A Bisson Collection

Luke, from Ars Memorandi, c1470 (1849). Artist: A Bisson
Luke, from Ars Memorandi, c1470 (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Royal de Dresden

Fragment facsimile of page 28 of the Bible of the Poor, 1849. Artist: A Bisson
Fragment facsimile of page 28 of the Bible of the Poor, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Wandering minstrels, 1574 (1849). Artist: A Bisson
Wandering minstrels, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

St Peter, 1519 (1849). Artist: A Bisson
St Peter, 1519 (1849). A 19th century version based on an original 16th century wood engraving held by the Bibliotheque Royal

The Mocking of Christ, 16th century (1849). Artist: A Bisson
The Mocking of Christ, 16th century (1849). A 19th century version based on a 16th century original found in the collection of M Quedeville, Paris

Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). Artist: A Bisson
Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). A 19th century version based on a 15th century original held by the Chateau de Bourbon-l Archambault

Christ preaching, 15th century (1849). Artist: A Bisson
Christ preaching, 15th century (1849). A 19th century version based on an original 15th century painting held by M Quedeville, Paris

Music concert, 13th century (1849). Artist: A Bisson
Music concert, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

Celestial concert, 15th century (1849). Artist: A Bisson
Celestial concert, 15th century (1849). A 19th century version based on an original 15th century illustration on the front page of a 15th century breviary, held by the Royal Library, Brussels

The Sabbath, 16th century (1849). Artist: A Bisson
The Sabbath, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A Bisson
Bourgeoise, peasant and noble women, 14th century (1849). A 19th century version based on original painted windows in the church of Moulins, Bourbonnais, France

Inside the physicians house, 15th century (1849). Artist: A Bisson
Inside the physicians house, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Othea, held by the Royal Library, Brussels

The new-born child, 15th century (1849). Artist: A Bisson
The new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels

A knight and a lady, 15th century (1849). Artist: A Bisson
A knight and a lady, 15th century (1849). Private quarters in a chateau in the Court of Burgundy, France. A 19th century version based on an original 15th century manuscript illustration in Othea

The Congress of Wartburg, 15th century (1849). Artist: A Bisson
The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris

Royal garments of Charlemagne (742-814), 15th century (1849). Artist: A Bisson
Royal garments of Charlemagne (742-814), 15th century (1849). Dalmatica and sandals of Charlemagne, and insignia of the kings of France as used during their coronations

The coronation of King Charles V of France (1337-1380), 14th century (1849). Artist: A Bisson
The coronation of King Charles V of France (1337-1380), 14th century (1849). A 19th century version based on an original manuscript illustration in Chroniques de Froissart, volume IV

Grand costume of a Supreme Commander of the French armies, 16th century (1849). Artist: A Bisson
Grand costume of a Supreme Commander of the French armies, 16th century (1849). A 19th century version based on an original manuscript illustration held in the collection of the Cabinet des Estampes

The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1846). Artist: A Bisson
The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1849). A 19th century version based on an original manuscript illustration in Insignia Sacre Majistatis

Baptism, 15th century (1849). Artist: A Bisson
Baptism, 15th century (1849). A 19th century version based on an original manuscript illustration in l Hostorie de la Belle Helene, in the collection of the Royal Library of Belgium

Religious procession, 1449-1456 (1849). Artist: A Bisson
Religious procession, 1449-1456 (1849). A 19th century version based on an original manuscript illustration in the book of common prayer of Jacques Juvenal the Ursins (1449-1456)

Paris, France, 1607. Artist: A Bisson
Paris, France, 1607. A 19th century version of an original 17th century manuscript illustration found in the collection of M. Guenebault

Rector of the university and a procession of monks of Saint-Victors Abbey, 15th century (1849). Artist: A Bisson
Rector of the university and a procession of monks of the Abbey of Saint-Victor, France, 15th century (1849). A 19th century version of an original 15th century manuscript illustration found in

Poor children hepled by the bourgeoisie of Paris, 1849. Artist: A Bisson
Poor children hepled by the bourgeoisie of Paris, 1849. From a bas-relief on the exterior of Notre-Dame, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

University of Oxford, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Vice-chancellor and students of different nationalities at the University of Prague, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson
Beliefs and popular superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels

Beliefs and superstitions, 1493 (1849). Artist: A Bisson
Beliefs and superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

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"A Bisson: Capturing the Essence of History through Art" Step into the world of A Bisson, a talented artist from the 19th century who beautifully depicted various scenes from history. Luke, from Ars Memorandi in c1470, comes to life under Bisson's skilled hand as he meticulously recreates this fragment facsimile of page 28 of the Bible of the Poor. The intricate details and vibrant colors transport us back in time. In another masterpiece, we witness wandering minstrels in 1574, their music echoing through centuries thanks to Bisson's artistry. The lively scene captures their passion and talent as they entertain audiences with their melodies. Bisson also delves into biblical tales such as Samson and Delilah in 1574. Through his brush strokes, we can almost feel Samson's strength and Delilah's cunningness intertwined within this captivating artwork. St Peter takes center stage in one of Bisson's works from 1519. The saintly figure is portrayed with reverence and dignity, showcasing not only his physical appearance but also his spiritual presence. The Mocking of Christ transports us to the heart-wrenching moment during Jesus' crucifixion. With great skill, Bisson portrays both sorrowful onlookers and mocking soldiers surrounding Christ - a poignant reminder of human cruelty juxtaposed against divine sacrifice. A glimpse into royalty awaits us with Charlotte of Savoy (1441-1483), queen consort of Louis XI of France. In this piece from the 15th century, her regal beauty shines through as she graces the canvas with elegance befitting her royal status. Bisson also explores religious themes like Christ preaching in a stunning work from the 15th century. His ability to capture emotion allows viewers to connect deeply with these timeless teachings that continue to resonate today. Music concerts come alive under Bisson's brushstroke.