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John Millais Collection

John Everett Millais was a renowned British painter who lived from 1829 to 1896

Background imageJohn Millais Collection: John Ruskin, 1853-1854, (1944). Creator: John Everett Millais

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Background imageJohn Millais Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imageJohn Millais Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imageJohn Millais Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imageJohn Millais Collection: The Earl of Beaconsfield, Benjamin Disraeli, 1881

The Earl of Beaconsfield, Benjamin Disraeli, 1881
3480295 The Earl of Beaconsfield, Benjamin Disraeli, 1881; (add.info.: Portrait of the Earl of Beaconsfield, Benjamin Disraeli by Sir John Everett Millais. 1881)

Background imageJohn Millais Collection: Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862.

Background imageJohn Millais Collection: The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde

James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde
'James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
'The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
'John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageJohn Millais Collection: The Proscribed Royalist, 1858. Creator: William Henry Simmons

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Background imageJohn Millais Collection: Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

Background imageJohn Millais Collection: Lovers in Woods, 1850/96. Creator: John Everett Millais

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Background imageJohn Millais Collection: Summer Indolence, 1861. Creator: John Everett Millais

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Background imageJohn Millais Collection: Happy Springtime, 1860. Creator: John Everett Millais

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

Background imageJohn Millais Collection: A Penny for Her Thoughts, 1878. Creator: John Everett Millais

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Background imageJohn Millais Collection: Bridge of Sighs, 1858. Creator: John Everett Millais

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Background imageJohn Millais Collection: Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

Background imageJohn Millais Collection: The Young Mother, 1857. Creator: John Everett Millais

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Background imageJohn Millais Collection: Going to the Park, 1872. Creator: John Everett Millais

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Background imageJohn Millais Collection: Saint Agnes of Intercession, 1850. Creator: John Everett Millais

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

Background imageJohn Millais Collection: The Baby House, 1863. Creator: John Everett Millais

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Background imageJohn Millais Collection: Jephthah, 1867 (oil on canvas)

Jephthah, 1867 (oil on canvas)
NGW184269 Jephthah, 1867 (oil on canvas) by Millais, John Everett (1829-96); 127x162.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageJohn Millais Collection: Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

Background imageJohn Millais Collection: The Ornithologist, 1885 (oil on canvas)

The Ornithologist, 1885 (oil on canvas)
2636045 The Ornithologist, 1885 (oil on canvas) by Millais, John Everett (1829-96); 160.7x215.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageJohn Millais Collection: Wandering Thoughts, c. 1855 (oil on canvas)

Wandering Thoughts, c. 1855 (oil on canvas)
MAN62963 Wandering Thoughts, c.1855 (oil on canvas) by Millais, John Everett (1829-96); 35.2x24.9 cm; Manchester Art Gallery

Background imageJohn Millais Collection: Only a Lock of Hair, c. 1857-58 (oil on panel)

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageJohn Millais Collection: Study for The Vale of Rest (w/c, gouache & gum arabic on paper)

Study for The Vale of Rest (w/c, gouache & gum arabic on paper)
5890678 Study for The Vale of Rest (w/c, gouache & gum arabic on paper) by Millais, John Everett (1829-96); 13.3x20.9 cm; Manchester Art Gallery, UK; (add.info.: Graveyard scene at twilight)

Background imageJohn Millais Collection: Stella, 1868 (oil on canvas)

Stella, 1868 (oil on canvas)
MAN62961 Stella, 1868 (oil on canvas) by Millais, John Everett (1829-96); 112.7x92.1 cm; Manchester Art Gallery, UK; (add.info)

Background imageJohn Millais Collection: Glen Birnam, 1891 (oil on canvas)

Glen Birnam, 1891 (oil on canvas)
MAN62962 Glen Birnam, 1891 (oil on canvas) by Millais, John Everett (1829-96); 145.2x101.1 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageJohn Millais Collection: Victory O Lord, 1871 (oil on canvas)

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Background imageJohn Millais Collection: Autumn Leaves, 1856 (oil on canvas)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageJohn Millais Collection: Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)

Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)
MAN62965 Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas) by Millais, John Everett (1829-96); 122x95 cm; Manchester Art Gallery

Background imageJohn Millais Collection: Winter Fuel, 1873 (oil on canvas)

Winter Fuel, 1873 (oil on canvas)
MAN62960 Winter Fuel, 1873 (oil on canvas) by Millais, John Everett (1829-96); 194.5x149.5 cm; Manchester Art Gallery, UK; (add.info.: view of Birnham Hill, Perthshire;); © Manchester Art Gallery

Background imageJohn Millais Collection: The Death of Romeo and Juliet, c. 1848 (oil on millboard)

The Death of Romeo and Juliet, c. 1848 (oil on millboard)
MAN62966 The Death of Romeo and Juliet, c.1848 (oil on millboard) by Millais, John Everett (1829-96); 16.1x26.9 cm; Manchester Art Gallery

Background imageJohn Millais Collection: A Flood, 1870 (oil on canvas)

A Flood, 1870 (oil on canvas)
MAN62957 A Flood, 1870 (oil on canvas) by Millais, John Everett (1829-96); 99.3x144.9 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageJohn Millais Collection: The blind girl, 19th century (oil on canvas)

The blind girl, 19th century (oil on canvas)
JLJ4682635 The blind girl, 19th century (oil on canvas) by Millais, John Everett (1829-96); Birmingham Museums and Art Gallery; (add.info.: The blind girl)

Background imageJohn Millais Collection: 7388121

7388121

Background imageJohn Millais Collection: Waking, 1865-67 (oil on canvas)

Waking, 1865-67 (oil on canvas)
7333502 Waking, 1865-67 (oil on canvas) by Millais, John Everett (1829-96); 90.8x70.5 cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Millais, John Everett (b.1829)

Background imageJohn Millais Collection: Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas)

Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas)
7333483 Effie Millais, nee Gray (1828-1897), 1873 (oil on canvas) by Millais, John Everett (1829-96); 128x112 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Millais)

Background imageJohn Millais Collection: The Return of the Dove to the Ark, 1850. Creator: John Everett Millais

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais
The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark

Background imageJohn Millais Collection: A Widows Mite, 1870. Creator: John Everett Millais

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870



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John Everett Millais was a renowned British painter who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists who aimed to revive the detailed and vibrant style of early Renaissance art. One of his notable works is "My First Sermon, " painted in 1863. This painting depicts a young boy listening intently to a sermon, capturing the innocence and curiosity of childhood. Its companion piece, "My Second Sermon" (1864), shows the same boy now grown up, lost in thought while delivering his own sermon. In 1853-1854, Millais created a portrait titled "John Ruskin. " This painting portrays the influential art critic John Ruskin with great detail and precision. It showcases Millais' ability to capture not only physical likeness but also convey personality through facial expression. "The Blind Girl" (1856) is another masterpiece by Millais that tells a poignant story. It depicts two young girls - one blind and playing music on her hurdy-gurdy while her sighted companion collects flowers for them both. The contrasting themes of disability and friendship make this painting emotionally powerful. Millais' love for nature is evident in paintings like "The Ornithologist" (1885) and "Glen Birnam" (1891). These landscapes showcase his skillful use of color and light to create realistic scenes filled with tranquility. Other notable works include "Wandering Thoughts" (c. 1855), which captures an introspective moment as a woman gazes out into space; "Only a Lock of Hair" (c. 1857-58), depicting sentimental longing through an intricate portrayal of hair; and studies such as "Study for The Vale of Rest, " showcasing his meticulous attention to detail even in preparatory work.