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Victorian Art Collection (page 2)

Step back in time and immerse yourself in the enchanting world of Victorian art

Background imageVictorian Art Collection: Portrait of Winnie Melville, Mrs, 1920 (oil on canvas)

Portrait of Winnie Melville, Mrs, 1920 (oil on canvas)
1199517 Portrait of Winnie Melville, Mrs, 1920 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 112.4x87 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: New Friends, 1881 (oil on canvas)

New Friends, 1881 (oil on canvas)
659753 New Friends, 1881 (oil on canvas) by Smith, Carlton Alfred (1853-1946); 45.7x61.6 cm; Private Collection; (add.info.: New Friends. Carlton Alfred Smith (1853-1946). Oil on canvas

Background imageVictorian Art Collection: Fuel for the Fire, 1895 (pencil and watercolour)

Fuel for the Fire, 1895 (pencil and watercolour)
828455 Fuel for the Fire, 1895 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 42.5x61.5 cm; Private Collection; (add.info.: Fuel for the Fire. Carlton Alfred Smith (1853-1946)

Background imageVictorian Art Collection: Absent Thoughts, 1884 (pencil and watercolour)

Absent Thoughts, 1884 (pencil and watercolour)
659867 Absent Thoughts, 1884 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 42.5x32.5 cm; Private Collection; (add.info.: Absent Thoughts. Carlton Alfred Smith (1853-1946)

Background imageVictorian Art Collection: The Pet Rabbit, 1906 (pencil and watercolour heightened with white)

The Pet Rabbit, 1906 (pencil and watercolour heightened with white)
652089 The Pet Rabbit, 1906 (pencil and watercolour heightened with white) by Smith, Carlton Alfred (1853-1946); 24x15.8 cm; Private Collection; (add.info.: The Pet Rabbit)

Background imageVictorian Art Collection: The Jewel Box, 1897 (pencil and watercolour)

The Jewel Box, 1897 (pencil and watercolour)
651864 The Jewel Box, 1897 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 48.9x34.7 cm; Private Collection; (add.info.: The Jewel Box. Carlton Alfred Smith (1853-1946)

Background imageVictorian Art Collection: Jane Emmet de Glehn by a Stream, Val d Aosta, (oil on canvas)

Jane Emmet de Glehn by a Stream, Val d Aosta, (oil on canvas)
1199606 Jane Emmet de Glehn by a Stream, Val d Aosta, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 63x76 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Portrait of Lady Illingworth, 1934 (oil on canvas)

Portrait of Lady Illingworth, 1934 (oil on canvas)
1199554 Portrait of Lady Illingworth, 1934 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 166.5x109 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Portrait of Charles Haselwood Shannon (1863-1937), 1896 (coloured chalks on grey paper)

Portrait of Charles Haselwood Shannon (1863-1937), 1896 (coloured chalks on grey paper)
1199552 Portrait of Charles Haselwood Shannon (1863-1937), 1896 (coloured chalks on grey paper) by Rothenstein, William (1872-1945); 35.5x28.5 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Portrait of Miss Constance Ellen Guinness, 1902 (oil on canvas)

Portrait of Miss Constance Ellen Guinness, 1902 (oil on canvas)
1199550 Portrait of Miss Constance Ellen Guinness, 1902 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 53.3x43.2 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: The Time I ve Lost in Wooing, (oil on canvas)

The Time I ve Lost in Wooing, (oil on canvas)
659900 The Time I ve Lost in Wooing, (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 63.5x54 cm; Private Collection; (add.info.: The Time I ve Lost in Wooing)

Background imageVictorian Art Collection: William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas)

William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas)
659791 William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas) by Stewart, Allan (1865-1951); 122x183 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: The First Lesson, 1897 (watercolour heightened with white, on card)

The First Lesson, 1897 (watercolour heightened with white, on card)
651995 The First Lesson, 1897 (watercolour heightened with white, on card) by Smith, Carlton Alfred (1853-1946); 54.6x37.7 cm; Private Collection; (add.info.: The First Lesson)

Background imageVictorian Art Collection: Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Background imageVictorian Art Collection: Burmese Lace Makers, 1908 (oil on canvas)

Burmese Lace Makers, 1908 (oil on canvas)
1199563 Burmese Lace Makers, 1908 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 76x63.5 cm; Private Collection; (add.info.: Hornel)

Background imageVictorian Art Collection: Girls and Swans, 1901 (oil on canvas)

