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Christ on the Cross, 15th century (1849). Artist: H Moulin

Christ on the Cross, 15th century (1849). Artist: H Moulin


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Christ on the Cross, 15th century (1849). Artist: H Moulin

Christ on the Cross, 15th century (1849). A 19th century version based on a 15th century original in the chapter house of St Marks Convent, Florence. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

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Media ID 14938362

© The Print Collector / Heritage-Images

A Rivaud Angelico Beato Angelico Da Fiesole Bishop Chromolithograph Convent Cross Crucified Crucifix Crucifixion Ferdinand Ferdinand Sere Florence Follower Fra Angelico Fra Giovanni Angelico Fra Giovanni Angelico Da Fiesole Fra Giovanni Da Fiesole H Moulin Halo Holy Lacroix Moulin Mourner Mourning Nunnery Paul Paul Lacroix Rivaud Saviour Sere Tuscany


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> Arts > Artists > A > Fra Angelico

> Europe > Italy > Florence

> Europe > Italy > Tuscany > Fiesole

> Europe > Italy > Tuscany > Florence


EDITORS COMMENTS
This print showcases "Christ on the Cross" from the 15th century, reproduced in the 19th century by artist H Moulin. The original artwork can be found in the chapter house of St Marks Convent in Florence, Italy. This chromolithograph beautifully captures the essence of this religious masterpiece. The image depicts Jesus Christ crucified on a cross, surrounded by mourners and followers who are overcome with grief at his death. His halo signifies his divinity as the holy savior. The vibrant colors used in this print bring to life every detail of this poignant scene. The concept of sacrifice and redemption is powerfully conveyed through this depiction of Christ's crucifixion. It serves as a reminder of his ultimate act of love for humanity and his role as our spiritual guide. Located in Tuscany, Florence has long been renowned for its rich religious history and artistic heritage. This print offers viewers a glimpse into both the fifteenth-century artistry that inspired it and the nineteenth-century reproduction techniques employed by H Moulin. As we contemplate this remarkable piece, we are reminded not only of its historical significance but also its enduring relevance within Christianity. It stands as a testament to faith, devotion, and eternal hope even centuries after its creation.

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