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Victorian Art Collection (page 8)

Step back in time and immerse yourself in the enchanting world of Victorian art

Background imageVictorian Art Collection: Intruders, (oil on board)

Intruders, (oil on board)
657869 Intruders, (oil on board) by King, Henry John Yeend (1855-1924); Private Collection; (add.info.: Intruders. Henry John Yeend King (1855-1924). Oil on board

Background imageVictorian Art Collection: The Cock Tavern, Bishopsgate Street, London, (oil on canvas)

The Cock Tavern, Bishopsgate Street, London, (oil on canvas)
659911 The Cock Tavern, Bishopsgate Street, London, (oil on canvas) by Maggs, J.C. (1819-96); 35.9x66.3 cm; Private Collection; (add.info.: The Cock Tavern, Bishopsgate Street, London)

Background imageVictorian Art Collection: Faraway Thoughts, (oil on canvas)

Faraway Thoughts, (oil on canvas)
659856 Faraway Thoughts, (oil on canvas) by Walbourn, Ernest (1872-1927); 50.9x76.2 cm; Private Collection; (add.info.: Faraway Thoughts. Ernest Walbourn (1872-1927). Oil on canvas

Background imageVictorian Art Collection: The Peacemaker, 1882 (oil on canvas)

The Peacemaker, 1882 (oil on canvas)
659854 The Peacemaker, 1882 (oil on canvas) by Hughes, Edwin (fl.1880-95); 43.2x53.3 cm; Private Collection; (add.info.: The Peacemaker. Edwin Hughes (active ca. 1872-1892). Oil on canvas

Background imageVictorian Art Collection: A Young Girl Playing with a Hoop, (oil on canvas)

A Young Girl Playing with a Hoop, (oil on canvas)
659847 A Young Girl Playing with a Hoop, (oil on canvas) by Barwell, Frederick Bacon (c.1831-1922); 61x51 cm; Private Collection; (add.info.: A Young Girl Playing with a Hoop)

Background imageVictorian Art Collection: The Convent Boat, 1874 (oil on canvas)

The Convent Boat, 1874 (oil on canvas)
659838 The Convent Boat, 1874 (oil on canvas) by Hughes, Arthur (1832-1915); 94x155 cm; Private Collection; (add.info.: The Convent Boat. Arthur Hughes (1832-1915). Oil on canvas

Background imageVictorian Art Collection: Time and Chance Happeneth to All Alike, 1901 (oil on canvas)

Time and Chance Happeneth to All Alike, 1901 (oil on canvas)
659837 Time and Chance Happeneth to All Alike, 1901 (oil on canvas) by Shaw, John Byam Liston (1872-1919); 87.3x60.8 cm; Private Collection; (add.info.: Time and Chance Happeneth to All Alike)

Background imageVictorian Art Collection: A View on Holmwood Common, Surrey, (pencil, watercolour and bodycolour)

A View on Holmwood Common, Surrey, (pencil, watercolour and bodycolour)
659832 A View on Holmwood Common, Surrey, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 38.2x76.2 cm; Private Collection; (add.info.: A View on Holmwood Common, Surrey)

Background imageVictorian Art Collection: Some Paternal Advice, (pencil and watercolour)

Some Paternal Advice, (pencil and watercolour)
659830 Some Paternal Advice, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 26x35.5 cm; Private Collection; (add.info.: Some Paternal Advice. George Goodwin Kilburne (1839-1924)

Background imageVictorian Art Collection: Black and White Grapes, Pears, Redcurrants and a Pineapple on a Ledge

Black and White Grapes, Pears, Redcurrants and a Pineapple on a Ledge
659809 Black and White Grapes, Pears, Redcurrants and a Pineapple on a Ledge, 1845 (oil on panel) by Lance, George (1802-64); 45.1x61 cm; Private Collection; (add.info.: Black and White Grapes)

Background imageVictorian Art Collection: Apres, (pencil and watercolour heightened with bodycolour)

Apres, (pencil and watercolour heightened with bodycolour)
659765 Apres, (pencil and watercolour heightened with bodycolour) by Gregory, Edward John (1850-1909); 45.4x35.2 cm; Private Collection; (add.info.: Apres. Edward John Gregory (1850-1909)

Background imageVictorian Art Collection: Still-Life with Basket, Nest, Egg, Red Currants and Ladybird

Still-Life with Basket, Nest, Egg, Red Currants and Ladybird
1767289 Still-Life with Basket, Nest, Egg, Red Currants and Ladybird (pencil and watercolour with gum arabic and with scratching out) by Hunt

Background imageVictorian Art Collection: Reading Time (oil on canvas)

Reading Time (oil on canvas)
1767277 Reading Time (oil on canvas) by Anderson, Sophie (1823-1903); 43.2x53.3 cm; Private Collection; (add.info.: Reading Time. Sophie Anderson (1823-1903). Oil on canvas

Background imageVictorian Art Collection: The Tea Party (watercolour)

