Ink Drawing Collection (page 10)

Rond Point des Champs Elysees, Paris, (pen and black ink, watercolour and bodycolour)
651490 Rond Point des Champs Elysees, Paris, (pen and black ink, watercolour and bodycolour) by Loir, Luigi (1845-1916); 30.5x48 cm; Private Collection; (add.info.: Rond Point des Champs Elysees)

The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper)
652626 The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper) by Daumier, Honore (1808-79); 24.4x30.5 cm; Private Collection; (add.info.: The Grandmother; Une Grand Maman)

An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags
659220 An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags, with Flanking Allegorical Figures of Fame and Victory Holding a Coronet, (red and black chalk)

Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour
656603 Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour, pen and brush and black ink on paper) by Modigliani

Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink)
659205 Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink) by Stimmer, Tobias (1539-84); 29.4x20.8 cm; Private Collection; (add.info.: Portrait of a Bearded Man)

A Standing Youth, and Studies of a Woman, Her Left Arm Outstretched, (pen and brown ink)
659183 A Standing Youth, and Studies of a Woman, Her Left Arm Outstretched, (pen and brown ink) by Bandinelli, Baccio (1488-1560); 39.1x21.7 cm; Private Collection; (add.info.: A Standing Youth)

A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour)
657169 A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour) by Aldin, Cecil Charles Windsor (1870-1935); 44x28 cm; Private Collection; (add.info.: A Falls a Hawful Thing)

Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)
1196952 Views of Mecca and Medina, c.1794-5 (paint, gilt and ink on paper) by Ottoman School, (18th century); 14x9.5 cm; Private Collection; Photo eChristies Images; Turkish, out of copyright

Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w / c)
1196925 Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian

The Taj from the Garden, c. 1815 (encil, pen, grey ink, w / c)
1196921 The Taj from the Garden, c. 1815 (encil, pen, grey ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The King of the Forest, c. 1600-1610 (w / c & ink on paper)
1196807 The King of the Forest, c.1600-1610 (w/c & ink on paper) by Indian School, (17th century); 38.8x28.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The White Marble Tomb of Seliem Chistie, c. 1815 (pencil, pen & ink, w / c)
1196932 The White Marble Tomb of Seliem Chistie, c. 1815 (pencil, pen & ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Hunting Scene, c. 1660-80 (ink and w / c, heightened with gold on paper)
1196826 Hunting Scene, c. 1660-80 (ink and w/c, heightened with gold on paper) by Mughal School, (17th century); 32.2x21.2 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Taj Mahal from the Garden, c. 1840 (pen and grey ink, w / c
1196702 The Taj Mahal from the Garden, c.1840 (pen and grey ink, w/c, heightened with touches of white) by Agra School, (19th century)

The Tomb of Humayun, c. 1820 (pen and black ink, w / c)
1196701 The Tomb of Humayun, c.1820 (pen and black ink, w/c) by Agra School, (19th century); 31.4x43.2 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Head of a Young Man looking up, (pen and brown ink)
1197618 Head of a Young Man looking up, (pen and brown ink) by Parmigianino (Francesco Mazzola) (1503-40); 16x10.6 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Greenwich Hospital, 1822 (w / c, brown ink and pencil on paper)
1197611 Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper) by Rowlandson, Thomas (1756-1827); 30.5x48.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Rinaldo, 1917 (pencil, ink, w / c & gouache, heightened with gold)
1195853 Rinaldo, 1917 (pencil, ink, w/c & gouache, heightened with gold) by Bakst, Leon (1866-1924); 45.2x29.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

A topographical depiction of the Battle of Leghorn, c. 1653 (ink and w / c on paper)
1195407 A topographical depiction of the Battle of Leghorn, c.1653 (ink and w/c on paper) by Parigi, Alfonso the Younger (1606-56) (attr)

Calligraphic and illuminated manuscript, c. 1871-1873 (inks and paint on paper)
1195400 Calligraphic and illuminated manuscript, c.1871-1873 (inks and paint on paper) by Morris, William (1834-96); Private Collection; Photo eChristies Images; English, out of copyright

Original drawing for a full-page border, 1892-1895 (indian ink over pencil
1195397 Original drawing for a full-page border, 1892-1895 (indian ink over pencil, heightened with chinese white) by Morris

John Keats (vignette), with title and author, 1924 (paint
1195372 John Keats (vignette), with title and author, 1924 (paint, ink and gold leaf on thick vellum) by Sangorski, Alberto (1862-1932); 6.9x5.9 (oval)

A maquette for the lithograph Programme 27 Octobre 1900, c
1195109 A maquette for the lithograph Programme 27 Octobre 1900, c. 1900 (pencil, ink, w/c) by Mucha, Alphonse Marie (1860-1939); 24.1x8.9 cm; Private Collection; Photo eChristies Images; Czech

Harlequin and Death, 1918 (pencil, pen & ink, w / c on paper)
1195540 Harlequin and Death, 1918 (pencil, pen & ink, w/c on paper) by Somov, Konstantin Andreevic (1869-1939); 28.7x22.4 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink
1195536 Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink, w/c on paper) by Sokolov, Pyotr Fyodorovich (c.1787-1848)

