Victorian Art Collection (page 5)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

The Pantiles, Tunbridge Wells (watercolour and bodycolour)
1765026 The Pantiles, Tunbridge Wells (watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); Private Collection; (add.info.: The Pantiles, Tunbridge Wells. Louise Rayner (1832-1924)

An Old Well, Brook, Surrey (watercolour)
1765025 An Old Well, Brook, Surrey (watercolour) by Allingham, Helen (1848-1926); 20.3x14.7 cm; Private Collection; (add.info.: An Old Well, Brook, Surrey. Helen Allingham (1848-1926)

Illustrated frontispiece from the childrens book, The Butterfly
986342 Illustrated frontispiece from the childrens book, The Butterflys Ball and the Grasshoppers Feast by William Roscoe (1753-1831), 1807 (hand-coloured engraving) by Mulready

The Kings Library, Buckingham House, 1818 (colour aquatint engraving)
985732 The Kings Library, Buckingham House, 1818 (colour aquatint engraving) by Stephanoff, Francis Phillip (1790-1860) (after); 40.7x31.8 cm; Private Collection; (add.info.: The Kings Library)

A book cover with twenty-five portrait miniatures of beautiful women
985691 A book cover with twenty-five portrait miniatures of beautiful women, after the Wards Engravings of Portraits by Celebrated Artists, 1904 (dark green crushed levant morocco leather, gilt)

An Early Victorian, (oil on canvas)
1199556 An Early Victorian, (oil on canvas) by Logsdail, William (1859-1944); 176.5x85 cm; Private Collection; Photo eChristies Images; English, out of copyright

Steering the Punt, 1909 (pencil and w / c on paper)
1199537 Steering the Punt, 1909 (pencil and w/c on paper) by Tuke, Henry Scott (1858-1929); 26x17.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Ship Ahoy (oil on canvas)
1199524 Ship Ahoy (oil on canvas) by Rossi, Alexander M. (1840-1916) (attr.to); 76.2x53.3 cm; Private Collection; (add.info.: Rossi, Alexander M)

A Shady Corner, (oil on canvas)
1199499 A Shady Corner, (oil on canvas) by Clausen, George (1852-1944); 62.2x51.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Gathering Firewood, 1881 (pencil and w / c on paper)
1199498 Gathering Firewood, 1881 (pencil and w/c on paper) by Clausen, George (1852-1944); 42.5x31.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Gibraltar, 1886 (oil on canvas)
1199496 Gibraltar, 1886 (oil on canvas) by Long, Edwin Longsden (1829-91); 104.2x81.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Maternity, 1917 (oil on canvas)
1199490 Maternity, 1917 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 131.8x118.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sketch for The Outcast, 1851 (oil on canvas)
1199489 Sketch for The Outcast, 1851 (oil on canvas) by Redgrave, Richard (1804-88); 25.4x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Far Away Thoughts, 1911 (oil on canvas)
1199482 Far Away Thoughts, 1911 (oil on canvas) by Godward, John William (1861-1922); 100.3x100.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

In St Mark s, (oil on canvas)
1199480 In St Mark s, (oil on canvas) by Leighton, Frederic (1830-96); 106.7x68.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
1199478 Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21x14 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)
1199468 Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash) by Landseer, Charles (1799-1879); 49x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

Map of Virginia showing the arrival of Sir Walter Raleighs expedition in 1585
1195464 Map of Virginia showing the arrival of Sir Walter Raleighs expedition in 1585, 1590 (hand-coloured engraving) by White

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Juno in her chariot, 1874-c. 1919 (w / c on vellum)
1195385 Juno in her chariot, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Minton Art Pottery Studio charger, painted with a nude staring out to sea
1194922 A Minton Art Pottery Studio charger, painted with a nude staring out to sea, 19th century (ceramic) by Coleman, William Stephen (1829-1904); 49 (diam)

Portrait of a Woman, Half Length, 1905 (oil on canvas)
657745 Portrait of a Woman, Half Length, 1905 (oil on canvas) by Blacklock, William Kay (1872-1922); Private Collection; (add.info.: Portrait of a Woman, Half Length)

Mother Love, (oil on canvas)
657721 Mother Love, (oil on canvas) by Langley, Walter (1852-1922); Private Collection; (add.info.: Mother Love. Walter Langley (1852-1922). Oil on canvas

A Street in Newlyn, (oil on panel)
657590 A Street in Newlyn, (oil on panel) by Langley, Walter (1852-1922); Private Collection; (add.info.: A Street in Newlyn. Walter Langley (1852-1922). Oil on panel

Golden Youth, (oil on canvas)
656871 Golden Youth, (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 122x214.5 cm; Private Collection; (add.info.: Golden Youth. Thomas Cooper Gotch (1854-1931). Oil on canvas

