Ink Drawing Collection (page 2)

The Battle of Cosa, (black chalk, pen and brown ink. )
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

A Satyr and a Young Girl, c. 1917 (black ink and watercolour on an oval card, framed)
985608 A Satyr and a Young Girl, c.1917 (black ink and watercolour on an oval card, framed) by Wegener, Gerda Marie Frederike (1885-1940); 18 (approx.width) cm; Private Collection; (add.info)

Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape)
827614 Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape) by Cades

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

Sapphic Love, (pencil and pen and brown ink)
651806 Sapphic Love, (pencil and pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 17.2x12.4 cm; Private Collection; (add.info.: Sapphic Love)

The Westminster Pitt, 1798 (pen and ink and watercolour)
651804 The Westminster Pitt, 1798 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 22x32 cm; Private Collection; (add.info.: The Westminster Pitt. Thomas Rowlandson (1756-1827)

Nijinsky in Narcisse, 1911 (ink and gouache on paper)
1195906 Nijinsky in Narcisse, 1911 (ink and gouache on paper) by Barbier, Georges (1882-1932); 25x15.3 cm; Private Collection; Photo © Christies Images

The Crowd, 1943 (watercolour, pen and black ink on paper)
990833 The Crowd, 1943 (watercolour, pen and black ink on paper) by Wols, Alfred Otto Wolfgang Schulze (1913-51); 18.4x13 cm; Private Collection; (add.info.: The Crowd; La Foule. Wols (1913-1951)

Bills Place (charcoal, pastel, ink and gouache on paper)
1767537 Bills Place (charcoal, pastel, ink and gouache on paper) by Curry, John Steuart (1897-1946); 35x40.6 cm; Private Collection; (add.info.: Bills Place. John Steuart Curry (1897-1946)

Seated Clown, 1929 (india ink and gouache on paper)
990924 Seated Clown, 1929 (india ink and gouache on paper) by Kuhn, Walt (1880-1949); 49.5x30.5 cm; Private Collection; (add.info.: Seated Clown. Walt Kuhn (1877-1949)

Sunshine of the Saint Eulalie Arrives, (pen and black ink and watercolour on vellum)
827299 Sunshine of the Saint Eulalie Arrives, (pen and black ink and watercolour on vellum) by King, Jessie Marion (1875-1949); 22x50.4 cm; Private Collection; (add.info)

Les Papillons No, 1931 (oil on canvas)
825504 Les Papillons No, 1931 (oil on canvas) by Roy, Pierre (1880-1950); 41.3x33 cm; Private Collection; (add.info.: Les Papillons No.1. Pierre Roy (1880-1950). Oil on canvas. Painted in 1931

Procession (gouache and ink on paper)
1769330 Procession (gouache and ink on paper) by Ramos Martinez, Alfredo (1871-1946); 40x72.4 cm; Private Collection; (add.info.: Procession. Alfredo Ramos Martinez (1871-1946)

Procession (gouache and ink on paper)
1769329 Procession (gouache and ink on paper) by Ramos Martinez, Alfredo (1871-1946); 40x72.4 cm; Private Collection; (add.info.: Procession. Alfredo Ramos Martinez (1871-1946)

A Man Seen from Behind Wearing a Cloak, (black chalk, pen and brown ink)
990026 A Man Seen from Behind Wearing a Cloak, (black chalk, pen and brown ink) by Cardi Cigoli, Ludovico (1559-1613); 42.7x27.8 cm; Private Collection; (add.info)

A front cover design for Me and my Pussies, 1924 (pen, black ink and watercolour)
985956 A front cover design for Me and my Pussies, 1924 (pen, black ink and watercolour) by Appleton, Honor Charlotte (1879-1951); 34.6x25.4 cm; Private Collection; (add.info)

And One by One Crept Silently to Rest, c. 1902-3 (pen and black ink on vellum)
1195055 And One by One Crept Silently to Rest, c.1902-3 (pen and black ink on vellum) by King, Jessie Marion (1875-1949); 17.8x14 cm; Private Collection; Photo © Christies Images

Lunch by the River, (black and brown ink and watercolour)
659702 Lunch by the River, (black and brown ink and watercolour) by Grunwald, Isaac (1889-1946); 32.4x33 cm; Private Collection; (add.info.: Lunch by the River. Isaac Grunewald (1889-1946)

The Harem, (pencil, pen, black ink, watercolour and bodycolour with gold on)
658634 The Harem, (pencil, pen, black ink, watercolour and bodycolour with gold on) by Barbier, Georges (1882-1932); 13.5x25.4 cm; Private Collection; (add.info.: The Harem)

The Courtship, (watercolour, pen and ink on paper. )
650684 The Courtship, (watercolour, pen and ink on paper.) by Herter, Albert (1871-1950); 49.5x36.5 cm; Private Collection; (add.info.: The Courtship. Albert Herter (1871-1950)

Insertion from a Table Cloth, England, 1601 / 25. Creator: Unknown
Insertion from a Table Cloth, England, 1601/25

