 (oil on canvas)

Farmyard Friends, 1937 (oil on canvas)
828471 Farmyard Friends, 1937 (oil on canvas) by Hunt, Edgar (1876-1953); 30.5x45.7 cm; Private Collection; (add.info.: Farmyard Friends. Edgar Hunt (1876-1953). Oil on canvas. Signed and dated 1937

Background imageVictorian Art Collection: Homeward Bound, (oil on canvas laid on board)

Homeward Bound, (oil on canvas laid on board)
657736 Homeward Bound, (oil on canvas laid on board) by Wyllie, William Lionel (1851-1931); Private Collection; (add.info.: Homeward Bound. William Lionel Wyllie (1851-1931)

Background imageVictorian Art Collection: A Young Girl Standing Outside a Cottage Holding a Pail, (oil on canvas board)

A Young Girl Standing Outside a Cottage Holding a Pail, (oil on canvas board)
657868 A Young Girl Standing Outside a Cottage Holding a Pail, (oil on canvas board) by King, Henry John Yeend (1855-1924); Private Collection; (add.info)

Background imageVictorian Art Collection: Near Hambledon (watercolour heightened with bodycolour and scratching out)

Near Hambledon (watercolour heightened with bodycolour and scratching out)
1766737 Near Hambledon (watercolour heightened with bodycolour and scratching out) by Allingham, Helen (1848-1926); 29.2x38.2 cm; Private Collection; (add.info.: Near Hambledon)

Background imageVictorian Art Collection: The Chinese Chef (Portrait of Hing), 1932 (oil on panel)

The Chinese Chef (Portrait of Hing), 1932 (oil on panel)
1199513 The Chinese Chef (Portrait of Hing), 1932 (oil on panel) by Steegman, Philip (1903-52); 37x29 cm; Private Collection; Photo © Christie's Images

Background imageVictorian Art Collection: Chivalry, 1885 (oil on canvas)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Early Sorrow, 1861 (oil on canvas)

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

Background imageVictorian Art Collection: Wash Day, 1923 (oil on canvas)

Wash Day, 1923 (oil on canvas)
1199505 Wash Day, 1923 (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 66x80.9 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: The Page, (watercolour)

The Page, (watercolour)
826683 The Page, (watercolour) by Maclise, Daniel (Croquis, Alfred) (1806-70); 30.3x14 cm; Private Collection; (add.info.: The Page. Daniel Maclise (1806-70). Watercolour

Background imageVictorian Art Collection: A Young Fishergirl by the Sea, 1884 (pencil and watercolour)

A Young Fishergirl by the Sea, 1884 (pencil and watercolour)
828460 A Young Fishergirl by the Sea, 1884 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 40.4x29.5 cm; Private Collection; (add.info.: A Young Fishergirl by the Sea)

Background imageVictorian Art Collection: Dollys Portrait, (oil on canvas)

Dollys Portrait, (oil on canvas)
989896 Dollys Portrait, (oil on canvas) by Smith, Carlton Alfred (1853-1946); 42x62 cm; Private Collection; (add.info.: Dollys Portrait. Carlton Alfred Smith (1853-1946). Oil on canvas

Background imageVictorian Art Collection: The Fishermans Tale, 1887 (oil on canvas)

The Fishermans Tale, 1887 (oil on canvas)
656962 The Fishermans Tale, 1887 (oil on canvas) by Smith, Carlton Alfred (1853-1946); Private Collection; (add.info.: The Fishermans Tale. Carlton Alfred Smith (1853-1946). Oil on canvas

Background imageVictorian Art Collection: Portrait of Princess Henry of Battenberg (Princess Beatrice of Great Britain), 1926 (oil on canvas)

Portrait of Princess Henry of Battenberg (Princess Beatrice of Great Britain), 1926 (oil on canvas)
1199516 Portrait of Princess Henry of Battenberg (Princess Beatrice of Great Britain), 1926 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937)

