John Everett Millais Collection

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

L Enfant du Regiment L Enfant du Regiment (The Random Shot) Signed and dated, lower right: " 18 [symbol] 55" in monogram " JEM", John Everett Millais, 1829-1896, British

John Everett Millais (1829-1896) English Pre-Raphaelite painter, engraving by Meaulle
1730604 John Everett Millais (1829-1896) English Pre-Raphaelite painter, engraving by Meaulle by Meaulle, Fortune Louis (1844-1901); (add.info)

The Earl of Beaconsfield, Benjamin Disraeli, 1881
3480295 The Earl of Beaconsfield, Benjamin Disraeli, 1881; (add.info.: Portrait of the Earl of Beaconsfield, Benjamin Disraeli by Sir John Everett Millais. 1881)

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862.

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde
'James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
'The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
'John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Jephthah, 1867 (oil on canvas)
NGW184269 Jephthah, 1867 (oil on canvas) by Millais, John Everett (1829-96); 127x162.7 cm; National Museum Wales; National Museums & Galleries of Wales

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

The Ornithologist, 1885 (oil on canvas)
2636045 The Ornithologist, 1885 (oil on canvas) by Millais, John Everett (1829-96); 160.7x215.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Wandering Thoughts, c. 1855 (oil on canvas)
MAN62963 Wandering Thoughts, c.1855 (oil on canvas) by Millais, John Everett (1829-96); 35.2x24.9 cm; Manchester Art Gallery

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Study for The Vale of Rest (w/c, gouache & gum arabic on paper)
5890678 Study for The Vale of Rest (w/c, gouache & gum arabic on paper) by Millais, John Everett (1829-96); 13.3x20.9 cm; Manchester Art Gallery, UK; (add.info.: Graveyard scene at twilight)

Stella, 1868 (oil on canvas)
MAN62961 Stella, 1868 (oil on canvas) by Millais, John Everett (1829-96); 112.7x92.1 cm; Manchester Art Gallery, UK; (add.info)

Glen Birnam, 1891 (oil on canvas)
MAN62962 Glen Birnam, 1891 (oil on canvas) by Millais, John Everett (1829-96); 145.2x101.1 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)
MAN62965 Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas) by Millais, John Everett (1829-96); 122x95 cm; Manchester Art Gallery

Winter Fuel, 1873 (oil on canvas)
MAN62960 Winter Fuel, 1873 (oil on canvas) by Millais, John Everett (1829-96); 194.5x149.5 cm; Manchester Art Gallery, UK; (add.info.: view of Birnham Hill, Perthshire;); © Manchester Art Gallery

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John Everett Millais was a renowned English painter who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group that aimed to revive the detailed and vibrant style of early Renaissance art. Millais' works often depicted religious themes or scenes from literature, showcasing his exceptional talent for capturing emotion and storytelling. One of his notable paintings is "My First Sermon" (1863), which portrays a young girl listening intently to her first sermon. The innocence on her face reflects the artist's ability to convey purity and curiosity in his subjects. Similarly, "My Second Sermon" (1864) continues this theme by depicting another child engrossed in their spiritual journey. In 1853-1854, Millais painted a portrait of John Ruskin, an influential art critic and patron who greatly supported the Pre-Raphaelite movement. This painting showcases Millais' skill in capturing intricate details with precision. Another remarkable artwork by Millais is "Sir Isumbras at the Ford" (1857), based on medieval legends. This piece demonstrates his mastery in creating realistic landscapes and dramatic narratives. Millais also explored different genres such as portraiture and genre painting with works like "Autumn Leaves" (1856). This painting depicts four girls gathering fallen leaves during autumn, evoking a sense of nostalgia and transience. "The Order of Release" (1746) is another significant work by Millais that captures historical events related to Scottish Jacobites seeking freedom during political unrest in Britain. Additionally, he illustrated scenes from Anthony Trollope's novel Framley Parsonage in 1860, showcasing his versatility as an artist beyond traditional canvas paintings. Amongst his other notable pieces are "The Blind Girl" (1856), which highlights empathy towards disability through its poignant portrayal; "The Martyr of Solway" (1871), a mysterious and haunting depiction of a woman's sacrifice.