Victorian Art Collection (page 7)

The Bewitched Piper, 1882 (pencil and watercolour)
659799 The Bewitched Piper, 1882 (pencil and watercolour) by Sullivan, William Holmes (1836-1908); 52.7x68.6 cm; Private Collection; (add.info.: The Bewitched Piper. William Holmes Sullivan (fl)

A Flower Market, France, 1900 (pencil and watercolour heightened with white)
659792 A Flower Market, France, 1900 (pencil and watercolour heightened with white) by Glendening, Alfred, Jr. (1861-1907); 60.5x91.5 cm; Private Collection; (add.info.: A Flower Market, France)

Hilda and Margaret, Daughters of Professor Sir Edward Poulton, F. R. S. c
659782 Hilda and Margaret, Daughters of Professor Sir Edward Poulton, F.R.S. c.1905 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 152.3x121.9 cm; Private Collection; (add.info)

The Lady in Gold - A Portrait of Mrs, c. 1891 (oil on canvas)
659781 The Lady in Gold - A Portrait of Mrs, c.1891 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 193.1x99.1 cm; Private Collection; (add.info.: The Lady in Gold - A Portrait of Mrs)

A Gypsy Water-Carrier of Seville, 1855 (oil on canvas)
659772 A Gypsy Water-Carrier of Seville, 1855 (oil on canvas) by Phillip, John (1817-67); 116.8x81.2 cm; Private Collection; (add.info.: A Gypsy Water-Carrier of Seville. John Phillip (1817-1867)

Dora, 1883 (oil on canvas)
659748 Dora, 1883 (oil on canvas) by Woolmer, Arthur Joseph (1805-92); 61.6x52.1 cm; Private Collection; (add.info.: Dora. Alfred Joseph Woolmer (1805-1892). Oil on canvas. 61.6 x 52.1cm

Market Day, the Arrival of the Hippodrome, (oil on canvas)
991385 Market Day, the Arrival of the Hippodrome, (oil on canvas) by O Neill, George Bernard (1828-1917); 84x137 cm; Private Collection; (add.info.: Market Day, the Arrival of the Hippodrome)

An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour)
990902 An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour) by Bright, Henry Barnabus (1824-76); 54x6.2 cm; Private Collection; (add.info)

Now is Pilgrim Year fair Autumns Charge, (oil on canvas)
989942 Now is Pilgrim Year fair Autumns Charge, (oil on canvas) by Shaw, John Byam Liston (1872-1919); 85x119.5 cm; Private Collection; (add.info.: Now is Pilgrim Year fair Autumns Charge)

Endymion Ah! well-a-day, Why should our young Endymion pine away -Keats
989818 Endymion Ah! well-a-day, Why should our young Endymion pine away -Keats, (oil on canvas) by Riviere, Briton (1840-1920); 102.9x142.9 cm; Private Collection; (add.info.: Endymion Ah)

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

Two Gentlemen with Pointers on a Grouse Moor, 1824 (oil on canvas)
824242 Two Gentlemen with Pointers on a Grouse Moor, 1824 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 102.3x146.4 cm; Private Collection; (add.info)

A Salmon, a Mackerel, a Lobster on a Plate, a Wicker Basket, Oysters
824174 A Salmon, a Mackerel, a Lobster on a Plate, a Wicker Basket, Oysters, a Chianti Bottle and a Fishermans Net on a Wooden Table, 1854 (oil on canvas) by Stannard

In the Golden Olden Time (oil on canvas)
1772155 In the Golden Olden Time (oil on canvas) by Grimshaw, John Atkinson (1836-93); 68.6x50.8 cm; Private Collection; (add.info.: In the Golden Olden Time. John Atkinson Grimshaw (1836-1893)

Shaking Down Cider Apples (oil on canvas)
1772148 Shaking Down Cider Apples (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 106.7x92.7 cm; Private Collection; (add.info.: Shaking Down Cider Apples)