Background imageVictorian Art Collection: Deeply Interesting, 1904 (pencil and watercolour)

Deeply Interesting, 1904 (pencil and watercolour)
659793 Deeply Interesting, 1904 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 41x57.2 cm; Private Collection; (add.info.: Deeply Interesting. Carlton Alfred Smith (1853-1946)

Background imageVictorian Art Collection: The Tired Seamstress, 1866 (oil on canvas)

The Tired Seamstress, 1866 (oil on canvas)
656891 The Tired Seamstress, 1866 (oil on canvas) by Midwood, William Henry (1833-88); 28x35in cm; Private Collection; (add.info.: The Tired Seamstress. William Henry Midwood (fl.1867-1875)

Background imageVictorian Art Collection: Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas)

Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas)
1199605 Mrs. Herbert Asquith, later Countess of Oxford and Asquith, 1909 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 92x71 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and)

The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and)
989984 The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and) by Smith, Carlton Alfred (1853-1946); 77.5x25.8 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white)

A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white)
652020 A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white) by Smith, Carlton Alfred (1853-1946); 38.1x46.6 cm; Private Collection; (add.info.: A Girl Playing a Mandolin)

Background imageVictorian Art Collection: In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and)

In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and)
659743 In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and) by Smith, Carlton Alfred (1853-1946); 53.3x36.2 cm; Private Collection; (add.info.: In the Olden Days)

Background imageVictorian Art Collection: Mending the Net, 1871 (oil on canvas)

Mending the Net, 1871 (oil on canvas)
658304 Mending the Net, 1871 (oil on canvas) by Midwood, William Henry (1833-88); 71x91.5 cm; Private Collection; (add.info.: Mending the Net. William Henry Midwood (fl.1867-1875). Oil on canvas

Background imageVictorian Art Collection: The Puddle Duck, (pencil and watercolour)

The Puddle Duck, (pencil and watercolour)
652073 The Puddle Duck, (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 49.5x33 cm; Private Collection; (add.info.: The Puddle Duck. Carlton Alfred Smith (1853-1946)

Background imageVictorian Art Collection: Hunt the Slipper at Neighbour Flamborough s, 1840 (oil on canvas)

Hunt the Slipper at Neighbour Flamborough s, 1840 (oil on canvas)
659003 Hunt the Slipper at Neighbour Flamborough s, 1840 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); Private Collection; (add.info.: Hunt the Slipper at Neighbour Flamborough s)

Background imageVictorian Art Collection: A Light Breeze, Biot, Provence, (oil on canvas)

A Light Breeze, Biot, Provence, (oil on canvas)
1199628 A Light Breeze, Biot, Provence, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 54.6x69.8 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Portrait of Princess Ruspoli, Duchess de Gramont (1888-1976), 1922 (oil on board)

Portrait of Princess Ruspoli, Duchess de Gramont (1888-1976), 1922 (oil on board)
1199618 Portrait of Princess Ruspoli, Duchess de Gramont (1888-1976), 1922 (oil on board) by Laszlo, Philip Alexius de (1869-1937); 82x66 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Study of a Female Nude, (pencil on paper)

Study of a Female Nude, (pencil on paper)
1199595 Study of a Female Nude, (pencil on paper) by Gill, Eric (1882-1940); 33.1x18.5 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Portrait of Winnie Melville, Mrs, 1920 (oil on canvas)

Portrait of Winnie Melville, Mrs, 1920 (oil on canvas)
1199517 Portrait of Winnie Melville, Mrs, 1920 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 112.4x87 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: New Friends, 1881 (oil on canvas)

New Friends, 1881 (oil on canvas)
659753 New Friends, 1881 (oil on canvas) by Smith, Carlton Alfred (1853-1946); 45.7x61.6 cm; Private Collection; (add.info.: New Friends. Carlton Alfred Smith (1853-1946). Oil on canvas



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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.