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Tote Bag : The Mocking of Christ, 16th century (1849). Artist: A Bisson
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The Mocking of Christ, 16th century (1849). Artist: A Bisson
The Mocking of Christ, 16th century (1849). A 19th century version based on a 16th century original found in the collection of M Quedeville, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)
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Media ID 14938352
© The Print Collector / Heritage-Images
A Bisson A Rivaud Albert Durer Albrecht Albrecht Durer Beating Bisson Cottard Durer Ferdinand Ferdinand Sere Hitting Jewish Judaism Lacroix Mockery Mocking Paul Paul Lacroix Rivaud Saviour Sere
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EDITORS COMMENTS
This print showcases "The Mocking of Christ" a powerful artwork created in the 16th century by artist A Bisson. This particular version, dating back to the 19th century, is based on an original piece found in the esteemed collection of M Quedeville in Paris. In this thought-provoking engraving, we witness a scene filled with intense emotion and religious significance. Jesus Christ, portrayed as the Savior, sits amidst a group of people who are subjecting him to cruel mockery and physical abuse. The concept of mocking takes center stage as individuals from different walks of life gather indoors to express their disdain for this revered figure. Judaism plays a significant role within this image, as some characters are depicted as Jewish individuals participating in the act of mocking. The monochrome effect adds depth and intensity to the composition while highlighting every detail meticulously engraved by A Bisson. "The Mocking of Christ" serves not only as an artistic masterpiece but also as a reflection on human nature's capacity for cruelty towards those deemed different or divine. Through this print, viewers are invited to contemplate themes such as religion, spirituality, and compassion. With its historical value and intricate craftsmanship reminiscent of renowned artists like Albrecht Durer or Albert Durer, this print has become part of our cultural heritage thanks to figures like Paul Lacroix and Ferdinand Sere who documented it in their influential publication "Le Moyen Age et la Renaissance. "
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