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Cushion : Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
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Going to the Hayfield, c. 1855 (black chalk and w / c on paper)
XYC139598 Going to the Hayfield, c.1855 (black chalk and w/c on paper) by Cox, David (1783-1859); 31.7x45 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12723620
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Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
Going to the Hayfield, c. 1855
EDITORS COMMENTS
is a captivating piece of artwork by David Cox that beautifully captures the essence of rural English life in the 19th century. The black chalk and watercolor on paper technique used by Cox adds depth and texture to this stunning landscape. In this scene, we are transported to a serene countryside setting where a group of figures can be seen making their way towards the hayfield. The lush green field stretches out before them, dotted with bales of hay waiting to be collected. A majestic horse takes center stage, its powerful presence adding an element of strength and tranquility to the composition. Cox's meticulous attention to detail is evident in every stroke, from the delicate rendering of foliage in the background to the intricate patterns created by sunlight filtering through tree branches. The artist masterfully captures both light and shadow, infusing his work with a sense of realism that draws viewers into this idyllic pastoral scene. This print, housed at Yale Center for British Art as part of Paul Mellon Collection, serves as a testament to Cox's skill as an accomplished landscape painter. It invites us to appreciate not only his technical prowess but also his ability to evoke emotions through art. "Going to the Hayfield" reminds us of simpler times and allows us a glimpse into England's rich agricultural heritage.
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