Zoological Garden II; Zoologischer Garten II, 1912 (watercolour
824419 Zoological Garden II; Zoologischer Garten II, 1912 (watercolour, pen and black ink and pencil on paper) by Macke, August (1887-1914); 43.6x49.7 cm; Private Collection; (add.info)

Temptation, (pencil, pen and ink and watercolour)
824131 Temptation, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 38.1x32 cm; Private Collection; (add.info.: Temptation. Thomas Rowlandson (1756-1827)

Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior
824122 Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior, (pen and grey ink and watercolour) by Burney

A Great Tree on a Riverbank, 1892 (pencil, pen and black ink and w / c on paper)
1199521 A Great Tree on a Riverbank, 1892 (pencil, pen and black ink and w/c on paper) by Garden, William Fraser (1856-1921); 28.3x38.8 cm; Private Collection; Photo eChristies Images; English

The Madonna del Popolo, (black, white red chalk, pen, brown ink and wash)
991403 The Madonna del Popolo, (black, white red chalk, pen, brown ink and wash) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 54.9x38.2 cm; Private Collection; (add.info)

At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour
988890 At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour, brush and India ink over pencil on buff paper) by Toulouse-Lautrec

A Group of Dwarfs watching a Puppet show, with a carriage in the background (black chalk
987300 A Group of Dwarfs watching a Puppet show, with a carriage in the background (black chalk, pen and brown ink and grey wash on paper) by Bella

Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women
990030 Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women, 1522 (brush and pen, grey and black ink) by Netherlandish School (16th century)

The Back of a Nude and Two Studies of a Raised Arm and Shoulder, Seen from the Front
990022 The Back of a Nude and Two Studies of a Raised Arm and Shoulder, Seen from the Front, (black chalk, pen and brown ink) by Vaga

Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)
985353 Buffalo Hunt, c.1822-1824 (pen and black ink and watercolour on paper) by Rindisbacher, Peter (1806-34); 21.2x41.6 cm; Private Collection; (add.info.: Buffalo Hunt)

Signed photograph of Ulysses S. Grant and his aides, Orville E
985818 Signed photograph of Ulysses S. Grant and his aides, Orville E. Babcock and Adam Badeau, in military uniform, c.1865 (oval photograph, mount, ink) by American Photographer

A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c
1767808 A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c.1820 (pen, ink, watercolour and gilt on paper) by Russian School (19th century)

Study for Feeling I, 1901 (India ink on paper)
1765176 Study for Feeling I, 1901 (India ink on paper) by Hodler, Ferdinand (1853-1918); 53x34 cm; Private Collection; (add.info.: Study for Feeling I ; Studie zu Empfindung I)

A Beauty in Snow (colour woodblock print)
1766582 A Beauty in Snow (colour woodblock print) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: A Beauty in Snow. Isoda Koryusai (1735-1790)

Ducks (ink, color and gold leaf on paper)
1766506 Ducks (ink, color and gold leaf on paper) by Japanese School, (18th century); 154.5x170 cm; Private Collection; (add.info.: Ducks. One of a pair of two-panel screens)

Job and his Daughters (pencil, brush and grey ink and watercolour)
1765029 Job and his Daughters (pencil, brush and grey ink and watercolour) by Blake, William (1757-1827); Private Collection; (add.info.: Job and his Daughters. William Blake (1757-1827)

Cat, Bird and Chrysanthemums, 1932 (hanging scroll, ink and colour on paper)
1764958 Cat, Bird and Chrysanthemums, 1932 (hanging scroll, ink and colour on paper) by Wang Zhen (1866-1938); 135x67.5 cm; Private Collection; (add.info.: Cat, Bird and Chrysanthemums)

Crane under a Pine Tree (hanging scroll, ink and colour on paper)
1764895 Crane under a Pine Tree (hanging scroll, ink and colour on paper) by Gao, Qifeng (1890-1933); 144x72.5 cm; Private Collection; (add.info.: Crane under a Pine Tree. Gao Qifeng (1889-1933)

Lotus and Green Birds, 1932 (hanging scroll, ink and colour on paper)
1764887 Lotus and Green Birds, 1932 (hanging scroll, ink and colour on paper) by Wang Zhen (1866-1938); 154 x 84 cm; Private Collection; (add.info.: Lotus and Green Birds. Wang Zhen (1866-1938)

La Coiffure, 1924 (oil and black ink on canvas)
826538 La Coiffure, 1924 (oil and black ink on canvas) by Pascin, Jules (1885-1930); 80.6x64.8 cm; Private Collection; (add.info.: La Coiffure. Jules Pascin (1885-1930). Oil and black ink on canvas

The House That Jack Built, (pen and brush and black and brown ink and watercolour)
827410 The House That Jack Built, (pen and brush and black and brown ink and watercolour) by Caldecott, Randolph (1846-86); 21.9x18.5 cm; Private Collection; (add.info.: The House That Jack Built)

Cybele before the Council of the Gods, (black chalk pen and brown ink with brown wash)
827582 Cybele before the Council of the Gods, (black chalk pen and brown ink with brown wash) by Cortona, Pietro da (Berrettini) (1596-1669); 19.5x14.5 cm; Private Collection; (add.info)

A Mother and Child by a Chair, (pen and brown ink)
827581 A Mother and Child by a Chair, (pen and brown ink) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 19.2x23.6 cm; Private Collection; (add.info.: A Mother and Child by a Chair)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.