Rivaud Collection

Representation of the enamel effigy of Geoffrey V on his tomb at Le Mans Cathedral, 1849. Artist: Lemercier
Representation of the enamel effigy of Geoffrey V, Count of Anjou (1113-1151), on his tomb at Le Mans Cathedral, Le Mans, France, 1849

Agnes Sorel (1421-1450), mistress of King Charles VII of France, c1450 (1849). Agnes Sorel was the model for this Virgin and Child Surrounded by Angels

The wear and tear of a knight, 1565 (1849). Artist: Jost Ammon
The wear and tear of a knight, 1565 (1849). From a fragment of an engraving on wood attributed to Jost Ammon, found in the collection of M Guenebault, Paris

Marriage of King Louis XII of France and Mary Tudor, 16th century, (1849). Creator
Marriage of King Louis XII of France and Mary Tudor, 16th century, (1849). King Louis XII of France (1462-1515) married Mary Tudor (1496-1533, daughter of Henry VII of England) on 9 October 1514

Founding of the Abbey of St Genevieve, 15th century, (1849). Creator: E Hauger
Founding of the Abbey of St Genevieve, 15th century, (1849). Scene depicting masons building the Abbey of St Genevieve in Paris

Playing cards, 16th century?, (1849). Creator: E Hauger
Playing cards, 16th century?, (1849). Playing cards from the game of Piquet, claimed by some to have been invented in France during the reign of King Charles VII (1422-1461)

Kings and noblemen playing cards, 15th century, (1849). Creator: E Hauger
Kings and noblemen playing cards, 15th century, (1849). Le revers du Jeu des Suisses, (The other side of the Swiss game, or the Card Game of the Kings and the Pope)

King with harp, (1849). Creator: H Moulin
King with harp, (1849). Crowned figure with a harp, possibly King David. The man on the left has horns. 19th century illustration after a page in the Diurnal of King Rene

Scene from an illuminated manuscript, 15th century, (1849). Creator: Kellerhoven
Scene from an illuminated manuscript, 15th century, (1849). Men and women, one with a sword. On the ground is a pair of pattens, medieval platform shoes

Charlemagne (712-814), Holy Roman Emperor and King of the Franks, 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Cabinet des

A schoolhouse, 16th century (1849). A 19th century version of an original 16th century manuscript illustration found in the collection of the Cabinet des Estampes de la Bibliotheque Royal

Single combat, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Ceremonies des Gages de Bataille, held at the Bibliotheque Nationale de France

The coronation of Charlemagne (712-814), 14th century (1849)
The coronation of Charlemagne (712-814), King of the Franks and the Emperor of Rome, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in

Luke, from Ars Memorandi, c1470 (1849). Artist: A Bisson
Luke, from Ars Memorandi, c1470 (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Royal de Dresden

Fragment facsimile of page 28 of the Bible of the Poor, 1849. Artist: A Bisson
Fragment facsimile of page 28 of the Bible of the Poor, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). Artist: Franz Kellerhoven
A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

The Triumph of Galatea, 1512 (1849). Artist: L Delaistre
The Triumph of Galatea, 1512 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Rest on the Flight into Egypt, c1515-1519 (1849). Artist: Albrecht Altdorfer
Rest on the Flight into Egypt, c1515-1519, (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Venus, c1520s (1849). Artist: Jacob Binck
Venus, c1520s (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

The Virgin, 1527 (1849). Artist: Heinrich Aldegrever
The Virgin, 1527 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

The Feast of Salome, c1490s (1849). Artist: Rosotte
The Feast of Salome, c1490s (1849). From the opera Herodiade. A 19th century version based on an original 15th century copper engraving

Wandering minstrels, 1574 (1849). Artist: A Bisson
Wandering minstrels, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

St Peter, 1519 (1849). Artist: A Bisson
St Peter, 1519 (1849). A 19th century version based on an original 16th century wood engraving held by the Bibliotheque Royal

Stained glass of Moses, King David and Isaiah, Bourges Cathedral, 13th century (1849). Artist: Lemercier
A stained glass window featuring Moses, King David and Isaiah, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Stained glass window, Bourges Cathedral, Bourges, France, 13th century (1849). Artist: Hauger
Stained glass window featuring the story of the Prodigal Son, Bourges Cathedral, Bourges, France, 13th century (1849). Bourges Cathedral is dedicated to Saint Stephen

Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. Artist: Hauger
Fragment of a stained glass window in Canterbury Cathedral, Canterbury, Kent, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. Artist: Franz Kellerhoven
Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

A soldier of King Philip IV of France, 1849
A soldier of King Philip IV of France, c13th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

