Victorian Art Collection (page 6)

Day and the Dawnstar (oil on canvas)
1767298 Day and the Dawnstar (oil on canvas) by Draper, Herbert James (1864-1920); 43x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

Young Woman in Blue - Miss H. Strom, (oil on canvas)
827110 Young Woman in Blue - Miss H. Strom, (oil on canvas) by Shannon, James Jebusa (1862-1923); 62.9x52.1 cm; Private Collection; (add.info.: Young Woman in Blue - Miss H. Strom)

Returning Home, (pencil and watercolour heightened with white)
824047 Returning Home, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 26.3x19.1 cm; Private Collection; (add.info.: Returning Home. Myles Birket Foster (1825-1899)

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

A Brown Study, 1853 (oil on canvas)
827527 A Brown Study, 1853 (oil on canvas) by Huggins, William (1820-84); 92.1x72 cm; Private Collection; (add.info.: A Brown Study. William Huggins (1820-1884). Oil on canvas. Signed and dated 1853

Admiring the Baby, (oil on canvas)
827361 Admiring the Baby, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 127x91.5 cm; Private Collection; (add.info.: Admiring the Baby. George Goodwin Kilburne (1839-1924). Oil on canvas

Christmas Eve, 1887, 1887 (oil on canvas)
827250 Christmas Eve, 1887, 1887 (oil on canvas) by Millais, John Everett (1829-96); 155x130.8 cm; Private Collection; (add.info.: Christmas Eve, 1887. Sir John Everett Millais (1829-1896)

Threading the Needle, (watercolour with scraping out)
827235 Threading the Needle, (watercolour with scraping out) by Henshall, John Henry (1856-1928); 26x17.8 cm; Private Collection; (add.info.: Threading the Needle. John Henry Henshall (1856-1928)

Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille)
827149 Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

The Morning Ride, (oil on canvas)
1197612 The Morning Ride, (oil on canvas) by Hardy, Heywood (1842-1933); 88.9x71.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of the Sculptor George Frampton (1860-1928), as a Student, (oil on canvas)
658286 Portrait of the Sculptor George Frampton (1860-1928), as a Student, (oil on canvas) by Solomon, Solomon Joseph (1860-1927); 76x63.5 cm; Private Collection; (add.info)

Michaelmas, (oil on canvas)
651064 Michaelmas, (oil on canvas) by Shannon, James Jebusa (1862-1923); 113x80 cm; Private Collection; (add.info.: Michaelmas. Sir James Jebusa Shannon (1862-1923). Oil on canvas. 113.3 x 80.3cm

The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train
652110 The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train, (pencil and watercolour heightened with white) by Foster

Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond
652100 Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond, (watercolour heightened with white) by Rayner

The Lotus Eaters, 1883 (pencil and watercolour heightened with white)
652065 The Lotus Eaters, 1883 (pencil and watercolour heightened with white) by Staniland, Charles J. (1838-1896); 74.9x121.9. cm; Private Collection; (add.info.: The Lotus Eaters)

View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent
652001 View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent, 1873 (pencil and watercolour with touches of white heightening) by Kilburne

Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)
651993 Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 19.6x29.2 cm; Private Collection; (add.info)

Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)
651954 Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 31.1x17.8 cm; Private Collection; (add.info.: Figures in Harp Lane, Ludlow)

At the Spring, 1870 (oil on canvas)
659075 At the Spring, 1870 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 76.2x91.5 cm; Private Collection; (add.info.: At the Spring. Frederick Richard Pickersgill (1820-1900)

Lilly, Daughter of John Noble, 1864 (oil on canvas)
658896 Lilly, Daughter of John Noble, 1864 (oil on canvas) by Millais, John Everett (1829-96); 91.5x71 cm; Private Collection; (add.info.: Lilly, Daughter of John Noble)

Hide and Seek, 1876 (oil on canvas)
658477 Hide and Seek, 1876 (oil on canvas) by Ludovici, Albert Snr. (1820-94); 45x35.5 cm; Private Collection; (add.info.: Hide and Seek. Albert Ludovici, Sr. (1820-1891). Oil on canvas. Dated 1876

Wild Rose, 1908 (oil on canvas)
658472 Wild Rose, 1908 (oil on canvas) by Reid, Robert Payton (1859-1945); 76.2x50.7 cm; Private Collection; (add.info.: Wild Rose. Robert Payton Reid (1859-1945). Oil on canvas. Dated 1908

Study of a Ladys Head, (oil on canvas)
658335 Study of a Ladys Head, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 36.7x40 cm; Private Collection; (add.info.: Study of a Ladys Head. Sir Edward Coley Burne-Jones (1833-1898)

Pizarro Seizing the Inca of Peru, 1846 (oil on canvas)
658327 Pizarro Seizing the Inca of Peru, 1846 (oil on canvas) by Millais, John Everett (1829-96); 42x49.5 cm; Private Collection; (add.info.: Pizarro Seizing the Inca of Peru)

Gathering Spring Flowers, (oil on canvas)
658278 Gathering Spring Flowers, (oil on canvas) by King, Henry John Yeend (1855-1924); 61x91.5 cm; Private Collection; (add.info.: Gathering Spring Flowers. Henry John Yeend King (1855-1924)

The Uninvited Lunch Guest, 1896 (oil on panel)
658267 The Uninvited Lunch Guest, 1896 (oil on panel) by Morley, Robert (1857-1941); 28x38 cm; Private Collection; (add.info.: The Uninvited Lunch Guest. Robert Morley (1857-1941). Oil on panel