The Tea Party (watercolour)
1767271 The Tea Party (watercolour) by Wirgman, Charles (1832-91); 20x28.3 cm; Private Collection; (add.info.: The Tea Party. Charles Wirgman (1832-1891). Watercolour

Background imageVictorian Art Collection: Mavourneen, Portrait of Kathleen Newton, 1877 (oil on canvas)

Mavourneen, Portrait of Kathleen Newton, 1877 (oil on canvas)
1766774 Mavourneen, Portrait of Kathleen Newton, 1877 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: Mavourneen, Portrait of Kathleen Newton)

Background imageVictorian Art Collection: Laus Deo (oil on canvas)

Laus Deo (oil on canvas)
1766769 Laus Deo (oil on canvas) by Solomon, Solomon Joseph (1860-1927); Private Collection; (add.info.: Laus Deo. Solomon Solomon Joseph (1860-1927)

Background imageVictorian Art Collection: Girl with a Fan, 1870-1871 (oil on panel)

Girl with a Fan, 1870-1871 (oil on panel)
1766768 Girl with a Fan, 1870-1871 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: Girl with a Fan. James Jacques Joseph Tissot (1836-1902). Oil on panel

Background imageVictorian Art Collection: The Bunch of Lilacs, 1875 (oil on canvas)

The Bunch of Lilacs, 1875 (oil on canvas)
1766763 The Bunch of Lilacs, 1875 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 54x37.5 cm; Private Collection; (add.info.: The Bunch of Lilacs)

Background imageVictorian Art Collection: Unstead Farm, Godalming (watercolour with scratching out)

Unstead Farm, Godalming (watercolour with scratching out)
1766743 Unstead Farm, Godalming (watercolour with scratching out) by Allingham, Helen (1848-1926); 45x36.3 cm; Private Collection; (add.info.: Unstead Farm, Godalming. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Near Haslemere (watercolour with scratching out)

Near Haslemere (watercolour with scratching out)
1766738 Near Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 31x27.3 cm; Private Collection; (add.info.: Near Haslemere. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: A Village Street, Kent (watercolour with scratching out)

A Village Street, Kent (watercolour with scratching out)
1766731 A Village Street, Kent (watercolour with scratching out) by Allingham, Helen (1848-1926); 34.4x53.5 cm; Private Collection; (add.info.: A Village Street, Kent. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: A Berkshire Cottage (watercolour with scratching out)

A Berkshire Cottage (watercolour with scratching out)
1766730 A Berkshire Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); 24x18 cm; Private Collection; (add.info.: A Berkshire Cottage. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Old Cottage, Witley (watercolour with scratching out)

Old Cottage, Witley (watercolour with scratching out)
1766729 Old Cottage, Witley (watercolour with scratching out) by Allingham, Helen (1848-1926); 22.7x16.8 cm; Private Collection; (add.info.: Old Cottage, Witley. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: At Sandhills, Witley (watercolour with scratching out)

At Sandhills, Witley (watercolour with scratching out)
1766723 At Sandhills, Witley (watercolour with scratching out) by Allingham, Helen (1848-1926); 28x35.5 cm; Private Collection; (add.info.: At Sandhills, Witley. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: A Cottage at Farringford, Isle of Wight (watercolour with scratching out)

A Cottage at Farringford, Isle of Wight (watercolour with scratching out)
1766721 A Cottage at Farringford, Isle of Wight (watercolour with scratching out) by Allingham, Helen (1848-1926); 31x48.5 cm; Private Collection; (add.info.: A Cottage at Farringford, Isle of Wight)

Background imageVictorian Art Collection: A Cottage near Haslemere (watercolour with scratching out)

A Cottage near Haslemere (watercolour with scratching out)
1766718 A Cottage near Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 35x27 cm; Private Collection; (add.info.: A Cottage near Haslemere. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: At Stedham near Midhurst (watercolour with scratching out)

At Stedham near Midhurst (watercolour with scratching out)
1766714 At Stedham near Midhurst (watercolour with scratching out) by Allingham, Helen (1848-1926); 35.3x48.3 cm; Private Collection; (add.info.: At Stedham near Midhurst)

Background imageVictorian Art Collection: A Cottage near Brook, Witley, Surrey (watercolour with scratching out)

A Cottage near Brook, Witley, Surrey (watercolour with scratching out)
1766710 A Cottage near Brook, Witley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 33.7x43.7 cm; Private Collection; (add.info.: A Cottage near Brook, Witley, Surrey)

Background imageVictorian Art Collection: A Garden in Spring (watercolour with scratching out)

A Garden in Spring (watercolour with scratching out)
1766709 A Garden in Spring (watercolour with scratching out) by Allingham, Helen (1848-1926); 29.6x24.7 cm; Private Collection; (add.info.: A Garden in Spring. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: At Sandhills (watercolour with scratching out)

