Ink Drawing Collection (page 9)

The New Bathing Suit, (pen and black ink and watercolourr on paper)
823447 The New Bathing Suit, (pen and black ink and watercolourr on paper) by Wegener, Gerda Marie Frederike (1885-1940); 16.2x21 cm; Private Collection; (add.info.: The New Bathing Suit)

Temptation, (pen and ink and watercolour on paper)
823445 Temptation, (pen and ink and watercolour on paper) by Wegener, Gerda Marie Frederike (1885-1940); 36x30.2 cm; Private Collection; (add.info.: Temptation. Gerda Wegener (1885-1940)

Preparing the King, (watercolour and black ink on paperboard)
989554 Preparing the King, (watercolour and black ink on paperboard) by Rackham, Arthur (1867-1939); 23.2x26.7 cm; Private Collection; (add.info.: Preparing the King. Arthur Rackham (1867-1939)

A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder
990021 A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg, (red chalk, pen and brown ink) by Vaga

Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper)
990000 Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.6x19.7 cm; Private Collection; (add.info.: Mars)

A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink
989703 A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink, watercolour and bodycolour on can) by Lami

The Battle of Ocana, c. 1844 (pen and brown ink, brown wash on paper)
989651 The Battle of Ocana, c.1844 (pen and brown ink, brown wash on paper) by Bellange, Joseph-Louis-Hippolyte (1800-1866); 42.3x61.6 cm; Private Collection; (add.info.: The Battle of Ocana)

A Train Station in the Outskirts of Paris, 1846 (black chalk, pen and brown and black ink
989646 A Train Station in the Outskirts of Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret

The Courtyard of the Ecole des Beaux-Arts, Paris, (black lead, pen and black ink
989641 The Courtyard of the Ecole des Beaux-Arts, Paris, (black lead, pen and black ink, brown and blue wash on light brow) by Duban

Sunflowers, Rue des Beaux-Arts, c. 1892-93 (etching and ink on tissue-thin Japan paper. )
990511 Sunflowers, Rue des Beaux-Arts, c.1892-93 (etching and ink on tissue-thin Japan paper.) by Whistler, James Abbott McNeill (1834-1903); 22.2x27.9 cm; Private Collection; (add.info.: Sunflowers)

Leda, (gouache, brush, pen and black ink on dark green paper laid down)
988997 Leda, (gouache, brush, pen and black ink on dark green paper laid down) by Gris, Juan (1887-1927); 41.9x53.7 cm; Private Collection; (add.info.: Leda. Juan Gris (1887-1927)

Head of a Peasant Woman, Facing Right, 1884 (pen and black ink
987516 Head of a Peasant Woman, Facing Right, 1884 (pen and black ink, brush and gray wash over pencil) by Gogh, Vincent van (1853-90); 15.9x10.7 cm; Private Collection; (add.info)

The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)
986374 The Coronation of the Virgin by the Holy Trinity, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info)

Female Saint in a boat with a courtly couple and two boatmen
986280 Female Saint in a boat with a courtly couple and two boatmen, within a large historiated initial O, early 20th century (ink, paints and gold leaf on vellum) by Spanish School

A large historiated A with a depiction of the Ascension, c
986277 A large historiated A with a depiction of the Ascension, c.1450 (inks, paint and gold leaf on vellum) by Torelli, Filippo di Matteo (1409-68) (attributed to)

Chart of the Island of Timor, c. 1760 (ink and wash on paper)
986261 Chart of the Island of Timor, c.1760 (ink and wash on paper) by Dutch School, (18th century); 90x58.5 cm; Private Collection; (add.info.: Chart of the Island of Timor)

Very large historiated letter A, showing the Resurrection, c
986166 Very large historiated letter A, showing the Resurrection, c.1400-1450 (coloured inks and gold leaf on vellum) by Tuscan School (15th century); 56.7x39 cm; Private Collection; (add.info)

Major Mitchells Cockatoo (Cacatua leadbeateri), (black chalk, brush, ink
986101 Major Mitchells Cockatoo (Cacatua leadbeateri), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert

Alexandrine Parakeet (Psittacula eupatria eupatria), (black chalk, brush, ink
986097 Alexandrine Parakeet (Psittacula eupatria eupatria), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert

Portolan Chart of Western Europe and North Africa, c. 1580 (sepia ink and colour on vellum
986016 Portolan Chart of Western Europe and North Africa, c.1580 (sepia ink and colour on vellum) by Dutch School, (16th century); 89x73 cm; Private Collection; (add.info)

Portolan Chart of Western Europe and North Africa, 1578 (sepia ink and colours on vellum)
986015 Portolan Chart of Western Europe and North Africa, 1578 (sepia ink and colours on vellum) by Teixeira, Luis (fl.1564-1612); 69x61 cm; Private Collection; (add.info)

Elevation of the south front and Garden Palace of the Suraj Bhawan at Dig, c
990901 Elevation of the south front and Garden Palace of the Suraj Bhawan at Dig, c.1830 (pencil, pen and grey ink and watercolour) by Agra School

American Beach; Plage American, c. 1917 (watercolour, black wax crayon, pencil
825163 American Beach; Plage American, c.1917 (watercolour, black wax crayon, pencil, pen and india ink on buff) by Pascin