Under the Moonbeams, 1887 (oil on board)
1772131 Under the Moonbeams, 1887 (oil on board) by Grimshaw, John Atkinson (1836-93); 46x35.9 cm; Private Collection; (add.info.: Under the Moonbeams. John Atkinson Grimshaw (1836-1893)

Portrait of the Daughters of Lawrence Pilkington, 1900 (oil on canvas)
657603 Portrait of the Daughters of Lawrence Pilkington, 1900 (oil on canvas) by Dacre, Susan Isabel (1844-1933); Private Collection; (add.info.: Portrait of the Daughters of Lawrence Pilkington)

An Old Sea Salt, (watercolour aand bodycolour)
657520 An Old Sea Salt, (watercolour aand bodycolour) by Langley, Walter (1852-1922); Private Collection; (add.info.: An Old Sea Salt. Walter Langley (1852-1922). Watercolour and bodycolour

Lytton Strachey writing in the Garden, (pastel, crayon and pencil)
657493 Lytton Strachey writing in the Garden, (pastel, crayon and pencil) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: Lytton Strachey writing in the Garden)

A Newlyn Lass, 1889 (oil on canvas)
656970 A Newlyn Lass, 1889 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); Private Collection; (add.info.: A Newlyn Lass. Thomas Cooper Gotch (1854-1931). Oil on canvas. Signed and dated 1889

Native Indians Dancing, 1590 (hand-coloured engraving)
1195465 Native Indians Dancing, 1590 (hand-coloured engraving) by White, John (fl.1570-93) (after); Private Collection; Photo eChristies Images; English, out of copyright

The March of the Seasons, (oil on canvas)
659162 The March of the Seasons, (oil on canvas) by Halle, Charles Edward (1846-1914); 106x79.4 cm; Private Collection; (add.info.: The March of the Seasons. Charles Edward Halle (1846-1914)

Forfeits, 1872 (oil on panel)
659077 Forfeits, 1872 (oil on panel) by O Neill, George Bernard (1828-1917); 39x53.5 cm; Private Collection; (add.info.: Forfeits. George Bernard O Neill (1828-1917). Oil on panel

Feeding Time, (oil on canvas)
658315 Feeding Time, (oil on canvas) by Walbourn, Ernest (1872-1927); 50.8x76.5 cm; Private Collection; (add.info.: Feeding Time. Ernest Walbourn (1872-1927). Oil on canvas

The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)
658307 The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour) by Corbould, Edward Henry (1815-1905); 91.5x137 cm; Private Collection; (add.info)

Portrait of Esme Robb, c. 1890 (oil on canvas)
659927 Portrait of Esme Robb, c.1890 (oil on canvas) by Boughton, George Henry (1833-1905); 45.7x45.7 cm; Private Collection; (add.info.: Portrait of Esme Robb. George Henry Boughton (1833-1905)

Fiammetta Singing, 1879 (pencil and watercolour heightened with white)
659926 Fiammetta Singing, 1879 (pencil and watercolour heightened with white) by Stillman, Marie Spartali (1844-1927); 76.2x101.6 cm; Private Collection; (add.info.: Fiammetta Singing)

My Best Friend, (oil on canvas)
659919 My Best Friend, (oil on canvas) by Crawford, Robert (1842-1924); 152.5x102 cm; Private Collection; (add.info.: My Best Friend. Robert Cree Crawford (1842-1924). Oil on canvas. 152.5 x 102cm

Daydreaming on the River Bank, (oil on canvas)
659916 Daydreaming on the River Bank, (oil on canvas) by Lejeune, Henry (1819-1904); 33.7x49.8 cm; Private Collection; (add.info.: Daydreaming on the River Bank. Henry Lejeune (1820-1904)

Faithful Friend at Tea Time, (pencil and watercolour)
659869 Faithful Friend at Tea Time, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 34.6x49.8 cm; Private Collection; (add.info.: Faithful Friend at Tea Time)

Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)
659771 Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel) by Solomon, Abraham (1824-62); 40.7x31.8 cm; Private Collection; (add.info)

The Cherry Seller, 1856 (oil on panel)
659732 The Cherry Seller, 1856 (oil on panel) by Smith, George (1829-1901); 76.2x63.5 cm; Private Collection; (add.info.: The Cherry Seller. George Smith (1829-1901). Oil on panel. Dated 1856

