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Antique Framed Print : Going to the Hayfield, c. 1855 (black chalk and w / c on paper)

Going to the Hayfield, c. 1855 (black chalk and w  /  c on paper)



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Going to the Hayfield, c. 1855 (black chalk and w / c on paper)

XYC139598 Going to the Hayfield, c.1855 (black chalk and w/c on paper) by Cox, David (1783-1859); 31.7x45 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12723620

© www.bridgemanart.com


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.3cm (9.6" x 6.8")

Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


Going to the Hayfield, c. 1855

EDITORS COMMENTS
is a captivating piece of artwork by David Cox that beautifully captures the essence of rural English life in the 19th century. The black chalk and watercolor on paper technique used by Cox adds depth and texture to this stunning landscape. In this scene, we are transported to a serene countryside setting where a group of figures can be seen making their way towards the hayfield. The lush green field stretches out before them, dotted with bales of hay waiting to be collected. A majestic horse takes center stage, its powerful presence adding an element of strength and tranquility to the composition. Cox's meticulous attention to detail is evident in every stroke, from the delicate rendering of foliage in the background to the intricate patterns created by sunlight filtering through tree branches. The artist masterfully captures both light and shadow, infusing his work with a sense of realism that draws viewers into this idyllic pastoral scene. This print, housed at Yale Center for British Art as part of Paul Mellon Collection, serves as a testament to Cox's skill as an accomplished landscape painter. It invites us to appreciate not only his technical prowess but also his ability to evoke emotions through art. "Going to the Hayfield" reminds us of simpler times and allows us a glimpse into England's rich agricultural heritage.

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