La Parabole du Vigneron, d Apres Andrea del Sarto, (black chalk, pen and brown ink
827618 La Parabole du Vigneron, d Apres Andrea del Sarto, (black chalk, pen and brown ink, brown on beige paper) by Rubens

Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)
827602 Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash) by Cades, Giuseppe (1750-99); 32x38.5 cm; Private Collection; (add.info.: Hercules at the Crossroads)

A View of the Acropolis, Athens, from the Temple of Zeus at Olympia, c
827573 A View of the Acropolis, Athens, from the Temple of Zeus at Olympia, c.1786-87 (black lead, pen, black ink and watercolour) by Cassas, Louis Francois (1756-1827); 19.7x28.7

Winter Frolic, 1924 (watercolour and pen and black ink on paper)
827365 Winter Frolic, 1924 (watercolour and pen and black ink on paper) by Rackham, Arthur (1867-1939); 53.8x73.7 cm; Private Collection; (add.info.: Winter Frolic. Arthur Rackham (1867-1939)

The Wolf and the Crane - Aesops Fables, 1912 (pen and black ink with watercolour on paper
827190 The Wolf and the Crane - Aesops Fables, 1912 (pen and black ink with watercolour on paper) by Rackham, Arthur (1867-1939); 23.5x18.7 cm; Private Collection; (add.info)

Peonies and Rock, 1893 (ink and colour on silk)
1764934 Peonies and Rock, 1893 (ink and colour on silk) by Chinese School (19th century); Private Collection; (add.info.: Peonies and Rock. Cixi (Empress Dowager) (1835-1908)

Draw Bridge from St. Augustines Bank, Bristol, (pencil
652053 Draw Bridge from St. Augustines Bank, Bristol, (pencil, pen and brown ink and watercolour) by Johnson, James (1803-34); 21.6x32.4 cm; Private Collection; (add.info.: Draw Bridge from St)

Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey
651989 Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of the South Front, Design B, and Elevation of the North Front

Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)
651886 Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white) by Roberts, David (1796-1864); 22.9x30.7 cm; Private Collection; (add.info.: Dieppe. David Roberts (1796-1864)

Durham Cathedral and Castle from the River Wear, 1811 (pencil
651881 Durham Cathedral and Castle from the River Wear, 1811 (pencil, pen and grey ink and watercolour on two joined sheets) by Towne

The Apotheosis of Saint Francis Surrounded by Musician Angels
651786 The Apotheosis of Saint Francis Surrounded by Musician Angels: Design for an Apse or Half-Dome Divided by Ribs, (red chalk, pen and brown ink, brown wash) by Sirani

Two Putti Supporting a Cardinals Hat and an Escutcheon with the Arms of Camillo
651785 Two Putti Supporting a Cardinals Hat and an Escutcheon with the Arms of Camillo Pamphili: Design for a Stucco Decoration, (black and touches of red chalk, pen and brown ink)

Rond Point des Champs Elysees, Paris, (pen and black ink, watercolour and bodycolour)
651490 Rond Point des Champs Elysees, Paris, (pen and black ink, watercolour and bodycolour) by Loir, Luigi (1845-1916); 30.5x48 cm; Private Collection; (add.info.: Rond Point des Champs Elysees)

The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper)
652626 The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper) by Daumier, Honore (1808-79); 24.4x30.5 cm; Private Collection; (add.info.: The Grandmother; Une Grand Maman)

An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags
659220 An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags, with Flanking Allegorical Figures of Fame and Victory Holding a Coronet, (red and black chalk)

Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour
656603 Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour, pen and brush and black ink on paper) by Modigliani

Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink)
659205 Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink) by Stimmer, Tobias (1539-84); 29.4x20.8 cm; Private Collection; (add.info.: Portrait of a Bearded Man)

A Standing Youth, and Studies of a Woman, Her Left Arm Outstretched, (pen and brown ink)
659183 A Standing Youth, and Studies of a Woman, Her Left Arm Outstretched, (pen and brown ink) by Bandinelli, Baccio (1488-1560); 39.1x21.7 cm; Private Collection; (add.info.: A Standing Youth)

A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour)
657169 A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour) by Aldin, Cecil Charles Windsor (1870-1935); 44x28 cm; Private Collection; (add.info.: A Falls a Hawful Thing)

Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)
1196952 Views of Mecca and Medina, c.1794-5 (paint, gilt and ink on paper) by Ottoman School, (18th century); 14x9.5 cm; Private Collection; Photo eChristies Images; Turkish, out of copyright

Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w / c)
1196925 Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian

The Taj from the Garden, c. 1815 (encil, pen, grey ink, w / c)
1196921 The Taj from the Garden, c. 1815 (encil, pen, grey ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The King of the Forest, c. 1600-1610 (w / c & ink on paper)
1196807 The King of the Forest, c.1600-1610 (w/c & ink on paper) by Indian School, (17th century); 38.8x28.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The White Marble Tomb of Seliem Chistie, c. 1815 (pencil, pen & ink, w / c)
1196932 The White Marble Tomb of Seliem Chistie, c. 1815 (pencil, pen & ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.