16th century armour, 1849. Found in the collection of the Musee d Artillerie, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Knights of King Louis VI of France, c14th century (1849). A 19th century version based on a c15th century original. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

A knight of King Louis VI of France, c14th century (1849). A 19th century version based on a c15th century original. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Knights of Duc Guillaume, c1070 (1849). A 19th century version based on an original 11th century excerpt from the Bayeux Tapestry

Soldiers, c14th century (1849). A 19th century version based on a c14th century original miniature in the manuscript Prudentius, found in the collection of the Bibliotheque Nationale, Paris

Charles le Chauve, 9th century, 1849
King Charles II of France and the Holy Roman Empire (823-877), 9th century (1849). Charles II was Holy Roman Emperor (875-877) and King of West Francia (840-877)

Holy men, 15th century (1849). Artist: H Moulin
Holy men, 15th century (1849). A 19th century version based on a 15th century original in the chapter house of St Marks Convent, Florence

Christ on the Cross, 15th century (1849). Artist: H Moulin
Christ on the Cross, 15th century (1849). A 19th century version based on a 15th century original in the chapter house of St Marks Convent, Florence

Marguerite de Valois (1553-1615), queen consort of Henry IV of France, 16th century (1849). Artist: Franz Kellerhoven
Marguerite de Valois (1553-1615), queen consort of Henry IV of France, 16th century (1849). A 19th century version based on a 16th century original found in the collection of Bibliotheque St

Louise de Lorraine-Vaudemont (1553-1601), 16th century (1849). Artist: Franz Kellerhoven
Louise de Lorraine-Vaudemont (1553-1601), 16th century (1849). Louise de Lorraine-Vaudemont was a member of the House of Lorraine who became queen consort of King Henry III of France from 1575 until

The Entombment, c15th century (1849). Artist: Plon Freres
The Entombment, c15th century (1849). A 19th century version based on a c15th century original found in the collection of M Quedeville, Paris

The Carrying of the Cross, 15th century (1849). Artist: H Moulin
The Carrying of the Cross, 15th century (1849). A 19th century version based on a 15th century original found in the collection of M Quedeville, Paris

The Mocking of Christ, 16th century (1849). Artist: A Bisson
The Mocking of Christ, 16th century (1849). A 19th century version based on a 16th century original found in the collection of M Quedeville, Paris

Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). Artist: A Bisson
Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). A 19th century version based on a 15th century original held by the Chateau de Bourbon-l Archambault

Christ preaching, 15th century (1849). Artist: A Bisson
Christ preaching, 15th century (1849). A 19th century version based on an original 15th century painting held by M Quedeville, Paris

Military trumpeter, 16th century (1849). Artist: Jost Amman
Military trumpeter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Flute and cornetto players, 16th century (1849). Artist: Jost Amman
Flute and cornetto players, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

A guitarist, a lutenist and a trombone player, 16th century (1849). Artist: Jost Amman
A guitarist, a lutenist and a trombone player, 16th century (1849). A 19th century version based on an original 16th century wood engraving

Music concert, 13th century (1849). Artist: A Bisson
Music concert, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

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"Exploring the Rich Tapestry of Rivaud: A Glimpse into History" Step back in time and immerse yourself in the captivating world of Rivaud, as we unravel its fascinating stories through a collection of exquisite artworks. Marvel at the intricate enamel effigy of Geoffrey V, adorning his tomb at Le Mans Cathedral. Created by Lemercier in 1849, this masterpiece beautifully captures the essence of this noble figure from history. Witness the wear and tear endured by knights through Jost Ammon's depiction from 1565 (1849). The battle scars on their armor tell tales of bravery and valor that echo across centuries. Delve into romance with Agnes Sorel, mistress to King Charles VII of France. This enchanting portrayal from c1450 (1849) transports us to an era where love knew no bounds. Experience regal splendor as you witness the marriage between King Louis XII of France and Mary Tudor. Created in the 16th century (1849), this artwork encapsulates grandeur and union between two powerful dynasties. Trace back to its origins with E Hauger's depiction of the founding of Abbey St Genevieve during the 15th century (1849). Explore how faith shaped Rivaud's landscape throughout history. Unearth leisurely pursuits with E Hauger's illustrations showcasing playing cards used during both 15th and 16th centuries (1849). These images offer glimpses into social gatherings filled with entertainment and merriment among kings and noblemen alike. Let H Moulin transport you to a musical realm as he presents a king serenading his subjects with a harp. This evocative piece from 1849 captures not only melodies but also echoes cultural significance within Rivaud's society. Discover illuminated manuscripts' allure through Kellerhoven's scene from a manuscript dating back to the 15th century (1849).