Ink Drawing Collection (page 5)

Reclining Woman, c. 1925 (coloured wax crayons over brush and black ink on paper)
989005 Reclining Woman, c.1925 (coloured wax crayons over brush and black ink on paper) by Muller or Mueller, Otto (1874-1930); 35.6x50.2 cm; Private Collection; (add.info)

War Party on the Move, (ink on board)
984823 War Party on the Move, (ink on board) by Borein, Edward (1872-1945); 55.9x71.1 cm; Private Collection; (add.info.: War Party on the Move. Edward Borein (1872-1945). Ink on board

The Interior of the Church of St. Sulpice, Paris, (pencil
824145 The Interior of the Church of St. Sulpice, Paris, (pencil, pen and brown ink and watercolour) by Davis, John Scarlett (1804-45); 21.5x28.5 cm; Private Collection; (add.info)

Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour)
824136 Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour) by Barrow, Joseph Charles (fl.1775-1805); 40.6x56.5 cm; Private Collection; (add.info.: Peterborough)

Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil
824130 Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil, pen and brown ink on mount) by Thornhill, James (1675-1734); 20.3x17.8 cm; Private Collection; (add.info)

The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil
824113 The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil, pen and ink and watercolour) by Cockerell, Charles Robert (1788-1863); 27.7x61.6

A View of Stockholm from Soder with the Royal Palace, Storkyrkan
827575 A View of Stockholm from Soder with the Royal Palace, Storkyrkan, Riddarholmskykan and Tskakykan, (pen and grey ink and watercolour) by Martin

King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet
827561 King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet, Raising a Scroll in Front of an Eagle (black chalk)

Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink
827559 Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.5x48.5 cm; Private Collection; (add.info)

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil)
827454 A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil) by Gatta, Saviero Xavier della (fl.1777-1820); 19.7x25.8 cm; Private Collection; (add.info)

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board)
650484 Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board) by Demuth, Charles (1883-1935); 22.2x15.6 cm; Private Collection; (add.info.: Woman in Evening Dress)

The Tomb of the Itmad-ud-daula, c. 1815 (encil, pen and black ink, w / c
1196703 The Tomb of the Itmad-ud-daula, c.1815 (encil, pen and black ink, w/c, heightened with touches o) by Agra School, (19th century)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Marketplace by a Harbour, (w / c, ink, chalk and gouache)
1197580 Marketplace by a Harbour, (w/c, ink, chalk and gouache) by Loir, Luigi (1845-1916); 33x48.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Woman with the harvest basket (verso) and illuminated manuscript with verses from
1195377 Woman with the harvest basket (verso) and illuminated manuscript with verses from To Autumn (recto), and decorative borders, 1912-1914 (paint, ink and gold-leaf on vellum) by English School

Italian Girl, 1900 (w / c & ink maquette)
1195110 Italian Girl, 1900 (w/c & ink maquette) by Mucha, Alphonse Marie (1860-1939); 12.4x20.3 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c
1196919 Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c. 1800 (pencil, pen, black ink, w/c on laid paper) by Indian School

An illustration to the Bhagvata Purana, Book X, Chapter 21, c
1196779 An illustration to the Bhagvata Purana, Book X, Chapter 21, c.1525 (w/c & ink on paper) by Rajput school, (16th century); 18x23.7 cm; Private Collection; Photo eChristies Images; Indian

The Library, Binfield, Berkshire, (pencil, pen and grey ink
659240 The Library, Binfield, Berkshire, (pencil, pen and grey ink and watercolour heightened with white) by Hassell, Edward (fl.1827-52); 34x46.5 cm; Private Collection; (add.info.: The Library)

A Colonnaded Thermal Building, the Roof Partly Open to the Sky
659229 A Colonnaded Thermal Building, the Roof Partly Open to the Sky, with Girls Washing Clothes at a Fountain Below a Statue, (pencil, pen and black ink and watercolour)

Alternative Projects for the Hall, Gallery and Drawing - Room at Charleville Castle
659217 Alternative Projects for the Hall, Gallery and Drawing - Room at Charleville Castle: Sections (pen & ink and w/c on paper) by Bury

The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil
652002 The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil, pen and black ink and watercolour with touches of white) by Mackenzie

Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos
651983 Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos.9-11), 1789 (pencil, pen and grey ink and watercolour) by Byres

The Deputy Rangers Lodge, Windsor Great Park, (pencil
651966 The Deputy Rangers Lodge, Windsor Great Park, (pencil, pen and grey ink and watercolour heightend with white) by Sandby

