Ink Drawing Collection (page 4)

The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)
651962 The Pied Piper and the Children, (pen and black ink and watercolour, laid on card) by Rackham, Arthur (1867-1939); 21.5x13.8 cm; Private Collection; (add.info)

Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash)
651942 Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash) by Chinnery, George (1774-1852); 23.5x18.1 cm; Private Collection; (add.info.: Tanka Boats on the Shore)

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

View in the Island of Crakatoa, (pencil, pen and grey ink and watercolour)
651926 View in the Island of Crakatoa, (pencil, pen and grey ink and watercolour) by Webber, John (1750-93); 35.5x57.1 cm; Private Collection; (add.info.: View in the Island of Crakatoa)

Age and Youth, (pencil, pen and brown ink and watercolour)
651922 Age and Youth, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 12.3x19.9 cm; Private Collection; (add.info.: Age and Youth. Thomas Rowlandson (1756-1827)

Taste (from the Series The Five Senses ), 1784 (pen and brown ink)
651895 Taste (from the Series The Five Senses ), 1784 (pen and brown ink) by West, Benjamin (1738-1820); 17.5x24.2 cm; Private Collection; (add.info.: Taste (from the Series The Five Senses )

Writing the Will, 1786 (pen and grey ink and watercolour)
651829 Writing the Will, 1786 (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23x32 cm; Private Collection; (add.info.: Writing the Will. Thomas Rowlandson (1756-1827)

Saint Veronica, (woodcut printed in pale brown ink)
828057 Saint Veronica, (woodcut printed in pale brown ink) by Netherlandish School (16th century); 30.4x20.6 cm; Private Collection; (add.info.: Saint Veronica. Netherlandish School, circa 1500)

The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white)
827601 The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white) by Wit, Jacob de (1695-1754); 41.3x26.7 cm; Private Collection; (add.info.: The Annunciation)

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk
827585 The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk, pen and brown ink) by Bellotto, Bernardo (1720-80); 21.7x38.4 cm; Private Collection; (add.info.: The Grand Canal)

A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan
827574 A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan, Katarinakyrka and Riddarholmskyrkan, (pen and grey ink and watercolour) by Martin

The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
827569 The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d Ormesson, attended by her Husband and Villagers, (black chalk, pen and black ink and watercolour) by Martin

Emperor Charles V picking up Titians Paintbrush, (black chalk
827560 Emperor Charles V picking up Titians Paintbrush, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.7x48.5

The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
827557 The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink, brown wash) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 17.2x13.8 cm; Private Collection; (add.info)

Two Seated Angels Singing, after Polidoro da Caravaggio
827550 Two Seated Angels Singing, after Polidoro da Caravaggio (pen and brown ink brown wash with white on grey-blue paper) by Roman School

Voltaire seated at a Desk wearing a cap, in profile to the left, c
827542 Voltaire seated at a Desk wearing a cap, in profile to the left, c.1765 (pen and brown ink, grey wash) by Jean, Stanislas

Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink)
827296 Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink) by Crane, Walter (1845-1915); 25.2x19 cm; Private Collection; (add.info.: Flowers from Shakespeares Garden)

The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas)
825715 The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 54.6x66 cm; Private Collection; (add.info)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink)
1766604 A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink, watercolour)

A selection of designs from the House of Carl Faberge including an oval hand mirror
1765139 A selection of designs from the House of Carl Faberge including an oval hand mirror, a smaller mirror and two mounted bottles (pencil, pen)

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

Tiger, 1934 (hanging scroll, ink and colour on paper)
1764904 Tiger, 1934 (hanging scroll, ink and colour on paper) by Zhang Shanzi (1882-1940); 135.5x67.5 cm; Private Collection; (add.info.: Tiger. Zhang Shanzi (1882-1940)

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

The Lobster, with a hairbrush in its Claw Standing Before a Dressing Table
985964 The Lobster, with a hairbrush in its Claw Standing Before a Dressing Table, with 4 Lines of Verse, c.1865 (pen and brown ink) by Tenniel