Shoeing the Favourite, 1865 (oil on canvas)
652184 Shoeing the Favourite, 1865 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 73.6x100.4 cm; Private Collection; (add.info.: Shoeing the Favourite. John Frederick Herring, Sr)

Jack Spigot, a Dark Bay Racehorse in a Paddock at Bolton Hall, 1824 (oil on canvas)
652144 Jack Spigot, a Dark Bay Racehorse in a Paddock at Bolton Hall, 1824 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x128.9 cm; Private Collection; (add.info.: Jack Spigot)

A Scene from As You Like It : Rosalind, Celia and Jacques in The Forest of Arden
828480 A Scene from As You Like It : Rosalind, Celia and Jacques in The Forest of Arden, 1864 (pencil and watercolour heightened with bodycolour and gum arabic) by Buckley

There is a great Field Marshall, my friend, who arrays our battalions
828442 There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations, (oil on panel) by Shaw

Portrait of Mary Anderson, (oil on canvas)
828437 Portrait of Mary Anderson, (oil on canvas) by Watts, George Frederic (1817-1904); 127x103 cm; Private Collection; (add.info.: Portrait of Mary Anderson. George Frederic Watts (1817-1904)

Seaside Gossips, (watercolour)
828431 Seaside Gossips, (watercolour) by Smetham, James (1821-89); 26x35.2 cm; Private Collection; (add.info.: Seaside Gossips. James Smetham (1821-1889). Watercolour

Rustic Lovers Crossing a Style, c. 1860 (watercolour)
828430 Rustic Lovers Crossing a Style, c.1860 (watercolour) by English School, (19th century); 42.5x55.9 cm; Private Collection; (add.info.: Rustic Lovers Crossing a Style)

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

A Venetian al Fresco, 1885 (oil on canvas)
828404 A Venetian al Fresco, 1885 (oil on canvas) by Logsdail, William (1859-1944); 103.8x167.7 cm; Private Collection; (add.info.: A Venetian al Fresco. William Logsdail (1859-1944). Oil on canvas

Lytham Sandhills, 1864 (oil on canvas)
828393 Lytham Sandhills, 1864 (oil on canvas) by Ansdell, Richard (1815-85); 91.8x183.5 cm; Private Collection; (add.info.: Lytham Sandhills. Richard Ansdell (1815-1885). Oil on canvas. Dated 1864

Watergate Street, Chester, Looking West, (pencil and watercolour)
828389 Watergate Street, Chester, Looking West, (pencil and watercolour) by Rayner, Louise Ingram (1832-1924); 42.6x54. cm; Private Collection; (add.info.: Watergate Street, Chester, Looking West)

The Ferry, 1881 (oil on canvas)
828386 The Ferry, 1881 (oil on canvas) by Macbeth, Robert Walker (1848-1910); 121.9x213.4 cm; Private Collection; (add.info.: The Ferry. Robert Walker Macbeth (1848-1910). Oil on canvas. Dated 1881

It is better to hear the rebuke of the wise than for a man to hear the song of fools
989552 It is better to hear the rebuke of the wise than for a man to hear the song of fools, 1901 (oil on panel) by Shaw, John Byam Liston (1872-1919); 40.6x29.8 cm; Private Collection; (add.info)

My Fair Lady, 1914 (oil on canvas)
989315 My Fair Lady, 1914 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 170.8x110.8 cm; Private Collection; (add.info.: My Fair Lady. Edmund Blair Leighton (1852-1922). Oil on canvas

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

A Study from Life, 1928 (oil on canvas)
1199619 A Study from Life, 1928 (oil on canvas) by Watson, George Spencer (1869-1934); 96.2x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Courage, Anxiety and Despair: Watching the Battle, (oil on canvas)
1199617 Courage, Anxiety and Despair: Watching the Battle, (oil on canvas) by Sant, James (1820-1916); 121.9x152.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Sack of Corinth, 1870 (oil on canvas)
1199616 The Sack of Corinth, 1870 (oil on canvas) by Allom, Thomas (1804-72); 148x239.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hero, (oil on canvas)
1199611 Hero, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 73.7x79 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
1199585 Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil, red and black chalk on paper) by Burne-Jones

Gossip, c. 1885 (oil on canvas)
1199557 Gossip, c. 1885 (oil on canvas) by Waterhouse, John William (1849-1917); 72.1x92.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

King Lear and the Fool (Shakespeare, King Lear, Act III, Scene II) (oil on canvas)
1767299 King Lear and the Fool (Shakespeare, King Lear, Act III, Scene II) (oil on canvas) by Sullivan, William Holmes (1836-1908); 93x71.3 cm; Private Collection; (add.info)

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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.