Ink Drawing Collection (page 8)

Springflood, 1902 (pencil, pen and black ink, watercolour and bodycolour)
659652 Springflood, 1902 (pencil, pen and black ink, watercolour and bodycolour) by Larsson, Carl (1853-1919); 95.9x64.2 cm; Private Collection; (add.info.: Springflood. Carl Larsson (1855-1919)

The Little Black Boy, from Songs of Innocence (Bindman 222), c
659522 The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring) by Blake

The Interior of a Church, with Figures at Prayer, (pen and brown ink, grey wash. 32
659188 The Interior of a Church, with Figures at Prayer, (pen and brown ink, grey wash. 32.4 x 45.7cm.) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil
652013 On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil, pen and grey ink and watercolour) by Sandby

Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with
651960 Moonlight at Port Antonio, Jamaica, (pen and black ink and watercolour heightened with bodycolour and) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info)

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
651923 A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23.4x32.3 cm; Private Collection; (add.info.: A Cornish Wrestling Match)

The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour)
651912 The Fonte Branda, Siena, 1905 (pen and brown ink and watercolour) by Goodwin, Albert (1845-1932); 28.5x44.4 cm; Private Collection; (add.info.: The Fonte Branda, Siena)

The Bishop and Death (pencil, pen and ink and watercolour)
651903 The Bishop and Death (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 14x20.6 cm; Private Collection; (add.info.: The Bishop and Death. Thomas Rowlandson (1756-1827)

Oriel College, Oxford, with St. Marys Church in the Distance
651885 Oriel College, Oxford, with St. Marys Church in the Distance, (pen and ink and watercolour) by Malton Jnr. Thomas (1748-1804); 32x46 cm; Private Collection; (add.info.: Oriel College, Oxford)

The Gaming Table, (pencil, pen and ink and watercolour)
651828 The Gaming Table, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 27.3x37.2 cm; Private Collection; (add.info.: The Gaming Table. Thomas Rowlandson (1756-1827)

A Threatening Head, (pen and black ink, black wash)
651820 A Threatening Head, (pen and black ink, black wash) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 18x19.5 cm; Private Collection; (add.info.: A Threatening Head)

Design for the Decoration of the Interior of a Stateroom, (pencil
651814 Design for the Decoration of the Interior of a Stateroom, (pencil, pen and brown ink and watercolour heightened with gold) by Crace

Design for the Prow of the Gallery of Pope Urban VIII with the Barberini Arms of Bees
651784 Design for the Prow of the Gallery of Pope Urban VIII with the Barberini Arms of Bees and Sun, Ignudi, Tritons, Hippocamps

Golf on the Ice on the River Ijsel near Kampen (Brown ink and watercolour)
1766786 Golf on the Ice on the River Ijsel near Kampen (Brown ink and watercolour) by Avercamp, Hendrik (1585-1634); Private Collection; (add.info.: Golf on the Ice on the River Ijsel near Kampen)

Children Playing at New Year, 1920 (ink and colour on paper)
1764918 Children Playing at New Year, 1920 (ink and colour on paper) by Wang Zhen (1866-1938); 52x107 cm; Private Collection; (add.info.: Children Playing at New Year. Wang Zhen (1866-1938)

Leaf from an album of flower & bird paintings, 1933 (ink and colour on paper)
1764903 Leaf from an album of flower & bird paintings, 1933 (ink and colour on paper) by Wang Zhen (1866-1938); 27x40.5 cm; Private Collection; (add.info)

Leaf from an album of flower & bird paintings, 1933 (ink and colour on paper)
1764902 Leaf from an album of flower & bird paintings, 1933 (ink and colour on paper) by Wang Zhen (1866-1938); 27x40.5 cm; Private Collection; (add.info)

Two Boys Playing with Goldfish, 1879 (hanging scroll, ink and colour on paper)
1764884 Two Boys Playing with Goldfish, 1879 (hanging scroll, ink and colour on paper) by Ren Yi (Ren Bonian) (1840-96); 132x60.5 cm; Private Collection; (add.info.: Two Boys Playing with Goldfish)

A man with his ox, c. 1825 (pencil, pen, black ink, w / c, on Whatman paper)
1196920 A man with his ox, c. 1825 (pencil, pen, black ink, w/c, on Whatman paper) by Indian School, (19th century); 38.7x25.4 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink
1196895 Ramnagar, Near Benares [Varanasi], Uttar Pradesh, c. 1788-9 (pencil, pen and black ink, w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

Portraits of Emperor Maximilian I, his wife, daughter, son
1197627 Portraits of Emperor Maximilian I, his wife, daughter, son and others in the Holy Chapel at Dijon, c.1600 (black chalk, pen and brown ink, blue-grey wash) by Flemish School

The Mausoleum of Sultan Parviz, Near Allahabad (pencil, pen and black ink, w / c)
1196704 The Mausoleum of Sultan Parviz, Near Allahabad (pencil, pen and black ink, w/c) by Daniell, William (1769-1837) (circle of); 43.8x60.3 cm; Private Collection; (add.info.: Daniell)

