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Photo Mug : Going to the Hayfield, c. 1855 (black chalk and w / c on paper)

Going to the Hayfield, c. 1855 (black chalk and w  /  c on paper)



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Going to the Hayfield, c. 1855 (black chalk and w / c on paper)

XYC139598 Going to the Hayfield, c.1855 (black chalk and w/c on paper) by Cox, David (1783-1859); 31.7x45 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12723620

© www.bridgemanart.com


Photo Mug

Bring your favorite work of art to life with our Media Storehouse Photo Mugs. This mug features the captivating image "Going to the Hayfield, c.1855" by David Cox, a beautiful English landscape painting from the Paul Mellon Collection at Yale Center for British Art. The intricate details of the black chalk and watercolor artwork are brilliantly captured on this high-quality mug, making each sip an inspiring moment. Share your love for art with every cup of coffee or tea. Out of copyright.

A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Mug Size is 8cm high x 9.5cm diameter (3.1" x 3.7")

These are individually made so all sizes are approximate


Going to the Hayfield, c. 1855

EDITORS COMMENTS
is a captivating piece of artwork by David Cox that beautifully captures the essence of rural English life in the 19th century. The black chalk and watercolor on paper technique used by Cox adds depth and texture to this stunning landscape. In this scene, we are transported to a serene countryside setting where a group of figures can be seen making their way towards the hayfield. The lush green field stretches out before them, dotted with bales of hay waiting to be collected. A majestic horse takes center stage, its powerful presence adding an element of strength and tranquility to the composition. Cox's meticulous attention to detail is evident in every stroke, from the delicate rendering of foliage in the background to the intricate patterns created by sunlight filtering through tree branches. The artist masterfully captures both light and shadow, infusing his work with a sense of realism that draws viewers into this idyllic pastoral scene. This print, housed at Yale Center for British Art as part of Paul Mellon Collection, serves as a testament to Cox's skill as an accomplished landscape painter. It invites us to appreciate not only his technical prowess but also his ability to evoke emotions through art. "Going to the Hayfield" reminds us of simpler times and allows us a glimpse into England's rich agricultural heritage.

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