The Mock Turtle - The Mock Turtle Sobbing on a Rock, c. 1865 (pen and brown ink)
985963 The Mock Turtle - The Mock Turtle Sobbing on a Rock, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 10.1x8.4 cm; Private Collection; (add.info.: The Mock Turtle)

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

The Bridge at St Ives 1903 (pencil, pen and black ink, and w / c on paper)
1199522 The Bridge at St Ives 1903 (pencil, pen and black ink, and w/c on paper) by Garden, William Fraser (1856-1921); 28x39.4 cm; Private Collection; (add.info)

The Iron Mill in The Hague, 1882 (gouache, w / c, wash, pen and India ink, pencil on paper)
1195957 The Iron Mill in The Hague, 1882 (gouache, w/c, wash, pen and India ink, pencil on paper) by Gogh, Vincent van (1853-90); 35.8x60.4 cm; Private Collection; Photo eChristies Images; Dutch

An original design for a ceiling mural for the State Bank in Nizhny-Novgorod
1195735 An original design for a ceiling mural for the State Bank in Nizhny-Novgorod, 1913 (pencil, ink, w/c, gouache, heightened with gold) by Bilibin

Self-portrait as a Young Man with Skull, (pencil, ink and w / c on paper)
1195714 Self-portrait as a Young Man with Skull, (pencil, ink and w/c on paper) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

A Fancy Dress Ball at Mrs. Casement s, Calcutta, India 1830s
1196935 A Fancy Dress Ball at Mrs. Casement s, Calcutta, India 1830s by Prinsep, William (1794-1874); 23x33.5 cm; Private Collection; (add.info.: inscribed A fancy dress ball at Mrs Casements)

The Gateway at Futtypore, Sicri, c. 1815 (pencil, pen & ink, w / c)
1196931 The Gateway at Futtypore, Sicri, c. 1815 (pencil, pen & ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Part of the Taj, c. 1815 (pencil, pen, black ink, w / c)
1196923 Part of the Taj, c. 1815 (pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Taj, c. 1815 (pencil, pen, grey ink, w / c)
1196922 The Taj, c. 1815 (pencil, pen, grey ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Homage to Pugin, a stained glass window design, c. 1850 (ink and wash)
1194890 Homage to Pugin, a stained glass window design, c.1850 (ink and wash) by Powell, John Hardman (1827-95); 120x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper)
652737 Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper) by Signac, Paul (1863-1935); 72.7x91.7 cm; Private Collection; (add.info.: Le Pont de Lezardrieux)

A Panoramic View of Naples (pen and brown ink)
827600 A Panoramic View of Naples (pen and brown ink) by Senape, Antonio (fl.1820-49); 27.1x14.5 cm; Private Collection; (add.info.: A Panoramic View of Naples. Antonio Senape (1788-1850)

Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c
825457 Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c.1894 (black chalk, pen and black ink on paper) by Klimt

A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink
989647 A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret, Francois (1777-1850); 13x20 cm; Private Collection; (add.info)

Reclining Woman, c. 1925 (coloured wax crayons over brush and black ink on paper)
989005 Reclining Woman, c.1925 (coloured wax crayons over brush and black ink on paper) by Muller or Mueller, Otto (1874-1930); 35.6x50.2 cm; Private Collection; (add.info)

War Party on the Move, (ink on board)
984823 War Party on the Move, (ink on board) by Borein, Edward (1872-1945); 55.9x71.1 cm; Private Collection; (add.info.: War Party on the Move. Edward Borein (1872-1945). Ink on board

The Interior of the Church of St. Sulpice, Paris, (pencil
824145 The Interior of the Church of St. Sulpice, Paris, (pencil, pen and brown ink and watercolour) by Davis, John Scarlett (1804-45); 21.5x28.5 cm; Private Collection; (add.info)

Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour)
824136 Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour) by Barrow, Joseph Charles (fl.1775-1805); 40.6x56.5 cm; Private Collection; (add.info.: Peterborough)

Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil
824130 Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil, pen and brown ink on mount) by Thornhill, James (1675-1734); 20.3x17.8 cm; Private Collection; (add.info)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.