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Tote Bag : Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813
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Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813
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Media ID 20572323
© Heritage Art/Heritage Images
Action Blair Blake Blake William Dead Door Doors Entering Grave Graves Luigi Luigi Schiavonetti Poem Schiavonetti Schiavonetti Luigi William Blake Metaphor Robert Blair The Grave
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
Our tote bags are made from soft durable fabric and include a strap for easy carrying
Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print titled "Death's Door, from The Grave, a Poem by Robert Blair" takes us back to the 18th century. Luigi Schiavonetti skillfully captures the essence of this haunting artwork created by William Blake in March 1813. The image depicts a man standing at the entrance of Death's Door, symbolizing the transition between life and death. With its intricate engravings and attention to detail, this piece showcases both artistic mastery and profound symbolism. Blair's poem explores themes of mortality, inviting readers to contemplate their own mortality and ponder what lies beyond Death's Door. Through his collaboration with Blake, Schiavonetti brings these words to life visually, evoking a sense of introspection and contemplation. As we gaze upon this powerful photograph, we are transported to another time - an era where literature intertwined with artistry. It serves as a reminder that even in death there is beauty; it encourages us to reflect on our own existence while appreciating the rich cultural heritage that has shaped our understanding of life's fragility. Displayed in museums around the world like The Met, this piece stands as a testament to Scotland-born Robert Blair’s enduring poetry and William Blake’s visionary illustrations. Luigi Schiavonetti’s contribution through his engraving technique further enhances its historical significance for generations to come.
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