Ink Drawing Collection (page 6)

Portrait of Auguste Vacquerie (salt and albumen print and other media)
989914 Portrait of Auguste Vacquerie (salt and albumen print and other media) by Hugo, Victor (1802-85); 14.3x21.5 and smaller cm; Private Collection; (add.info)

The Arrival of the Emperor Napoleon I with Empress Marie-Louise at the Hotel de Ville
989700 The Arrival of the Emperor Napoleon I with Empress Marie-Louise at the Hotel de Ville, Paris, (black lead, pen and grey ink on paper) by Garnier

Ossian Playing the Harp (pen and gray ink on ivory)
989693 Ossian Playing the Harp (pen and gray ink on ivory) by Karpff, Jean-Jacques Casimir (1770-1829); 128x98 cm; Private Collection; (add.info.: Ossian Playing the Harp)

Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour)
824078 Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour) by Chambers, William (1723-96); 69.7x47.1 cm; Private Collection; (add.info)

In the Orchard, (pen and black ink and watercolour on paper)
823446 In the Orchard, (pen and black ink and watercolour on paper) by Wegener, Gerda Marie Frederike (1885-1940); 27.2x24 cm; Private Collection; (add.info.: In the Orchard)

Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper)
826113 Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper) by Kirchner, Ernst Ludwig (1880-1938); 44.5x34.3 cm; Private Collection; (add.info.: Reclining Nude; Liegender Akt)

Landscape with Woman and Child; Landschap met Vrouw en Kind, 1883 (pen and black ink
825863 Landscape with Woman and Child; Landschap met Vrouw en Kind, 1883 (pen and black ink, pencil and wash heightened with white on laid) by Gogh

The columns of the temple of Castor and Pollux, with the temple of Peace in
1195481 The columns of the temple of Castor and Pollux, with the temple of Peace in the background, c.1550 (an original drawing in black chalk, pen and brown ink) by Romano

Title page, title and author, with large historiated and illuminated initial S
1195379 Title page, title and author, with large historiated and illuminated initial S, 1912-1914 (paint, ink and gold-leaf on vellum) by English School

The Interior of a Gothic Church, 1592 (black chalk, pen and brown ink
659173 The Interior of a Gothic Church, 1592 (black chalk, pen and brown ink, grey and blue wash) by German School, (16th century); 38x26.8 cm; Private Collection; (add.info)

Columbo, 1861 (pencil, pen and brown ink and watercolour)
658719 Columbo, 1861 (pencil, pen and brown ink and watercolour) by Fischer, Ludwig Hans (1848-1915); 27.3x36.8 cm; Private Collection; (add.info.: Columbo. Ludwig Hans Fischer (1848-1915)

In the Drawing Room, 1897 (pencil, pen and black ink, watercolour and bodycolour on card)
658383 In the Drawing Room, 1897 (pencil, pen and black ink, watercolour and bodycolour on card) by Marold, Ludek or Ludwig (1865-98) (after); 65x51 cm; Private Collection; (add.info)

Sophias Fools Cap, (pen and brown ink and watercolour)
659891 Sophias Fools Cap, (pen and brown ink and watercolour) by Greenaway, Kate (1846-1901); 12x15.2 cm; Private Collection; (add.info.: Sophias Fools Cap. Kate Greenaway (1846-1901)

View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto)
659187 View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto), (pen and brown ink, grey wash on grey preparation) by Rembrandt Harmensz

Camille Desmoulins at the Palais Royale (gouache, w / c & pen and brown ink on paper)
658985 Camille Desmoulins at the Palais Royale (gouache, w/c & pen and brown ink on paper) by Navlet, Joseph (1821-89); 30.5x78.1 cm; Private Collection; (add.info)

Camerino, 1849, 1849 (pen and brown ink and watercolour over pencil on paper)
658240 Camerino, 1849, 1849 (pen and brown ink and watercolour over pencil on paper) by Lear, Edward (1812-88); 32.5x51.9 cm; Private Collection; (add.info.: Camerino, 1849. Edward Lear (1812-1888)

The Water Carriers, 1888 (watercolour, gouache, pen and black ink on paper)
651129 The Water Carriers, 1888 (watercolour, gouache, pen and black ink on paper) by Farny, Henry Francois (1847-1916); 21.2x40.8 cm; Private Collection; (add.info.: The Water Carriers)

Portrait of the Composer Jean Sibelius, small half-length, (pencil
659682 Portrait of the Composer Jean Sibelius, small half-length, (pencil, black ink and watercolour heightened with white) by Edelfelt

St. John sees the resurrection of the two witness, as people flee the city walls, c
1767807 St. John sees the resurrection of the two witness, as people flee the city walls, c.1820 (Pen, ink, watercolour and gilt on paper) by Russian School (19th century)

Monkeys and Roses (ink & colour on silk)
1766596 Monkeys and Roses (ink & colour on silk) by Mori Sosen (1749-1821); Private Collection; Photo eChristies Images; Japanese, out of copyright

Animals and Flowering Plants (ink, color, and gold leaf on paper)
1766505 Animals and Flowering Plants (ink, color, and gold leaf on paper) by Japanese School, (18th century); 148.5x356.5 cm; Private Collection; (add.info.: Animals and Flowering Plants)

Adam holding an Apple, seated, in a Medallion, c. 1547-1553 (black chalk
1197617 Adam holding an Apple, seated, in a Medallion, c.1547-1553 (black chalk, pen and brown ink, brown wash heightened with white) by Bedoli

