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Framed Print : BRITISH IMPERIALISM, 1882. Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
Framed Photos From Granger
BRITISH IMPERIALISM, 1882. Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
BRITISH IMPERIALISM, 1882.
Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6244628
1882 African Anti Colonialism Battle British Empire Christianity Colonist Colony Edward Vii Edwardian Egypt Family Great Britain Muslim North African Political Acts Prayer Queen Satire Victoria Violence Warfare White Mans Burden
22"x18" (58x48cm) Modern Frame
Step into history with this intriguing framed print from Media Storehouse and Granger Art on Demand. Witness the thought-provoking image of "British Imperialism, 1882. Is it Christian to Thank God for Islam Slaughter?". This American cartoon, originally published in 1882, portrays Queen Victoria and future King Edward VII leading the British royal family in prayer for the success of British occupying troops in Egypt. The provocative title and powerful imagery invite reflection on the complexities of colonialism, religion, and morality during this pivotal era. Add this captivating piece to your collection and start a conversation.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 25.4cm (15.6" x 10")
Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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BRITISH IMPERIALISM, 1882 - A Controversial Prayer for Victory
EDITORS COMMENTS
. This thought-provoking print captures a significant moment in history, depicting an American cartoon from 1882 that sheds light on the complex relationship between British imperialism and religion. The image portrays the British royal family, led by Queen Victoria and future King Edward VII at its center, engaged in prayer for the triumph of British occupying troops in Egypt. The caption raises a profound ethical question: "Is it Christian to Thank God for Islam Slaughter?". This satirical artwork challenges viewers to contemplate the moral implications of colonial violence justified through religious beliefs. Set against a backdrop of political acts and anti-colonialism sentiments prevalent during this era, this lithograph serves as a powerful critique of British imperialism. It highlights the concept of "white man's burden" where European powers believed they had a duty to civilize non-European societies through forceful occupation. The cartoon also draws attention to contrasting perspectives on Christianity and its compatibility with military aggression. By juxtaposing prayer with images of warfare and African Muslim soldiers caught in conflict, it questions whether such actions align with Christian teachings. As we reflect upon this piece from the late 19th century, it prompts us to consider how historical events shaped our world today. It reminds us that art has always played a crucial role in challenging societal norms and provoking critical discussions about power dynamics, religion, and human rights.
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