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Mounted Print : Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
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Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
XYC139598 Going to the Hayfield, c.1855 (black chalk and w/c on paper) by Cox, David (1783-1859); 31.7x45 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12723620
© www.bridgemanart.com
10"x8" Mount with 8"x6" Print
Add a touch of timeless charm to your home decor with our Mounted Photos from Media Storehouse. Featuring the exquisite artwork "Going to the Hayfield, c.1855" by David Cox, this stunning piece showcases the beauty of the English countryside in the mid-19th century. With its intricate details captured in black chalk and watercolor, this artwork brings a sense of history and elegance to any room. Hang it in your living room, office, or bedroom to create a warm and inviting atmosphere. Out of copyright and available for purchase now from Fine Art Finder through Media Storehouse.
Printed on 8"x6" paper and suitable for use in a 10"x8" frame (frame not included). Prints are mounted with card both front and back. Featuring a custom cut aperture to match chosen image. Professional 234gsm Fujifilm Crystal Archive DP II paper.
Photo prints supplied in custom cut card mount ready for framing
Estimated Image Size (if not cropped) is 20.3cm x 14.4cm (8" x 5.7")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
Going to the Hayfield, c. 1855
EDITORS COMMENTS
is a captivating piece of artwork by David Cox that beautifully captures the essence of rural English life in the 19th century. The black chalk and watercolor on paper technique used by Cox adds depth and texture to this stunning landscape. In this scene, we are transported to a serene countryside setting where a group of figures can be seen making their way towards the hayfield. The lush green field stretches out before them, dotted with bales of hay waiting to be collected. A majestic horse takes center stage, its powerful presence adding an element of strength and tranquility to the composition. Cox's meticulous attention to detail is evident in every stroke, from the delicate rendering of foliage in the background to the intricate patterns created by sunlight filtering through tree branches. The artist masterfully captures both light and shadow, infusing his work with a sense of realism that draws viewers into this idyllic pastoral scene. This print, housed at Yale Center for British Art as part of Paul Mellon Collection, serves as a testament to Cox's skill as an accomplished landscape painter. It invites us to appreciate not only his technical prowess but also his ability to evoke emotions through art. "Going to the Hayfield" reminds us of simpler times and allows us a glimpse into England's rich agricultural heritage.
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