Ink Drawing Collection (page 3)

Pinocchio, 1883 (printed ink on paper with penwork shading in red by a childs ha)
986274 Pinocchio, 1883 (printed ink on paper with penwork shading in red by a childs ha) by Mazzanti, Enrico (1850-1910); Private Collection; (add.info.: Pinocchio)

The Knight Errant fending off his foe, 1906 (pen, black ink and watercolour)
986146 The Knight Errant fending off his foe, 1906 (pen, black ink and watercolour) by Parkinson, William (fl.1886-93); 26.7x33 cm; Private Collection; (add.info)

Christ at the gates of Hell bearing the banner of the resurrection
986128 Christ at the gates of Hell bearing the banner of the resurrection and reaching in to rescue souls, Adam and Eve behind, c.1550 (miniature in ink and wash on vellum) by Italian School

White Spoon Bill, 1750-1800 (pen, ink, and watercolour)
986122 White Spoon Bill, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: White Spoon Bill)

Sulphur-crested Cockatoo (Cacatua galerita), (black chalk, brush, ink, watercolour
986100 Sulphur-crested Cockatoo (Cacatua galerita), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert

Black-capped Parrot (Pionites melanocephala pallidus), (black chalk, brush, ink
986099 Black-capped Parrot (Pionites melanocephala pallidus), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

Title page illustrating a garden scene with figures, 1529
985884 Title page illustrating a garden scene with figures, 1529 (woodcut printed with red and black inks) by English School

Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid
650904 Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid on board) by Remington, Frederic (1861-1909); 35.6x59.6 cm; Private Collection; (add.info)

Portrait of Arthur Benson Homer, 1853 (pencil on paper)
650870 Portrait of Arthur Benson Homer, 1853 (pencil on paper) by Homer, Winslow (1836-1910); 25.7x20 cm; Private Collection; (add.info.: Portrait of Arthur Benson Homer. Winslow Homer (1836-1910)

Luna, Christmas, 1882, 1882 (watercolour and pastel and black and blue ink on artist
650350 Luna, Christmas, 1882, 1882 (watercolour and pastel and black and blue ink on artists board) by Vedder, Elihu (1836-1923); 31.4x27.9 cm; Private Collection; (add.info.: Luna, Christmas, 1882)

President Mole returning from the Palais-Royal during the Fronde, (black chalk
990029 President Mole returning from the Palais-Royal during the Fronde, (black chalk, pen and lack ink, brown and grey wash on brown pape) by Vincent

The Portico of an Italian Palace with a Fountain Decorated with a statue of Fortune
990020 The Portico of an Italian Palace with a Fountain Decorated with a statue of Fortune, (chalk, pen and brown ink, gray wash) by Bibiena

Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair
990018 Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair, (pen and brown ink) by Passarotti, Bartolomeo (1529-92); 45.9x39.6 cm; Private Collection; (add.info)

A View of a Terrace in Padua, (black chalk, pen and brown ink)
990017 A View of a Terrace in Padua, (black chalk, pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 34.2x43.1 cm; Private Collection; (add.info.: A View of a Terrace in Padua)

The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash)
990010 The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash) by Bedoli, Girolamo Mazzola (c.1500-69); 20.5x33.8 cm; Private Collection; (add.info.: The Annunciation)

Four Birds in Wood, (watercolour, bodycolour and gold ink)
989996 Four Birds in Wood, (watercolour, bodycolour and gold ink) by Henstenburgh, Herman (1667-1726); 35.5x28.2 cm; Private Collection; (add.info.: Four Birds in Wood)

The Common Vapourer, (watercolour with pen and black ink over pencil)
989783 The Common Vapourer, (watercolour with pen and black ink over pencil) by Carse, Andreas Duncan (1876-1938); 27x21.4 cm; Private Collection; (add.info.: The Common Vapourer. A)

Carte Universelle (World Map), 1624 (ink and watercolour on vellum)
991249 Carte Universelle (World Map), 1624 (ink and watercolour on vellum) by French School, (17th century); 46.7x90.45 (approx.) cm; Private Collection; (add.info.: Carte Universelle (World Map)

The Carpenter, (pen and ink and watercolour)
659767 The Carpenter, (pen and ink and watercolour) by Hughes, Arthur (1832-1915); 13.3x17.8 cm; Private Collection; (add.info.: The Carpenter. Arthur Hughes (1832-1915). Pen and ink and watercolour

Study of a Young Girl at the Piano; Etude pour Une Jeune Fille au Piano, (soft pencil
656762 Study of a Young Girl at the Piano; Etude pour Une Jeune Fille au Piano, (soft pencil, pen and black ink on paper) by Renoir

A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk
659237 A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk, pen and black ink and watercolour heighten) by Moreau

Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum
659225 Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum (pen & ink and w/c on paper) by Paris, Pierre-Adrien (1745-1819); 22.7x37 cm; Private Collection; (add.info)

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink
659191 The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre) by Veronese

The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink
659189 The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink, brown wash) by Guardi, Francesco (1712-93); 44x59.3 cm; Private Collection; (add.info)

A View of Paris and the Seine from Saint-Cloud, (black chalk, pen and brown ink
659182 A View of Paris and the Seine from Saint-Cloud, (black chalk, pen and brown ink, watercolour) by Vauzelle, Jean Lubin (1776-c.1837); 25x35.3 cm; Private Collection; (add.info)

Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town
659174 Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town, (pen and brown ink) by Callot, Jacques (1592-1635); 32.2x18.4 cm; Private Collection; (add.info)

Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink)
659142 Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink) by Rackham, Arthur (1867-1939); 38x27.7 cm; Private Collection; (add.info)

Servant with a Bedwarmer, (pen and brown ink and brown wash on light blue paper)
659138 Servant with a Bedwarmer, (pen and brown ink and brown wash on light blue paper) by Fortuny y CarbAo (Fortuny i Marsal)

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

Plum Hunt with Sparrows; Ei jagt mir doch die Spatzen fort, (pencil
823467 Plum Hunt with Sparrows; Ei jagt mir doch die Spatzen fort, (pencil, pen and brown ink on paper) by Richter, Ludwig Adrian (1803-84); 18.5x10.8 cm; Private Collection; (add.info)

Eastern Grey Squirrel in Full Winter Coat, c. 1840s (pen and black ink
823034 Eastern Grey Squirrel in Full Winter Coat, c.1840s (pen and black ink and watercolour on board) by Audubon, John James (1785-1851); 53.7x43.7 cm; Private Collection; (add.info)

Notre Dame, (watercolour and gouache over black chalk on pape)
652738 Notre Dame, (watercolour and gouache over black chalk on pape) by Signac, Paul (1863-1935); 31.1x26.7 cm; Private Collection; (add.info.: Notre Dame. Paul Signac (1863-1935)

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Going to Market, (pen and brown ink and watercolour heightened with white)
652041 Going to Market, (pen and brown ink and watercolour heightened with white) by Sandby, Paul (1725-1809); 29.2x47.3 cm; Private Collection; (add.info.: Going to Market. Paul Sandby (1725-1809)

Figures Outside an Elegant Country House, (pencil, pen and grey ink
651967 Figures Outside an Elegant Country House, (pencil, pen and grey ink, watercolour heightened with white) by Malton Jnr

The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)
651962 The Pied Piper and the Children, (pen and black ink and watercolour, laid on card) by Rackham, Arthur (1867-1939); 21.5x13.8 cm; Private Collection; (add.info)

Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash)
651942 Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash) by Chinnery, George (1774-1852); 23.5x18.1 cm; Private Collection; (add.info.: Tanka Boats on the Shore)

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

View in the Island of Crakatoa, (pencil, pen and grey ink and watercolour)
651926 View in the Island of Crakatoa, (pencil, pen and grey ink and watercolour) by Webber, John (1750-93); 35.5x57.1 cm; Private Collection; (add.info.: View in the Island of Crakatoa)

Age and Youth, (pencil, pen and brown ink and watercolour)
651922 Age and Youth, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 12.3x19.9 cm; Private Collection; (add.info.: Age and Youth. Thomas Rowlandson (1756-1827)

Taste (from the Series The Five Senses ), 1784 (pen and brown ink)
651895 Taste (from the Series The Five Senses ), 1784 (pen and brown ink) by West, Benjamin (1738-1820); 17.5x24.2 cm; Private Collection; (add.info.: Taste (from the Series The Five Senses )

Writing the Will, 1786 (pen and grey ink and watercolour)
651829 Writing the Will, 1786 (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23x32 cm; Private Collection; (add.info.: Writing the Will. Thomas Rowlandson (1756-1827)

Saint Veronica, (woodcut printed in pale brown ink)
828057 Saint Veronica, (woodcut printed in pale brown ink) by Netherlandish School (16th century); 30.4x20.6 cm; Private Collection; (add.info.: Saint Veronica. Netherlandish School, circa 1500)

The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white)
827601 The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white) by Wit, Jacob de (1695-1754); 41.3x26.7 cm; Private Collection; (add.info.: The Annunciation)

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk
827585 The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk, pen and brown ink) by Bellotto, Bernardo (1720-80); 21.7x38.4 cm; Private Collection; (add.info.: The Grand Canal)

A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan
827574 A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan, Katarinakyrka and Riddarholmskyrkan, (pen and grey ink and watercolour) by Martin

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.