At Sandhills (watercolour with scratching out)
1766707 At Sandhills (watercolour with scratching out) by Allingham, Helen (1848-1926); 25.2x18.2 cm; Private Collection; (add.info.: At Sandhills. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Under the Old Malthouse, Hambledon, Surrey (watercolour with scratching out)

Under the Old Malthouse, Hambledon, Surrey (watercolour with scratching out)
1766706 Under the Old Malthouse, Hambledon, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 33x24.7 cm; Private Collection; (add.info.: Under the Old Malthouse, Hambledon)

Background imageVictorian Art Collection: A Country House (watercolour with scratching out)

A Country House (watercolour with scratching out)
1766694 A Country House (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: A Country House. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Sarpedon, c. 1875-76 (oil on canvas)

Sarpedon, c. 1875-76 (oil on canvas)
1199612 Sarpedon, c. 1875-76 (oil on canvas) by Richmond, William Blake (1842-1921); 244.5x92.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: A Study: Maidens Picking Flowers by a Stream, c. 1909-1914 (oil on canvas)

A Study: Maidens Picking Flowers by a Stream, c. 1909-1914 (oil on canvas)
1199592 A Study: Maidens Picking Flowers by a Stream, c. 1909-1914 (oil on canvas) by Waterhouse, John William (1849-1917); 94x80 cm; Private Collection; Photo eChristies Images; English

Background imageVictorian Art Collection: Christian at the Foot of the Cross, (oil on canvas)

Christian at the Foot of the Cross, (oil on canvas)
1199591 Christian at the Foot of the Cross, (oil on canvas) by Paton, Joseph Noel (1821-1901); 40x26.5 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageVictorian Art Collection: Wood Nymph, (bodycolour on brown paper)

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Self Portrait in a Brown Coat, c. 1844 (oil on board)

Self Portrait in a Brown Coat, c. 1844 (oil on board)
1199584 Self Portrait in a Brown Coat, c. 1844 (oil on board) by Brown, Ford Madox (1821-93); 20.3x15.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Portrait of William Michael Rossetti, (pencil on paper)

Portrait of William Michael Rossetti, (pencil on paper)
1199573 Portrait of William Michael Rossetti, (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 27x21.9 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: The Happy Valley, (oil on canvas)

The Happy Valley, (oil on canvas)
1199542 The Happy Valley, (oil on canvas) by Stott, William (1857-1900); 125x150 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: The Sirens, 1903 (oil on canvas)

The Sirens, 1903 (oil on canvas)
1199539 The Sirens, 1903 (oil on canvas) by Rae, Henrietta (1859-1928); 114.3x254 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Drowsy Summer Days (oil on canvas)

Drowsy Summer Days (oil on canvas)
1199538 Drowsy Summer Days (oil on canvas) by Codrington, Isabel (1874-1943); 66x86.4 cm; Private Collection; (add.info.: Codrington, Isabel (1874-1943)); Photo eChristies Images; British

Background imageVictorian Art Collection: Houghton Mill, Near St Ives, Huntingdonshire, 1889 (pencil & w / c on paper)

Houghton Mill, Near St Ives, Huntingdonshire, 1889 (pencil & w / c on paper)
1199523 Houghton Mill, Near St Ives, Huntingdonshire, 1889 (pencil & w/c on paper) by Garden, William Fraser (1856-1921); 28.3x39.7 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole

Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole
1199518 Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole, 1888 (pencil and w/c on paper) by Boughton, George Henry (1833-1905)

Background imageVictorian Art Collection: Portrait of Eva Katherine Balfour, later Lady Buxton (1889-1978)

Portrait of Eva Katherine Balfour, later Lady Buxton (1889-1978)
1199515 Portrait of Eva Katherine Balfour, later Lady Buxton (1889-1978), 1911 (black chalk on paper) by Sargent, John Singer (1856-1925)

Background imageVictorian Art Collection: Grandmas Comfort, 1883 (oil on canvas)

Grandmas Comfort, 1883 (oil on canvas)
1199510 Grandmas Comfort, 1883 (oil on canvas) by Brown, Frederick (1851-1941); 66x48 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: The Dogana di Mare with San Giorgio Maggiore Beyond, 1863 (oil on paper)

The Dogana di Mare with San Giorgio Maggiore Beyond, 1863 (oil on paper)
1199494 The Dogana di Mare with San Giorgio Maggiore Beyond, 1863 (oil on paper) by Cooke, Edward William (1811-80); 26.5x44 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Christ of the Cornfield, 1883 (oil on canvas)

Christ of the Cornfield, 1883 (oil on canvas)
1199491 Christ of the Cornfield, 1883 (oil on canvas) by Dicksee, Thomas-Francis (1819-95); 139.7x104.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Popeia, (oil on canvas)

Popeia, (oil on canvas)
1199481 Popeia, (oil on canvas) by Draper, Herbert James (1864-1920); 39.4x61.6 cm; Private Collection; Photo eChristies Images; English, out of copyright



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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.