A Cart Horse and Driver Outside a Stable, 1827 (oil on canvas)
658250 A Cart Horse and Driver Outside a Stable, 1827 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 61x76.2 cm; Private Collection; (add.info.: A Cart Horse and Driver Outside a Stable)

Competing for Attention, (oil on panel)
658241 Competing for Attention, (oil on panel) by Glindoni, Henry Gillard (1852-1913); 45.7x61 cm; Private Collection; (add.info.: Competing for Attention. Henry Gillard Glindoni (1852-1913)

Horse Guards Parade, (pencil and watercolour heightened with white)
652101 Horse Guards Parade, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 20.9x16.5 cm; Private Collection; (add.info.: Horse Guards Parade)

A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour)
652098 A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour) by Glendening, Alfred, Jr. (1861-1907); 76.2x50.8 cm; Private Collection; (add.info)

Children Reading Beside a Country Lane, (pencil and watercolour heightened with white)
652095 Children Reading Beside a Country Lane, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 13.6x20.9 cm; Private Collection; (add.info)

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white
652094 A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white) by Kilburne, George Goodwin (1839-1924); 25.1x35 cm; Private Collection; (add.info)

A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum
652068 A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum arabic) by Hunt, William Henry (1790-1864); 27.3x17.7 cm; Private Collection; (add.info)

Grandfathers Boots, (watercolour heightened with white)
652054 Grandfathers Boots, (watercolour heightened with white) by Hunt, William Henry (1790-1864); 33x22.2 cm; Private Collection; (add.info.: Grandfathers Boots. William Henry Hunt (1790-1864)

His Last Investment, (watercolour)
652032 His Last Investment, (watercolour) by Wilson, Charles Edward (1853-1941); 36.2x26.7 cm; Private Collection; (add.info.: His Last Investment. Charles Edward Wilson (1854-1941). Watercolour

Idle Moments, (pencil and watercolour heightend with white)
651913 Idle Moments, (pencil and watercolour heightend with white) by Wilson, Charles Edward (1853-1941); 37.1x53.9 cm; Private Collection; (add.info.: Idle Moments)

At the Sick Mans Door, (watercolour heightened with bodycolour)
651911 At the Sick Mans Door, (watercolour heightened with bodycolour) by Walker, Frederick (1840-75); 18.9x13 cm; Private Collection; (add.info.: At the Sick Mans Door. Frederick Walker (1841-1875)

King Renes Honeymoon, 1864 (watercolour)
659930 King Renes Honeymoon, 1864 (watercolour) by Brown, Ford Madox (1821-93); 26.7x17.8 cm; Private Collection; (add.info.: King Renes Honeymoon. Ford Madox Brown (1821-1893). Watercolour

An Unexpected Question, 1922 (oil on canvas)
659921 An Unexpected Question, 1922 (oil on canvas) by Lucas, John Seymour (1849-1923); 48.5x66.3 cm; Private Collection; (add.info.: An Unexpected Question. John Seymour Lucas (1849-1923)

A Neopolitan Dancer, (oil on canvas)
659912 A Neopolitan Dancer, (oil on canvas) by Burgess, John-Bagnold (1830-97); 66x48.3 cm; Private Collection; (add.info.: A Neopolitan Dancer. John Bagnold Burgess (1830-1897). Oil on canvas

In the Shade, 1879 (oil on canvas)
659903 In the Shade, 1879 (oil on canvas) by Stone, Marcus (1840-1921); 40.6x59.8 cm; Private Collection; (add.info.: In the Shade. Marcus Stone (1840-1921). Oil on canvas. Dated 1879

Travellers, (pencil and watercolour)
659870 Travellers, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 36.8x52.7 cm; Private Collection; (add.info.: Travellers. George Goodwin Kilburne (1839-1924)

A Gleam of Light, 1891 (watercolour)
659866 A Gleam of Light, 1891 (watercolour) by Henshall, John Henry (1856-1928); 67.4x52.1 cm; Private Collection; (add.info.: A Gleam of Light. John Henry Henshall (1856-1928). Watercolour

Stapleton Park, Pontefract, 1877 (oil on canvas)
659859 Stapleton Park, Pontefract, 1877 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 82.6x122.6 cm; Private Collection; (add.info.: Stapleton Park, Pontefract)

A Young Lady Reading in an Interior, (pencil and watercolour)
659825 A Young Lady Reading in an Interior, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 18.4x25.4 cm; Private Collection; (add.info.: A Young Lady Reading in an Interior)

The Statute Fair, 1859 (oil on canvas)
659802 The Statute Fair, 1859 (oil on canvas) by O Neill, George Bernard (1828-1917); 91.5x169 cm; Private Collection; (add.info.: The Statute Fair. George Bernard O Neill (1828-1917). Oil on canvas

The Bewitched Piper, 1882 (pencil and watercolour)
659799 The Bewitched Piper, 1882 (pencil and watercolour) by Sullivan, William Holmes (1836-1908); 52.7x68.6 cm; Private Collection; (add.info.: The Bewitched Piper. William Holmes Sullivan (fl)

A Flower Market, France, 1900 (pencil and watercolour heightened with white)
659792 A Flower Market, France, 1900 (pencil and watercolour heightened with white) by Glendening, Alfred, Jr. (1861-1907); 60.5x91.5 cm; Private Collection; (add.info.: A Flower Market, France)

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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.