Victorian Art Collection (page 9)

New Town of Rio de Janeiro from the Livramiento, c. 1825-6 (w / c)
1199470 New Town of Rio de Janeiro from the Livramiento, c. 1825-6 (w/c) by Landseer, Charles (1799-1879); 27x52.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Her Constant Care (oil on canvas)
1769855 Her Constant Care (oil on canvas) by Morgan, Frederick (1856-1927); 104x72.5 cm; Private Collection; (add.info.: Her Constant Care. Frederick Morgan (1847/1856-1927). Oil on canvas

Sleeping Beauty: The Princess Pricks her Finger (tempera)
1765028 Sleeping Beauty: The Princess Pricks her Finger (tempera) by Batten, John Dickson (1860-1932); Private Collection; (add.info.: Sleeping Beauty: The Princess Pricks her Finger)

A Linthorpe pottery jug of compressed globular form with streaky caramel
1764771 A Linthorpe pottery jug of compressed globular form with streaky caramel, green and crimson glaze and a Linthorpe Pottery vase with pierced flower bud decoration and mottled green

A Provencal Forge (oil on canvas)
1772149 A Provencal Forge (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.8x92.1 cm; Private Collection; (add.info.: A Provencal Forge. Henry Herbert La Thangue (1859-1929)

Waterloo Lake, Roundhay Park, Leeds, 1876-7 (oil on board)
1772130 Waterloo Lake, Roundhay Park, Leeds, 1876-7 (oil on board) by Grimshaw, John Atkinson (1836-93); 21x42 cm; Private Collection; (add.info.: Waterloo Lake, Roundhay Park, Leeds)

Mrs R. E. Hoare, 1889 (oil on canvas)
1772105 Mrs R.E. Hoare, 1889 (oil on canvas) by Hacker, Arthur (1858-1919); 127x188 cm; Private Collection; (add.info.: Mrs R.E. Hoare. Arthur Hacker (1858-1919). Oil on canvas. Painted in 1889

The Picnic (oil on canvas)
1772104 The Picnic (oil on canvas) by Cuneo, Cyrus (1879-1916); 63.5x76.2 cm; Private Collection; (add.info.: The Picnic. Cyrus Cuneo (1879-1916). Oil on canvas

The Interior of a Stable with a Dapple Grey Horse in Harness, with Ducks, Goats
652115 The Interior of a Stable with a Dapple Grey Horse in Harness, with Ducks, Goats, and a Cockerel by a Manger, 1843 (oil on canvas) by Herring Snr

At Gervaise, Falaise: Market Day, (pencil and watercolour)
652104 At Gervaise, Falaise: Market Day, (pencil and watercolour) by Foster, Myles Birket (1825-99); 40.9x60.9 cm; Private Collection; (add.info.: At Gervaise, Falaise: Market Day)

Study for Desdemonas Death Song: Othello, Act IV, Sc. III, (pen and brown ink)
652049 Study for Desdemonas Death Song: Othello, Act IV, Sc. III, (pen and brown ink) by Rossetti, Dante Gabriel Charles (1828-82); 43.5x34.9 cm; Private Collection; (add.info)

The Young Gleaner, (pencil and watercolour)
652042 The Young Gleaner, (pencil and watercolour) by Hunt, William Henry (1790-1864); 27.6x19.7 cm; Private Collection; (add.info.: The Young Gleaner. William Henry Hunt (1790-1864)

Unseeing and Unseen, 1862 (pencil and watercolour heightened with white)
652034 Unseeing and Unseen, 1862 (pencil and watercolour heightened with white) by Smallfield, Frederick (1829-1915); 59.1x74.6 cm; Private Collection; (add.info.: Unseeing and Unseen)

Harvest Time Near Holmbury Hill, Surrey, 1865 (watercolour heightened with white
652028 Harvest Time Near Holmbury Hill, Surrey, 1865 (watercolour heightened with white and gum arabic) by Cole, George Vicat (1833-93); 49.5x72.4 cm; Private Collection; (add.info)

A Seated Woman Holding a Necklace, to the Right Another Female Figure, (black chalk
652016 A Seated Woman Holding a Necklace, to the Right Another Female Figure, (black chalk, on two joined sheets of pale green paper) by Rossetti

The Letter, (watercolour heightened with white)
651957 The Letter, (watercolour heightened with white) by Langley, Walter (1852-1922); 40.6x41.9 cm; Private Collection; (add.info.: The Letter. Walter Langley (1852-1922)

