Pre Raphaelite Brotherhood Collection

Circe Invidiosa, 1892. Artist: Waterhouse, John William (1849-1917)
Circe Invidiosa, 1892. Found in the collection of the Art Gallery of South Australia

Choosing The Red and White Roses in the Temple Garden, 1910. Creator: Henry Payne
Choosing The Red and White Roses in the Temple Garden, 1910

Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis
Chatterton (The Death of Chatterton), 1856. Thomas Chatterton (1752-1770) was an unsuccessful poet whose suicide became a symbol of blighted artistic genius

A Mermaid. Artist: Waterhouse, John William (1849-1917)
A Mermaid. Found in the collection of Royal Academy of Arts, London

Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
Parable Of The Wise And Foolish Virgins, 1899

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. The twenty-year-old Alice Liddell (1852-1934) as the embodiment of fruitful abundance, Pomona, Roman goddess of gardens and fruit trees

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

The Last of England, 1855. Artist: Ford Madox Brown
The Last of England, 1855. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938]

Crenaia, the nymph of the Dargle. Found in the Collection of Collection Perez Simon, Mexico

The Wild Swans (The Twelve Brothers Turned Into Swans), 1928. Re re-telling of the Grimm Brothers fairy tale

Narcissus and Echo. Found in the Collection of Walker Art Gallery

The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse
The Lady of Shalott Looking at Lancelot, 1894, (c1930). Illustration to Tennysons poem, " The Lady of Shalott" : the Lady sees bold Sir Launcelot in her mirror: she goes to the window

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

The Hireling Shepherd, 1851, (1948). Creator: William Holman Hunt
The Hireling Shepherd, 1851, (1948). A shepherd neglects his flock and woos a young woman with a lamb on her lap. Behind them, two bloated sheep lie on the ground poisoned by the corn

The Crystal Ball. Artist: Waterhouse, John William (1849-1917)
The Crystal Ball. Private Collection

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

The Scapegoat, 1856, (c1950). Creator: William Holman Hunt
The Scapegoat, 1856, (c1950). Scene inspired by the Bible: a goat on the salty shore of the Dead Sea at Osdoom with the mountains of Edom in the distance

The Blessed Damozel. Artist: Rossetti, Dante Gabriel (1828-1882)
The Blessed Damozel. Found in the collection of Fogg Art Museum, Cambridge

The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti
The Wedding of St George and Princess Sabra, 1857. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

The Rescue, c. 1890. Creator: Waterhouse, John William (1849-1917)
The Rescue, c. 1890. Private Collection

Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874

Destiny, 1900, (c1930). Creator: John William Waterhouse
Destiny, 1900, (c1930). Woman holding a glass bowl, with ships reflected in a large mirror behind; allegorical scene with spatial and temporal inconsistencies

The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley
The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Found in the Collection of The Faringdon Collection

Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Portrait of Amy Gaskell, 1893. Private Collection

The Favourites of the Emperor Honorius, 1883. Artist: Waterhouse, John William (1849-1917)
The Favourites of the Emperor Honorius, 1883. Found in the collection of the Art Gallery of South Australia

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

In the Tepidarium. Artist: Alma-Tadema, Sir Lawrence (1836-1912)
In the Tepidarium. Found in the collection of Lady Lever Art Gallery, Liverpool

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

New Lamps for Old, 1901. Creator: Joseph Edward Southall
New Lamps for Old (in frame), 1901. The subject is taken from story of Aladdin in the One Thousand and One Nights (The Arabian Nights)

A Condottiere, 1871-72. Creator: Frederic Leighton
A Condottiere, 1871-72

Julia Margaret Cameron, 1870. Creator: Henry Herschel Hay Cameron
Julia Margaret Cameron, 1870

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Helen of Troy, 1863 (oil on panel)
XKH147750 Helen of Troy, 1863 (oil on panel) by Rossetti, Dante Gabriel Charles (1828-82); 32.8x27.7 cm; Hamburger Kunsthalle, Hamburg, Germany; English, out of copyright

A scene from 'Tom Brown's Schooldays'
5307717 A scene from 'Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from 'Tom Brown's Schooldays')

Valentine Cameron Prinsep, British painter, 19th century (engraving)
3733568 Valentine Cameron Prinsep, British painter, 19th century (engraving); (add.info.: Portrait of Valentine Cameron Prinsep (1838-1904) a British painter of the Pre-Raphaelite School

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan).

A scene from 'Tom Brown's Schooldays'
5307715 A scene from 'Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from 'Tom Brown's Schooldays': Chairing Tom in the quadrangle)

A scene from 'Tom Brown's Schooldays'
5307724 A scene from 'Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from 'Tom Brown's Schooldays': Tom, Captain of the team)

Portrait of Thomas Woolner
672534 Portrait of Thomas Woolner; (add.info.: Thomas Woolner - Woodbury Thomas Woolner (17 December 1825 - 7 October 1892)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)

A scene from 'Tom Brown's Schooldays'
5307720 A scene from 'Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from 'Tom Brown's Schooldays')

Portrait of Sir John Everett Millais
672596 Portrait of Sir John Everett Millais; (add.info.: J E Millais - Woodbury Sir John Everett Millais, 1st Baronet (8 June 1829 - 13 August 1896)

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH

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The Pre-Raphaelite Brotherhood: A Captivating Journey into Artistic Romanticism Step into the enchanting world of the Pre-Raphaelite Brotherhood, a group of visionary artists who sought to revive the purity and intensity of medieval art. Circe Invidiosa, painted by John William Waterhouse in 1892, mesmerizes with its bewitching portrayal of the sorceress from Greek mythology. In 1899, William John Wainwright's Parable Of The Wise And Foolish Virgins captivates viewers with its allegorical depiction of virtue and folly. This thought-provoking piece invites contemplation on human nature and moral choices. John Everett Millais' My First Sermon (1863) and My Second Sermon (1864) offer glimpses into Victorian society through innocent yet profound portrayals of children engaged in religious contemplation. These iconic works evoke a sense of innocence lost amidst societal pressures. Waterhouse's A Mermaid transports us to an ethereal underwater realm where myth meets reality. The artist skillfully captures both beauty and danger as we witness this mythical creature luring sailors to their demise. Crenaia, the nymph of Dargle, immortalized by unknown hands, embodies the allure and mystery associated with nymphs in ancient folklore. Her delicate features transport us to a world steeped in magic and wonder. Narcissus and Echo tell a tragic tale through Millais' brushstrokes - Narcissus enamored by his own reflection while Echo pines away for unrequited love. This poignant representation explores themes such as vanity, obsession, and unattainable desire. Sir Isumbras at the Ford (1857) showcases Millais' mastery at capturing historical narratives filled with chivalry and heroism. This evocative painting transports us back to medieval times when knights embarked on daring quests for honor and glory.