A Day at the Beach, (oil on canvas)
659132 A Day at the Beach, (oil on canvas) by Morgan, Frederick (1856-1927); 76.2x61.5 cm; Private Collection; (add.info.: A Day at the Beach. Frederick Morgan (1856-1927). Oil on canvas

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar
658895 Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas) by Millais

Garland Weavers, c. 1846 (oil on panel)
658585 Garland Weavers, c.1846 (oil on panel) by Millais, John Everett (1829-96); 19x14 cm; Private Collection; (add.info.: Garland Weavers. Sir John Everett Millais (1829-1896). Oil on panel

Boarding the Coach to London, 1879 (oil on canvas)
658468 Boarding the Coach to London, 1879 (oil on canvas) by Maggs, J.C. (1819-96); 43.2x76.2 cm; Private Collection; (add.info.: Boarding the Coach to London. John Charles Maggs (1819-1896)

Hope, 1860 (oil on canvas)
658305 Hope, 1860 (oil on canvas) by Archer, James (1824-1904); 92x138 cm; Private Collection; (add.info.: Hope. James Archer (1823-1904). Oil on canvas. Signed and dated 1860

Sisters, (oil on canvas)
658302 Sisters, (oil on canvas) by Walker, John Hanson (1844-1933); 51x47 cm; Private Collection; (add.info.: Sisters. John Hanson Walker (1844-1933). Oil on canvas. 51 x 47cm

A Spanish Beauty, (oil on canvas)
658301 A Spanish Beauty, (oil on canvas) by Jopling, Louise, nee Goode (1843-1933); 60.5x50.5 cm; Private Collection; (add.info.: A Spanish Beauty. Louise Jopling (1843-1933). Oil on canvas

Echo, 1906 (oil on canvas)
658300 Echo, 1906 (oil on canvas) by Reid, Robert Payton (1859-1945); 61x46 cm; Private Collection; (add.info.: Echo. Robert Payton Reid (1859-1945). Oil on canvas. Signed and dated 1906

Loves Destiny, 1901 (oil on canvas)
658298 Loves Destiny, 1901 (oil on canvas) by Glindoni, Henry Gillard (1852-1913); 127x101.5 cm; Private Collection; (add.info.: Loves Destiny. Henry Gillard Glindoni (1852-1913). Oil on canvas

Borrowdale, Cumberland, 1896 (oil on canvas)
658293 Borrowdale, Cumberland, 1896 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); 46x81 cm; Private Collection; (add.info.: Borrowdale, Cumberland. Oil on canvas. Signed and dated 1896)

By the River, (oil on canvas)
658283 By the River, (oil on canvas) by Gibbs, Percy William (fl.1894-1937); 52x39 cm; Private Collection; (add.info.: By the River. Percy William Gibbs (active ca. 1895-1925). Oil on canvas

Mill on the Avon, 1886 (oil on canvas)
658279 Mill on the Avon, 1886 (oil on canvas) by Lomax, John Arthur (1857-1923); 55.8x76.2 cm; Private Collection; (add.info.: Mill on the Avon. John Arthur Lomax (1857-1923). Oil on canvas

Despatch from Trebizond;Some news is come that turns their countenances
658271 Despatch from Trebizond; Some news is come that turns their countenances - Shakespeare, c.1873 (oil on canvas) by Wallis

Britomart Unarming, c. 1855 (oil on canvas)
658269 Britomart Unarming, c.1855 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 127x106.7 cm; Private Collection; (add.info.: Britomart Unarming)

James McNeill Whistler in the Cremorne Gardens, Chelsea
657987 James McNeill Whistler in the Cremorne Gardens, Chelsea, (pencil and watercolour heightened with white) by Greaves

Intruders, (oil on board)
657869 Intruders, (oil on board) by King, Henry John Yeend (1855-1924); Private Collection; (add.info.: Intruders. Henry John Yeend King (1855-1924). Oil on board

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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.