Walgate Bar, York, (pencil, watercolour and bodycolour)
651875 Walgate Bar, York, (pencil, watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); 42.5x65.4 cm; Private Collection; (add.info.: Walgate Bar, York. Louise Rayner (1832-1924)

The Little Improvisatrice, 1867 (pencil, pen and ink)
652994 The Little Improvisatrice, 1867 (pencil, pen and ink) by Solomon, Simeon (1840-1905); 24.7x35.5 cm; Private Collection; (add.info.: The Little Improvisatrice. Simeon Solomon (1840-1905)

Playing Doctor, 1863 (oil on panel)
987319 Playing Doctor, 1863 (oil on panel) by Hardy, Frederick Daniel (1826-1911); 55x76 cm; Private Collection; (add.info.: Playing Doctor. Frederick Daniel Hardy (1826-1911). Oil on panel

Summer Evening (Soiree d Ete), 1889 (watercolour on paper)
989821 Summer Evening (Soiree d Ete), 1889 (watercolour on paper) by Tissot, James Jacques Joseph (1836-1902); 22.8x39.3 cm; Private Collection; (add.info.: Summer Evening (Soiree d Ete)

The Boudoir Rose, 1879 (oil on canvas)
989814 The Boudoir Rose, 1879 (oil on canvas) by Schafer, Henry Thomas (1854-1915); 40.6x76.2 cm; Private Collection; (add.info.: The Boudoir Rose. Henry Thomas Schafer (1854-1915). Oil on canvas

Conquered but not Subdued, 1899 (oil on canvas)
989780 Conquered but not Subdued, 1899 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 91.5x61 cm; Private Collection; (add.info.: Conquered but not Subdued)

The Edinburgh and London Royal Mail, 1838 (oil on canvas)
989632 The Edinburgh and London Royal Mail, 1838 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 51.1x91.5 cm; Private Collection; (add.info.: The Edinburgh and London Royal Mail)

The Rendez-Vous, (oil on canvas)
990563 The Rendez-Vous, (oil on canvas) by Hardy, Heywood (1842-1933); 61.5x47.6 cm; Private Collection; (add.info.: The Rendez-Vous. Heywood Hardy (1842-1933). Oil on canvas

Mssrs. Ridsdales and Gullys St. Giles with William Scott up
990555 Mssrs. Ridsdales and Gullys St. Giles with William Scott up, 1832 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 45.7x61.5 cm; Private Collection; (add.info.: Mssrs)

The Procession, 1893 (oil on canvas)
824451 The Procession, 1893 (oil on canvas) by Corbould, Edward Henry (1815-1905); 121.9x152.4 cm; Private Collection; (add.info.: The Procession. Edward Henry Corbould (1815-1905). Oil on canvas

The First Battle Squadron leaving the Forth for the Battle of Jutland
824164 The First Battle Squadron leaving the Forth for the Battle of Jutland, 1917 (oil on canvas) by Wyllie, William Lionel (1851-1931); 92x200.8

Isaac Walton and the Milkmaids, 1888 (oil on canvas)
823141 Isaac Walton and the Milkmaids, 1888 (oil on canvas) by Boughton, George Henry (1833-1905); 77x63.5 cm; Private Collection; (add.info.: Isaac Walton and the Milkmaids)

The Love Test, A German Legend, (oil on canvas)
828489 The Love Test, A German Legend, (oil on canvas) by Joy, Thomas Musgrave (1812-66); 109.2x80 cm; Private Collection; (add.info.: The Love Test, A German Legend. Thomas Musgrove Joy (1812-1866)

Portrait of Mrs. J. Hardcastle, nee Anne Capper (1817-1882), 1846 (oil on canvas)
828470 Portrait of Mrs. J. Hardcastle, nee Anne Capper (1817-1882), 1846 (oil on canvas) by Solomon, Abraham (1824-62); 45.7x34.9 cm; Private Collection; (add.info.: Portrait of Mrs. J)

A Street Scene, Japan, (pencil and watercolour)
828466 A Street Scene, Japan, (pencil and watercolour) by Tyndale, Walter Frederick Roofe (1856-1943); 28x37.8 cm; Private Collection; (add.info.: A Street Scene, Japan)

