John Everett Millais Ra Collection

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862.

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde
'James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
'The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
'John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Jephthah, 1867 (oil on canvas)
NGW184269 Jephthah, 1867 (oil on canvas) by Millais, John Everett (1829-96); 127x162.7 cm; National Museum Wales; National Museums & Galleries of Wales

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Wandering Thoughts, c. 1855 (oil on canvas)
MAN62963 Wandering Thoughts, c.1855 (oil on canvas) by Millais, John Everett (1829-96); 35.2x24.9 cm; Manchester Art Gallery

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

The blind girl, 19th century (oil on canvas)
JLJ4682635 The blind girl, 19th century (oil on canvas) by Millais, John Everett (1829-96); Birmingham Museums and Art Gallery; (add.info.: The blind girl)

7388121

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais
The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

All Professionally Made to Order for Quick Shipping

John Everett Millais was a renowned English painter and illustrator who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group that sought to revive the detailed and vibrant style of early Italian Renaissance art. Some of Millais' notable works include "My First Sermon" (1863) and "My Second Sermon" (1864), both depicting young children engrossed in religious contemplation. These paintings showcase his exceptional ability to capture emotion and innocence on canvas. In 1853-1854, Millais painted a portrait of John Ruskin, an influential critic and supporter of the Pre-Raphaelite movement. This artwork reflects Millais' attention to detail and meticulous brushwork. Another remarkable piece by Millais is "Sir Isumbras at the Ford" (1857), which depicts a knight crossing a river with his horse. The painting showcases his skill in portraying narrative scenes with rich colors and intricate details. Millais also explored themes inspired by nature, as seen in "Autumn Leaves" (1856). This work portrays four young girls collecting fallen leaves during autumn, capturing both their beauty and transience. "The Order of Release" (1746) is another significant painting by Millais that depicts historical events surrounding Bonnie Prince Charlie's rebellion against British rule. This artwork demonstrates his ability to portray historical subjects with accuracy while infusing them with emotional depth. Millais also worked as an illustrator for literary works such as Anthony Trollope's novel Framley Parsonage, creating captivating scenes that bring stories to life visually. One of his most famous paintings is "The Blind Girl" (1856), which tells a poignant story through its depiction of two beggar girls - one blind - sitting beside a stream. This masterpiece exemplifies Millais' mastery in capturing human emotions through facial expressions and body language.