Lady Leaning on a Tiger
1764924 Lady Leaning on a Tiger by Zhang Shanzi (1882-1940) & Zhang Daqian (1899-1983); Private Collection; (add.info.: Lady Leaning on a Tiger. Zhang Daqian (1899-1983) and Zhang Shanzi (1882-1940)

Five Bats amidst a Pine Branch, 1844 (ink and colour on silk)
1764912 Five Bats amidst a Pine Branch, 1844 (ink and colour on silk) by Chinese School (19th century); 123.5 x 61 cm; Private Collection; (add.info.: Five Bats amidst a Pine Branch)

Zhong Kui, 1914 (hanging scroll, ink and colour on paper)
1764874 Zhong Kui, 1914 (hanging scroll, ink and colour on paper) by Wang Zhen (1866-1938); Private Collection; (add.info.: Zhong Kui. Wang Zhen (1866-1938). Hanging scroll, ink and colour on paper

A page from the illustrated manuscript Reminiscences of Imperial Delhi
1196696 A page from the illustrated manuscript Reminiscences of Imperial Delhi, 1844 (w/c, gouache, ink on paper) by Khan

Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)
1196483 Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), 1912 (pen and India ink on red paper) by Marc, Franz (1880-1916)

The Kremlin, Moscow, (pencil, ink, w / c, pastel and gouache on paper)
1195774 The Kremlin, Moscow, (pencil, ink, w/c, pastel and gouache on paper) by Bourne, John Cooke (1814-96); 73.7x106 cm; Private Collection; Photo eChristies Images; British, out of copyright

Nightmare; Cauchemar, 1901 (pencil, ink and w / c on paper)
1195772 Nightmare; Cauchemar, 1901 (pencil, ink and w/c on paper) by Zichy, Mihaly von (1827-1906); 18.5x25 cm; Private Collection; (add.info.: Zichy)

Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)
1199587 Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum) by Clarke, Harry (1889-1931); 21x15.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper)
1199576 Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper) by Rossetti, William Michael (1829-1919); 21.3x16.2 cm; Private Collection; (add.info.: Rossetti)

Four men of different ages (verso) and illuminated manuscript with verses from
1195378 Four men of different ages (verso) and illuminated manuscript with verses from The Human Seasons (recto), within decorative borders, 1912-1914 (paint)

A View of the Piazza San Pietro, Rome looking south from the Portico of the Basilica
1197622 A View of the Piazza San Pietro, Rome looking south from the Portico of the Basilica, before 1779 (pencil, pen and black ink, w/c) by Quarenghi

Ducks (ink, color and gold leaf on paper)
1766507 Ducks (ink, color and gold leaf on paper) by Japanese School, (18th century); 154.5x170 cm; Private Collection; (add.info.: Ducks. One of a pair of two-panel screens)

A Lotus Sutra handscroll frontispiece miniature (detail
1766504 A Lotus Sutra handscroll frontispiece miniature (detail) depicting Buddha on a throne addressing Shariputra, 1667 (ink, colour and gold on purple paper.) by Japanese School

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil
1195675 Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil, pen and black ink, w/c on paper) by Bakst

Ophelia, (pencil, pen and black ink and brown wash, on paper)
1199574 Ophelia, (pencil, pen and black ink and brown wash, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.3x17.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w / c)
1196926 Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian

The Sleeping Fish Seller, (pen and black ink on paper)
989696 The Sleeping Fish Seller, (pen and black ink on paper) by Gericault, Theodore (1791-1824); 25.6x34.8 cm; Private Collection; (add.info)

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

Caryatide, c. 1913 (pen and brush and blue ink wash over pencil on paper)
988936 Caryatide, c.1913 (pen and brush and blue ink wash over pencil on paper) by Modigliani, Amedeo (1884-1920); 54x42 cm; Private Collection; (add.info.: Caryatide. Amedeo Modigliani (1883-1920)

I greet thee Maria, c. 1894 (watercolour and brown chalk over brush and black ink on paper
988889 I greet thee Maria, c.1894 (watercolour and brown chalk over brush and black ink on paper) by Gauguin, Paul (1848-1903); 25.6x18 and 31.5x24.6 cm; Private Collection; (add.info)

A Young Bather near a Column, (pen and brown ink, waterolour)
991405 A Young Bather near a Column, (pen and brown ink, waterolour) by Robert, Hubert (1733-1808); 27.9x20.8 cm; Private Collection; (add.info.: A Young Bather near a Column)

Lazarus Begging for Crumbs from Dives Table, 1552 (black chalk
991404 Lazarus Begging for Crumbs from Dives Table, 1552 (black chalk, pen and brown ink on paper) by Aldegrever, Heinrich (1502-c.1561); 7.8x10.8 cm; Private Collection; (add.info)

(An administrative) Map of the 13 Provinces of the North and South Capitals (of China
986466 (An administrative) Map of the 13 Provinces of the North and South Capitals (of China), c.1712 (black ink and colours on paper) by Chinese School (18th century)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.