Ink Drawing Collection (page 11)

The House That Jack Built, (pen and brush and black and brown ink and watercolour)
827410 The House That Jack Built, (pen and brush and black and brown ink and watercolour) by Caldecott, Randolph (1846-86); 21.9x18.5 cm; Private Collection; (add.info.: The House That Jack Built)

Cybele before the Council of the Gods, (black chalk pen and brown ink with brown wash)
827582 Cybele before the Council of the Gods, (black chalk pen and brown ink with brown wash) by Cortona, Pietro da (Berrettini) (1596-1669); 19.5x14.5 cm; Private Collection; (add.info)

A Mother and Child by a Chair, (pen and brown ink)
827581 A Mother and Child by a Chair, (pen and brown ink) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 19.2x23.6 cm; Private Collection; (add.info.: A Mother and Child by a Chair)

A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)
827572 A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour) by Desprez, Louis Jean (1743-1804); 21.3x34.8 cm; Private Collection; (add.info)

Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa
828313 Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa and Yemen up to Jiddah, c.1740 (ink and wash on paper) by French School

A Map of the World, 1511 (woodcut, red and black ink)
985939 A Map of the World, 1511 (woodcut, red and black ink) by Italian School, (16th century); 42.5x28.5 cm; Private Collection; (add.info.: A Map of the World)

Title page from America, A Prophesy, mid 1790s (relief-etched engraving
985776 Title page from America, A Prophesy, mid 1790s (relief-etched engraving, blue ink) by Blake, William (1757-1827); 36.4x25.5 cm; Private Collection; (add.info.: Title page from America)

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
986334 The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper) by Blake, William (1757-1827); 27.6x35.3 (approx) cm; Private Collection; (add.info)

Illuminated manuscript depicting a king and his army before a city, 1503-04 (inks
986283 Illuminated manuscript depicting a king and his army before a city, 1503-04 (inks, gouache and gold paint) by Besancon, Jacques de (15th century) (attr)

Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink
986281 Woman in a death-bed scene with John the Baptist, c.1475-1500 (ink, paints and gold leaf on vellum) by French School

Bathsheba, c. 1490 (paint and ink on gold ground on vellum)
986271 Bathsheba, c.1490 (paint and ink on gold ground on vellum) by Master of the Dresden Prayer Book (fl.c.1460-1520); 9.7x6.5 cm; Private Collection; (add.info.: Bathsheba, from Book of Hours)

She was going to let down her hair (page 158), c. 1910 (pen, black ink and watercolour)
986135 She was going to let down her hair (page 158), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

Heron, 1750-1800 (pen, ink, and watercolour)
986124 Heron, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Heron)

Cockatoo, 1750-1800 (pen, ink, and watercolour)
986123 Cockatoo, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Cockatoo)

White Peacock (Pavo cristatus), (black chalk, brush, ink, watercolour, bodycolour
986098 White Peacock (Pavo cristatus), (black chalk, brush, ink, watercolour, bodycolour, on vellum) by Robert, Nicolas (1614-85) (and workshop); 28.4x40.1 cm; Private Collection; (add.info)

Palm Trees Ink
Pictufy Studio

Kabir Two Followers Terrace 1610-1620 India Mughal
Kabir and Two Followers on a Terrace, c. 1610-1620. India, Mughal, 17th century. Ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); page: 28 x 21 cm (11 x 8 1/4 in.)

Kabir Two Followers Terrace recto Calligraphy
Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610-1620. India, Mughal, 17th century. Ink drawing with use of colors on paper

World map on oval projection, by Francesco Rosselli, ink on parchment, created in Florence circa 1508
Cartography, 16th century. World map on an oval projection, made by Francesco Rosselli, Florence 1508 ca. Inking on parchment, 14.5 x 25.8 cm

Mappa Mundi, detail representing Venice by Giovanni Leardo, ink and colors on parchment, 1448
Cartography, 15th century. Mappa Mundi, Medieval world map by Giovanni Leardo, Venice, 1448. Ink and colors on parchment

Rehearsal Ballet Onstage ca 1874 Oil colors freely mixed
Artokoloro

View Via Balbi Genoa ca 1650 Pen ink drawing
Artokoloro

Study Man Gazing Down 1840-80 Pen brown ink
Artokoloro

Map of country estates of the Court of the Gualtirolo, Commune of Campegine in Castelnuovo di Sotto, Reggio Emilia
Cartography, Italy, 18th century. Map of country estates of the Court of the Gualtirolo in Castelnuovo di Sotto, Reggio Emilia, 1704-1705. Pen, ink and watercolor on paper, 51.5 x 80.5 cm. Details

Mappa Mundi, ink and watercolor on parchment, 1025-1050
Cartography, 11th century. Mappa Mundi, Medieval Anglo-Saxon map 1025-1050. Ink and watercolor on parchment, 21 x 17 cm

Strait of Magellan and Cape Horn with Catherine Island, insert From the Nautical Atlas by Gerard van Keulen
Cartography, 18th century. Strait of Magellan and Cape Horn with Catherine Island insert. From the Nautical Atlas hand-drawn by Gerard van Keulen, Amsterdam 1713

Austria, Vienna, coloured Indian ink drawing of The waltz
Austria, 19th century - The waltz, coloured Indian ink drawing

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.