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Premium Framed Print : Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
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Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
XYC139598 Going to the Hayfield, c.1855 (black chalk and w/c on paper) by Cox, David (1783-1859); 31.7x45 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12723620
© www.bridgemanart.com
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.3cm (9.6" x 6.8")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
Going to the Hayfield, c. 1855
EDITORS COMMENTS
is a captivating piece of artwork by David Cox that beautifully captures the essence of rural English life in the 19th century. The black chalk and watercolor on paper technique used by Cox adds depth and texture to this stunning landscape. In this scene, we are transported to a serene countryside setting where a group of figures can be seen making their way towards the hayfield. The lush green field stretches out before them, dotted with bales of hay waiting to be collected. A majestic horse takes center stage, its powerful presence adding an element of strength and tranquility to the composition. Cox's meticulous attention to detail is evident in every stroke, from the delicate rendering of foliage in the background to the intricate patterns created by sunlight filtering through tree branches. The artist masterfully captures both light and shadow, infusing his work with a sense of realism that draws viewers into this idyllic pastoral scene. This print, housed at Yale Center for British Art as part of Paul Mellon Collection, serves as a testament to Cox's skill as an accomplished landscape painter. It invites us to appreciate not only his technical prowess but also his ability to evoke emotions through art. "Going to the Hayfield" reminds us of simpler times and allows us a glimpse into England's rich agricultural heritage.
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