Portrait of Henry Polidori, 1953 (pencil, pen and brown ink, on paper)
1199597 Portrait of Henry Polidori, 1953 (pencil, pen and brown ink, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 15.2x13.3 cm; Private Collection; Photo eChristies Images; English

A drawing of design for a Tiffany & Co. exposition centrepiece
1195139 A drawing of design for a Tiffany & Co. exposition centrepiece and two three-light candelabrum, made for the 1939 Worlds Fair

After Dinner Conversation (pencil and ink on paper)
1195769 After Dinner Conversation (pencil and ink on paper) by Yakunchikova, Maria (1870-1902); 34.9x50 cm; Private Collection; (add.info.: Yakunchikova)

The Thuparama Dagoba at Anuradhapura, Sri Lanka, 1873 (pencil, pen, ink, w / c)
1196949 The Thuparama Dagoba at Anuradhapura, Sri Lanka, 1873 (pencil, pen, ink, w/c) by Gordon-Cumming, Constance Frederica (1837-1924); 48.6x75.3 cm; Private Collection; (add.info.: Gordon-Cumming)

Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
1196946 Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna, in the Year 1788, to Meet Lord Cornwallis, c

The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)
1196705 The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w/c, heightened touches of whi) by Simpson, William Crimea (1823-99)

The coronation of Alexander III, 1883 (ink, w / c, gouache)
1195727 The coronation of Alexander III, 1883 (ink, w/c, gouache) by Mikishchin, Mikhail (1835-1896); 50x70.5 cm; Private Collection; (add.info.: Mikishchin)

Fathers Off to the Fair, (indian ink and w / c on paper)
1195634 Fathers Off to the Fair, (indian ink and w/c on paper) by Bilibin, Ivan (1876-1942); 37x28.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Ivan Tsarevich and the Firebird, 1930 (pencil, w / c, ink)
1195736 Ivan Tsarevich and the Firebird, 1930 (pencil, w/c, ink) by Bilibin, Ivan (1876-1942); 27x20 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from
824158 Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere;

Rebuilding London Bridge, (pencil, pen, ink and watercolour)
824153 Rebuilding London Bridge, (pencil, pen, ink and watercolour) by Yates, Gideon (fl.1825-37); 32.7x58.1 cm; Private Collection; (add.info.: Rebuilding London Bridge. Gideon Yates (fl.1790-1840)

Castle Howard, Yorkshire: An Early Design for the three Bays of the Elevation of
824114 Castle Howard, Yorkshire: An Early Design for the three Bays of the Elevation of the South or Garden Front and nine Bay single storey lower lateral wings with an Inset of the Ground Plan

The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)
824111 The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour) by Turner, Joseph Mallord William (1775-1851); 22.6x28.6

Brighton, showing Miss Widgetts circulating Library, Marlborough House
824082 Brighton, showing Miss Widgetts circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pavilion, 1792 (pen and brown ink and watercolour) by Nixon

A Room in an Ancient Mansion, (pen and brown ink and watercolour)
824050 A Room in an Ancient Mansion, (pen and brown ink and watercolour) by Price, William Henry Lake (1810-91); 46.4x61.3 cm; Private Collection; (add.info.: A Room in an Ancient Mansion)

The Lesson; Der Schreibunterricht, 1865 (oil on canvas)
823460 The Lesson; Der Schreibunterricht, 1865 (oil on canvas) by Anker, Albert (1831-1910); 52x77 cm; Private Collection; (add.info.: The Lesson; Der Schreibunterricht. Albert Anker (1831-1910)

The New Bathing Suit, (pen and black ink and watercolourr on paper)
823447 The New Bathing Suit, (pen and black ink and watercolourr on paper) by Wegener, Gerda Marie Frederike (1885-1940); 16.2x21 cm; Private Collection; (add.info.: The New Bathing Suit)

Temptation, (pen and ink and watercolour on paper)
823445 Temptation, (pen and ink and watercolour on paper) by Wegener, Gerda Marie Frederike (1885-1940); 36x30.2 cm; Private Collection; (add.info.: Temptation. Gerda Wegener (1885-1940)

Preparing the King, (watercolour and black ink on paperboard)
989554 Preparing the King, (watercolour and black ink on paperboard) by Rackham, Arthur (1867-1939); 23.2x26.7 cm; Private Collection; (add.info.: Preparing the King. Arthur Rackham (1867-1939)

A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder
990021 A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg, (red chalk, pen and brown ink) by Vaga

Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper)
990000 Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.6x19.7 cm; Private Collection; (add.info.: Mars)

A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink
989703 A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink, watercolour and bodycolour on can) by Lami

The Battle of Ocana, c. 1844 (pen and brown ink, brown wash on paper)
989651 The Battle of Ocana, c.1844 (pen and brown ink, brown wash on paper) by Bellange, Joseph-Louis-Hippolyte (1800-1866); 42.3x61.6 cm; Private Collection; (add.info.: The Battle of Ocana)

A Train Station in the Outskirts of Paris, 1846 (black chalk, pen and brown and black ink
989646 A Train Station in the Outskirts of Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.