A Visit to the Jail, 1849 (pencil, pen, brown ink, w / c)
1196934 A Visit to the Jail, 1849 (pencil, pen, brown ink, w/c) by Trench, Philip Charles (fl.1820-50); 23.5x28 cm; Private Collection; (add.info.: Trench)

The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w / c)
1196924 The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c. 1788-1796 (pencil, pen and grey ink
1196891 The Mausoleum of Makhdum Shah Daulat, Maner, Bihar, c.1788-1796 (pencil, pen and grey ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

School Scene, c. 1863-4 (paint and ink on vellum)
1196883 School Scene, c.1863-4 (paint and ink on vellum) by Qajar School (19th century); 26.7x17.1 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

European Gentlemen in Procession of Orientals, c. 1720 (ink and w / c on paper
1196726 European Gentlemen in Procession of Orientals, c.1720 (ink and w/c on paper, laid down on cotton) by Ottoman School

Peasant with a Staff, 1941 (pen and black ink, grey wash and pencil on paper)
1196006 Peasant with a Staff, 1941 (pen and black ink, grey wash and pencil on paper) by Gonzalez, Julio (1876-1942); 30.9x19.7 cm; Private Collection; Photo eChristies Images; Spanish

Frontispiece with a Bouquet of Flowers, (ink on card)
1195740 Frontispiece with a Bouquet of Flowers, (ink on card) by Chekhonin, Sergei Vasil evich (1878-1936); 7x22 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Chestnut Seller (pastel and pen and black ink on paper)
1769076 Chestnut Seller (pastel and pen and black ink on paper) by Steinlen, Theophile Alexandre (1859-1923); 43.8x36.2 cm; Private Collection; (add.info.: Chestnut Seller; Vendeur de chataignes)

Lady Sitting on a Rock Playing a Qin (Scroll, mounted and framed
1764905 Lady Sitting on a Rock Playing a Qin (Scroll, mounted and framed, ink and colour on paper) by Yu Ming (1884-1935); 31.7x39 cm; Private Collection; (add.info)

Tiger (hanging scroll, ink and colour on paper)
1764868 Tiger (hanging scroll, ink and colour on paper) by Zhang Shanzi (1882-1940); 134x54.3 cm; Private Collection; (add.info.: Tiger. Zhang Shanzi (1882-1940)

Cats on a Rock with Roses, 1930 (ink and colour on paper)
1764926 Cats on a Rock with Roses, 1930 (ink and colour on paper) by Cheng, Zhang (1869-1938); Private Collection; (add.info.: Cats on a Rock with Roses. Cheng Zhang (1869-1935)

Gazing at a Lotus Pond (ink and colour on paper)
1764917 Gazing at a Lotus Pond (ink and colour on paper) by Yu Ming (1884-1935); Private Collection; (add.info.: Gazing at a Lotus Pond (ink and colour on paper)); Photo eChristies Images; Chinese

A Lady Gazing in the Mirror (hanging scroll, ink & colour on silk)
1764892 A Lady Gazing in the Mirror (hanging scroll, ink & colour on silk) by Yu Ming (1884-1935); 82.5x40.3 cm; Private Collection; (add.info.: A Lady Gazing in the Mirror. Yu Ming (1884-1935)

Red Plum Blossoms, 1905 (hanging scroll, ink and colour on paper)
1764876 Red Plum Blossoms, 1905 (hanging scroll, ink and colour on paper) by Wu, Changshuo (1844-1927); 132 x 48 cm; Private Collection; (add.info.: Red Plum Blossoms. Wu Changshuo (1844-1927)

Tiger (hanging scroll, ink and colour on paper)
1764869 Tiger (hanging scroll, ink and colour on paper) by Zhang Shanzi (1882-1940); 134x54.3 cm; Private Collection; (add.info.: Tiger. Zhang Shanzi (1882-1940)

La Pharmacie, (watercolour over pen and black ink on paper)
652287 La Pharmacie, (watercolour over pen and black ink on paper) by Pascin, Jules (1885-1930); 33.6x43.2 cm; Private Collection; (add.info.: La Pharmacie. Jules Pascin (1885-1930)

Study for Desdemonas Death Song: Othello, Act IV, Sc. III, (pen and brown ink)
652049 Study for Desdemonas Death Song: Othello, Act IV, Sc. III, (pen and brown ink) by Rossetti, Dante Gabriel Charles (1828-82); 43.5x34.9 cm; Private Collection; (add.info)

Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour)
652046 Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour) by Towne, Francis (1740-1816); 18.4x22.2 cm; Private Collection; (add.info.: Vauxhall Stairs, from Millbank)

Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations
652024 Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour) by Quarenghi

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

Studies of Shells and Marine Flora, (pencil, pen and black ink
651950 Studies of Shells and Marine Flora, (pencil, pen and black ink and watercolour heightened with white) by Edwards, Sydenham Teast (c.1768-1819); 25.1x20 cm; Private Collection; (add.info)

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil
651924 Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour) by Rowlandson

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks
651920 A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour) by Rowlandson

Broadstairs (pencil, pen and grey ink and watercolour)
651902 Broadstairs (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.5x37.2 cm; Private Collection; (add.info.: Broadstairs. Thomas Rowlandson (1756-1827)

A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)
651896 A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 31.2x48.5 cm; Private Collection; (add.info)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.