Girls and Swans, 1901 (oil on canvas)
1199562 Girls and Swans, 1901 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 76.2x35.6 cm; Private Collection; (add.info.: Hornel)

Background imageVictorian Art Collection: Children Dancing Around a Tree, 1891 (oil on canvas)

Children Dancing Around a Tree, 1891 (oil on canvas)
1199520 Children Dancing Around a Tree, 1891 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 84.5x116.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageVictorian Art Collection: Swan Pond, 1911 (oil on canvas)

Swan Pond, 1911 (oil on canvas)
1772171 Swan Pond, 1911 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 77x102.8 cm; Private Collection; (add.info.: Swan Pond. Edward Atkinson Hornel (1864-1933). Oil on canvas

Background imageVictorian Art Collection: Gathering Flowers by the Seashore, 1919 (oil on panel)

Gathering Flowers by the Seashore, 1919 (oil on panel)
827364 Gathering Flowers by the Seashore, 1919 (oil on panel) by Hornel, Edward Atkinson (1864-1933); 35.5x45.7 cm; Private Collection; (add.info.: Gathering Flowers by the Seashore)

Background imageVictorian Art Collection: The Football Game (oil on canvas)

The Football Game (oil on canvas)
1765060 The Football Game (oil on canvas) by Webster, Thomas (1800-86) (follower of); 73.5x99.5 cm; Private Collection; (add.info.: The Football Game. Follower of Thomas Webster (1800-1886)

Background imageVictorian Art Collection: The Reapers (watercolour on paper)

The Reapers (watercolour on paper)
1765039 The Reapers (watercolour on paper) by Allingham, Helen (1848-1926); 15.9x23.5 cm; Private Collection; (add.info.: The Reapers. Helen Allingham (1848-1926). Watercolour on paper

Background imageVictorian Art Collection: Fresh Lavender, 1909 (oil on canvas)

Fresh Lavender, 1909 (oil on canvas)
1199636 Fresh Lavender, 1909 (oil on canvas) by Margetson, William Henry (1861-1940); 91.4x61 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Parks Place, Knightsbridge, London, 1916 (pencil, w / c & bodycolour)

Parks Place, Knightsbridge, London, 1916 (pencil, w / c & bodycolour)
1199633 Parks Place, Knightsbridge, London, 1916 (pencil, w/c & bodycolour) by Barton, Rose Maynard (1856-1929); 35.5x26 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageVictorian Art Collection: The Ramparts, Walmer Castle: Portraits of the Countess Granville

The Ramparts, Walmer Castle: Portraits of the Countess Granville
1199604 The Ramparts, Walmer Castle: Portraits of the Countess Granville, and the Ladies Victoria and Mary Leveson-Gower, 1891 (oil on canvas) by Perugini

Background imageVictorian Art Collection: Sea Nymph, (bodycolour on brown paper)

Sea Nymph, (bodycolour on brown paper)
1199589 Sea Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Portrait of William Michael Rossetti, 1846 (pencil on buff paper)

Portrait of William Michael Rossetti, 1846 (pencil on buff paper)
1199579 Portrait of William Michael Rossetti, 1846 (pencil on buff paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.8x10.8 cm; Private Collection; Photo eChristies Images; English

Background imageVictorian Art Collection: Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper)

Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper)
1199576 Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper) by Rossetti, William Michael (1829-1919); 21.3x16.2 cm; Private Collection; (add.info.: Rossetti)

Background imageVictorian Art Collection: Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageVictorian Art Collection: Head of a Roman Model, (oil on paper laid down on canvas)

Head of a Roman Model, (oil on paper laid down on canvas)
1199532 Head of a Roman Model, (oil on paper laid down on canvas) by Leighton, Frederic (1830-96); 24.6x20.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Lachesis: Study of Jane Morris Seated in a Chair Sewing, 1860s (pencil on paper)

Lachesis: Study of Jane Morris Seated in a Chair Sewing, 1860s (pencil on paper)
1199530 Lachesis: Study of Jane Morris Seated in a Chair Sewing, 1860s (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageVictorian Art Collection: The White Owl, 1856 (oil on board)

The White Owl, 1856 (oil on board)
1199479 The White Owl, 1856 (oil on board) by Webbe or Webb, William J. (1831-1904); 45x26.3 cm; Private Collection; (add.info.: Webbe or Webb, William J)

Background imageVictorian Art Collection: Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)

Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)
1199477 Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 33x21 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Tower of Belem, c. 1825-6 (w / c)

Tower of Belem, c. 1825-6 (w / c)
1199469 Tower of Belem, c. 1825-6 (w/c) by Landseer, Charles (1799-1879); 30.5x39.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Sir Galahad, 1867-1892 (oil on canvas)

Sir Galahad, 1867-1892 (oil on canvas)
1767297 Sir Galahad, 1867-1892 (oil on canvas) by Hughes, Arthur (1832-1915); 89x113.5 cm; Private Collection; (add.info.: Concieved in 1867, completed in 1892); Photo eChristies Images; English

Background imageVictorian Art Collection: A Garden by the Sea (oil on canvas)

A Garden by the Sea (oil on canvas)
1767296 A Garden by the Sea (oil on canvas) by Topham, Frank William Warwick (1838-1924); 43.8x35.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Olivia and Viola (oil on panel)

Olivia and Viola (oil on panel)
1767280 Olivia and Viola (oil on panel) by Hook, James Clarke (1819-1907); 60.4x74.3 cm; Private Collection; (add.info.: Olivia and Viola. James Clarke Hook (1819-1907). Oil on panel

Background imageVictorian Art Collection: The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)

The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)
1766750 The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

Background imageVictorian Art Collection: Lady in a Garden by Moonlight, 1892 (oil on board)

Lady in a Garden by Moonlight, 1892 (oil on board)
1766747 Lady in a Garden by Moonlight, 1892 (oil on board) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Lady in a Garden by Moonlight. John Atkinson Grimshaw (1836-1893)

Background imageVictorian Art Collection: The Gladiators Wife, 1884 (oil on canvas)

The Gladiators Wife, 1884 (oil on canvas)
1766745 The Gladiators Wife, 1884 (oil on canvas) by Leighton, Edmund Blair (1853-1922); Private Collection; (add.info.: The Gladiators Wife. Edmund Blair Leighton (1853-1922). Oil on canvas

Background imageVictorian Art Collection: A Cottage at Freshwater, Isle of Wight (watercolour and bodycolour heightened with

A Cottage at Freshwater, Isle of Wight (watercolour and bodycolour heightened with
1766732 A Cottage at Freshwater, Isle of Wight (watercolour and bodycolour heightened with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: A Cottage at Freshwater)

Background imageVictorian Art Collection: Old Manor House (watercolour with scratching out)

Old Manor House (watercolour with scratching out)
1766719 Old Manor House (watercolour with scratching out) by Allingham, Helen (1848-1926); 23x24.2 cm; Private Collection; (add.info.: Old Manor House. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Cottage at West Horsley, Surrey (watercolour with scratching out)

Cottage at West Horsley, Surrey (watercolour with scratching out)
1766689 Cottage at West Horsley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 14.3x13.0 cm; Private Collection; (add.info.: Cottage at West Horsley, Surrey)

Background imageVictorian Art Collection: Going to Church, 1880 (oil on canvas)

Going to Church, 1880 (oil on canvas)
1766677 Going to Church, 1880 (oil on canvas) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Going to Church. John Atkinson Grimshaw (1836-1893)

Background imageVictorian Art Collection: The Angel of the Sea, 1906 (oil on canvas)

The Angel of the Sea, 1906 (oil on canvas)
1766667 The Angel of the Sea, 1906 (oil on canvas) by Frampton, Edward Reginald (1872-1923); 121.9x68.6 cm; Private Collection; (add.info.: The Angel of the Sea. Edward Reginald Frampton (1872-1923)

Background imageVictorian Art Collection: Sophie Gray (oil on canvas)

Sophie Gray (oil on canvas)
1772116 Sophie Gray (oil on canvas) by Perugini, Charles Edward (1839-1918); 25.4x20.3 cm; Private Collection; (add.info.: Sophie Gray. Charles Edward Perugini (1839-1918). Oil on canvas

Background imageVictorian Art Collection: The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)

The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)
1199603 The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper) by Grimshaw, John Atkinson (1836-93); 38x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: Miss Gertrude Vanderbilt, 1888 (oil on canvas)

Miss Gertrude Vanderbilt, 1888 (oil on canvas)
1199601 Miss Gertrude Vanderbilt, 1888 (oil on canvas) by Millais, John Everett (1829-96); 240x157.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Art Collection: A Prelude by Bach, 1868 (pencil and w / c on paper)

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright



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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.