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Canvas Print : My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais



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My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted, listening to the preachers message. The location was probably All Saints Church at Kingston-on-Thames, Surrey. A companion piece, painted a year or so later, shows her fast asleep, the novelty of a church service having waned. Painting in the Guildhall Art Gallery, London. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]

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Media ID 19777542

© The Print Collector/Heritage Images

Adam Adam Fox Apprehensive Artistic Style Britain In Pictures Cape Church Service Cloak Collins John Everett John Everett Millais John Everett Millais Ra John Millais Listening Millais Muff Nervous Pews Pre Raphaelite Pre Raphaelite Brotherhood Seating Sermon Sir John Everett Millais Sir John Millais Social History William Collins William Collins And Sons William Collins Sons Effie Euphemia Hassock


20"x16" (50x40cm) Canvas Print

Bring a piece of art history into your home with our stunning Canvas Print of "My First Sermon, 1863, (1947)" by John Everett Millais, available at Media Storehouse. This iconic work features Millais' daughter Effie, depicted as a young girl attending her first sermon in Winchelsea Church. With vibrant colors and intricate details, this Canvas Print captures the essence of this classic painting. A perfect addition to any art enthusiast's collection or as a thoughtful gift, this Canvas Print is sure to be a conversation starter in your home.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Dogs (Wild) > Cape Fox

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > William Collins

> Arts > Artists > M > John Everett Millais

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > Kingston upon Thames

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Surrey > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
My First Sermon, 1863" is a captivating portrait captured by the talented artist John Everett Millais. The painting depicts his daughter Effie, who was around five years old at the time, sitting upright and somewhat apprehensive in a church pew while listening to the preacher's message. The location of this poignant scene is believed to be All Saints Church in Kingston-on-Thames, Surrey. Effie's nervousness and anticipation are palpable as she wears a beautiful hat and cape, showcasing her Victorian-era attire. Her wide-eyed expression reflects both curiosity and trepidation as she engages with the religious sermon unfolding before her. This oil painting serves as a companion piece to another artwork created shortly after, where Effie is depicted fast asleep during a church service that has lost its novelty for her. Together, these paintings beautifully capture the fleeting nature of childhood innocence and wonder. Displayed at the Guildhall Art Gallery in London, "My First Sermon" showcases Millais' mastery of capturing human emotions through his artistic style associated with the Pre-Raphaelite Brotherhood. This historical piece offers viewers an intimate glimpse into both social history and religious practices of 19th-century Britain. As we admire this print today, it reminds us of the timeless themes explored by artists throughout different centuries – innocence giving way to experience and our ever-evolving relationship with faith.

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