A Nude Throwing, (pen and brown ink)
651826 A Nude Throwing, (pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 30.5x24.7 cm; Private Collection; (add.info.: A Nude Throwing)

The Infant Christ, the Virgin and Saint Joseph Seated at a Table Attended by an Angel
651781 The Infant Christ, the Virgin and Saint Joseph Seated at a Table Attended by an Angel, (black chalk, pen and brown ink, on vellum) by Carracci

Chips Off The Old Block; The York Stage Coach, (watercolour and black ink)
658074 Chips Off The Old Block; The York Stage Coach, (watercolour and black ink) by Aldin, Cecil Charles Windsor (1870-1935); 38x52 cm; Private Collection; (add.info)

An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit
652067 An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit, 1904 (pen and black ink and watercolour on card) by Rackham

A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour)
651884 A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 37.2x51.8 cm; Private Collection; (add.info)

An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation)
659186 An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation) by Rembrandt Harmensz. van Rijn (1606-69); 98x22.7 cm; Private Collection; (add.info.: An Inn by a Roadside)

Design for an Altar with a Pedimented Tabernacle Supported on Paired Corinthian Statues
659184 Design for an Altar with a Pedimented Tabernacle Supported on Paired Corinthian Statues of Saint Lucy, Saint Agnes, Saint Ansanus and Saint Stephen in Niches Between These, (black chalk)

Study of a Writer, Seated, Pausing in Thought, (pen and brown ink)
659176 Study of a Writer, Seated, Pausing in Thought, (pen and brown ink) by Rembrandt Harmensz. van Rijn (1606-69); 6.3x7.2 cm; Private Collection; (add.info.: Study of a Writer, Seated)

Convent of St Saba, from a Syrian Christian manuscript, 1855
986377 Convent of St Saba, from a Syrian Christian manuscript, 1855 (ink and paint on polished paper) by Syrian School, (19th century); Private Collection; (add.info.: Convent of St Saba)

Crowned Virgin, c. 1430-1440 (paint and ink on vellum)
986369 Crowned Virgin, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Crowned Virgin)

I ve heard theres no holding of these Methodisses (page 18), c
986137 I ve heard theres no holding of these Methodisses (page 18), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

They were not aware of her presence (page 129), c. 1910 (pen, black ink and watercolour)
986136 They were not aware of her presence (page 129), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

A Signed Autographed Letter to Lady Hamilton, 1801 (paper, ink)
986131 A Signed Autographed Letter to Lady Hamilton, 1801 (paper, ink) by English School, (19th century); Private Collection; (add.info.: A Signed Autographed Letter to Lady Hamilton)

A Young Woman Holding a Fruit Basket, (pen and brown ink)
990039 A Young Woman Holding a Fruit Basket, (pen and brown ink) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 24.2x13 cm; Private Collection; (add.info)

Portrait of Nicolas Trigault S. J. in Chinese Costume, (chalk, pen and brown ink. )
990032 Portrait of Nicolas Trigault S.J. in Chinese Costume, (chalk, pen and brown ink.) by Rubens, Peter Paul (1577-1640); 44.8x26 cm; Private Collection; (add.info)

A capriccio of a Venetian Palace Overlooking a Piazza with an Obelisk, (black chalk
990016 A capriccio of a Venetian Palace Overlooking a Piazza with an Obelisk, (black chalk, pen and brown ink, grey wash) by Canaletto

Portrait of Auguste Vacquerie (salt and albumen print and other media)
989914 Portrait of Auguste Vacquerie (salt and albumen print and other media) by Hugo, Victor (1802-85); 14.3x21.5 and smaller cm; Private Collection; (add.info)

The Arrival of the Emperor Napoleon I with Empress Marie-Louise at the Hotel de Ville
989700 The Arrival of the Emperor Napoleon I with Empress Marie-Louise at the Hotel de Ville, Paris, (black lead, pen and grey ink on paper) by Garnier

Ossian Playing the Harp (pen and gray ink on ivory)
989693 Ossian Playing the Harp (pen and gray ink on ivory) by Karpff, Jean-Jacques Casimir (1770-1829); 128x98 cm; Private Collection; (add.info.: Ossian Playing the Harp)

Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour)
824078 Design for the Library Ceiling at Woburn Abbey, (pen and grey ink and watercolour) by Chambers, William (1723-96); 69.7x47.1 cm; Private Collection; (add.info)

In the Orchard, (pen and black ink and watercolour on paper)
823446 In the Orchard, (pen and black ink and watercolour on paper) by Wegener, Gerda Marie Frederike (1885-1940); 27.2x24 cm; Private Collection; (add.info.: In the Orchard)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.