The Foster Mother, 1887 (oil on canvas)
828447 The Foster Mother, 1887 (oil on canvas) by Hunt, Walter (1861-1941); 91.5x123.5 cm; Private Collection; (add.info.: The Foster Mother. Walter Hunt (1861-1941). Oil on canvas

The Hero of the Day, 1861 (oil on canvas)
828446 The Hero of the Day, 1861 (oil on canvas) by Barwell, Frederick Bacon (c.1831-1922); 92x122 cm; Private Collection; (add.info.: The Hero of the Day. Frederick Bacon Barwell (circa 1831-1922)

Too Close for Comfort, 1869 (oil on canvas)
828444 Too Close for Comfort, 1869 (oil on canvas) by Barrett, Jerry (1824-1906); 47.6x37.5 cm; Private Collection; (add.info.: Too Close for Comfort. Jerry Barrett (1824-1906). Oil on canvas

Duke Frederick Banishing Rosalind from his Court, (oil on panel)
828441 Duke Frederick Banishing Rosalind from his Court, (oil on panel) by Pickersgill, Frederick Richard (1820-1900); 92x71.5 cm; Private Collection; (add.info)

The Monks of Melrose made good kaill on Fridays when they fasted
828440 The Monks of Melrose made good kaill on Fridays when they fasted, They neither wanted beef nor ale, As long as their neighbours lasted

Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas)
828436 Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 69.2x48.3 cm; Private Collection; (add.info.: Portrait of Mrs. William J)

Honfleur, 1867 (oil on canvas)
828432 Honfleur, 1867 (oil on canvas) by Webb, James (1825-95); 108.6x182.3 cm; Private Collection; (add.info.: Honfleur. James Webb (1825-1895). Oil on canvas. Signed and dated 1867

The Flower Girl, (oil on canvas)
828418 The Flower Girl, (oil on canvas) by Glindoni, Henry Gillard (1852-1913); 76.5x63.5 cm; Private Collection; (add.info.: The Flower Girl. Henry Gillard Glindoni (1852-1913). Oil on canvas

Night Toil, Billingsgate Wharf, (oil on canvas)
828416 Night Toil, Billingsgate Wharf, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 55.6x91.4 cm; Private Collection; (add.info.: Night Toil, Billingsgate Wharf)

A Study for King Cophetua and the Beggar Maid
828412 A Study for King Cophetua and the Beggar Maid, (black chalk heightened with white on grey paper) by Burne-Jones, Edward Coley (1833-98); 35x25.4 cm; Private Collection; (add.info)

Angels, 1895 (oil on panel)
828405 Angels, 1895 (oil on panel) by Strudwick, John Melhuish (1849-1937); 71.2x26.4 cm; Private Collection; (add.info.: Angels. John Melhuish Strudwick (1849-1937). Oil on panel

A Blessing before the Bull Fight, (oil on canvas)
828401 A Blessing before the Bull Fight, (oil on canvas) by Kemm, Robert (1837-95); 71.1x91.4 cm; Private Collection; (add.info.: A Blessing before the Bull Fight. Robert Kemm (1837-1885)

The Garland, (oil on canvas)
827362 The Garland, (oil on canvas) by Morgan, Frederick (1856-1927); 91.4x61.6 cm; Private Collection; (add.info.: The Garland. Frederick Morgan (1856-1927). Oil on canvas

Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
827145 Studies of the Artists Son, Philip, as a young boy, c.1875, c.1875 (pencil) by Burne-Jones, Edward Coley (1833-98); 22.3x17.8 cm; Private Collection; (add.info.: Studies of the Artists Son)

The Meet, (oil on canvas)
827035 The Meet, (oil on canvas) by Hardy, Heywood (1842-1933); 71x92.1 cm; Private Collection; (add.info.: The Meet. Heywood Hardy (1842-1933). Oil on canvas

Night (Pencil and watercolour, heightened with bodycolour)
1766639 Night (Pencil and watercolour, heightened with bodycolour) by Hughes, Edward Robert (1851-1914); 25.5x18.5 cm; Private Collection; (add.info.: Night. Edward Robert Hughes (1851-1914)

In the Golden Days, (oil on canvas)
658951 In the Golden Days, (oil on canvas) by Strudwick, John Melhuish (1849-1937); 65.4x44.5 cm; Private Collection; (add.info.: In the Golden Days. John Melhuish Strudwick (1849-1937)

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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.