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William Blake Collection

William Blake, a renowned British artist and poet, left an indelible mark on the world of art and literature

Background imageWilliam Blake Collection: Hermes, 1886. Artist: Jonnard

Hermes, 1886. Artist: Jonnard
Hermes, 1886. The Greek god Hermes with winged helmet and sandals. From The Magazine of Art. [Cassell & Company, London, 1886]

Background imageWilliam Blake Collection: The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820. Artist: William Blake

The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820. Artist: William Blake
The Lamb, illustration from Songs of Innocence and of Experience. c1770-1820

Background imageWilliam Blake Collection: Dionysus and the Maenads, 1901

Dionysus and the Maenads, 1901. A print from The Magazine of Art, Cassell and Company, Limited, 1901

Background imageWilliam Blake Collection: The Lamb, 1789 (hand-coloured relief-etching, watercolour)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Background imageWilliam Blake Collection: Songs of Innocence and of Experience: The Tyger, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: The Tyger, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: The Tyger, ca. 1825

Background imageWilliam Blake Collection: William Blakes house, 23 Hercules Road, London, 1912. Artist: Frederick Adcock

William Blakes house, 23 Hercules Road, London, 1912. Artist: Frederick Adcock
William Blakes house, 23 Hercules Road, London, 1912. English poet, painter, and printmaker William Blake (1770-1845) lived at 13 Hercules Buildings, Lambeth

Background imageWilliam Blake Collection: William Blake, British (1757-1827), The Last Judgment, c

William Blake, British (1757-1827), The Last Judgment, c. 1809, pen and ink with wash over graphite

Background imageWilliam Blake Collection: Rare Kate Blake and her William (litho)

Rare Kate Blake and her William (litho)
976597 Rare Kate Blake and her William (litho) by Skinner, Edward Frederick (1865-1924); Private Collection; (add.info.: Rare Kate Blake and her William)

Background imageWilliam Blake Collection: Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca
Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dantes Inferno, Canto XXVV, ca. 1825-27

Background imageWilliam Blake Collection: Oberon, Titania and Puck with Fairies dancing, 1786. Artist: William Blake

Oberon, Titania and Puck with Fairies dancing, 1786. Artist: William Blake
Oberon, Titania and Puck with Fairies dancing, 1786. The portrait is part of the collection of the Tate Modern. From Georgian Art (1760-1820) - Burlington Magazine Monograph III, by. [B. T

Background imageWilliam Blake Collection: The Fatal Sisters, design 63 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Fatal Sisters, design 63 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222868 The Fatal Sisters, design 63 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Triumphs of Owen, Design 87 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Triumphs of Owen, Design 87 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222357 The Triumphs of Owen, Design 87 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: On Another's Sorrow, plate 24 from Songs of Innocence, 1789 (relief etching with w/c)

On Another's Sorrow, plate 24 from Songs of Innocence, 1789 (relief etching with w/c)
XYC220882 On Another's Sorrow, plate 24 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.2x7.1 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageWilliam Blake Collection: Nurse's Song, plate 22 from Songs of Innocence, 1789 (relief etching with w/c)

Nurse's Song, plate 22 from Songs of Innocence, 1789 (relief etching with w/c)
XYC220880 Nurse's Song, plate 22 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.9x7.5 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageWilliam Blake Collection: A Cradle, plate 18 from Songs of Innocence, 1789 (relief etching with w/c)

A Cradle, plate 18 from Songs of Innocence, 1789 (relief etching with w/c)
XYC220876 A Cradle, plate 18 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.3x7.2 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageWilliam Blake Collection: Title Page, plate 2 from Songs of Innocence, 1789 (relief etching with w/c on paper)

Title Page, plate 2 from Songs of Innocence, 1789 (relief etching with w/c on paper)
XYC218321 Title Page, plate 2 from Songs of Innocence, 1789 (relief etching with w/c on paper) by Blake, William (1757-1827); 12x7.4 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageWilliam Blake Collection: B1992. 8. 12(3)

B1992. 8. 12(3)
recto

Background imageWilliam Blake Collection: The Descent of Odin, design 85 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Descent of Odin, design 85 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222359 The Descent of Odin, design 85 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: B1992. 8. 12(7)

B1992. 8. 12(7)
recto

Background imageWilliam Blake Collection: B1992. 8. 11(18)

B1992. 8. 11(18)
recto

Background imageWilliam Blake Collection: B1992. 8. 12(4)

B1992. 8. 12(4)
recto

Background imageWilliam Blake Collection: 7413387

7413387

Background imageWilliam Blake Collection: B1992. 8. 1(18)

B1992. 8. 1(18)
4808

Background imageWilliam Blake Collection: The Descent of Odin, design 77 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Descent of Odin, design 77 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222871 The Descent of Odin, design 77 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Fatal Sisters, design 75 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Fatal Sisters, design 75 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222869 The Fatal Sisters, design 75 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222358 The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageWilliam Blake Collection: B1992. 8. 12(16)

B1992. 8. 12(16)
recto

Background imageWilliam Blake Collection: B1992. 8. 12(5)

B1992. 8. 12(5)
recto

Background imageWilliam Blake Collection: Christ's Entry into Jerusalem (oil on copper)

Christ's Entry into Jerusalem (oil on copper)
GLS224046 Christ's Entry into Jerusalem (oil on copper) by Blake, William (1757-1827); 31.1x47.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageWilliam Blake Collection: Adam Naming the Beasts, 1810 (tempera on canvas)

Adam Naming the Beasts, 1810 (tempera on canvas)
GLS219827 Adam Naming the Beasts, 1810 (tempera on canvas) by Blake, William (1757-1827); 74.9x61.1 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageWilliam Blake Collection: Eve Naming the Birds, 1810 (tempera on canvas)

Eve Naming the Birds, 1810 (tempera on canvas)
GLS219828 Eve Naming the Birds, 1810 (tempera on canvas) by Blake, William (1757-1827); 74.9x61.1 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageWilliam Blake Collection: Francois Marie Arouet de Voltaire, c. 1800 (tempera on canvas)

Francois Marie Arouet de Voltaire, c. 1800 (tempera on canvas)
1772306 Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas) by Blake, William (1757-1827); 51x79 cm; Manchester Art Gallery

Background imageWilliam Blake Collection: Geoffrey Chaucer, c. 1800 (tempera on canvas)

Geoffrey Chaucer, c. 1800 (tempera on canvas)
1772296 Geoffrey Chaucer, c.1800 (tempera on canvas) by Blake, William (1757-1827); 53x74 cm; Manchester Art Gallery, UK; (add.info.: Geoffrey Chaucer (c)

Background imageWilliam Blake Collection: Jeroboam and The Man of God, c. 1804 (w/c on paper)

Jeroboam and The Man of God, c. 1804 (w/c on paper)
1772302 Jeroboam and The Man of God, c.1804 (w/c on paper) by Blake, William (1757-1827); 40x34 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Gift of Mr Charles Lambert Rutherson

Background imageWilliam Blake Collection: Edmund Spenser, c. 1800-03 (tempera on canvas)

Edmund Spenser, c. 1800-03 (tempera on canvas)
1772304 Edmund Spenser, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 42x84 cm; Manchester Art Gallery, UK; (add.info)

Background imageWilliam Blake Collection: Dante Alighieri, c. 1800-03 (pen & ink with tempera on canvas)

Dante Alighieri, c. 1800-03 (pen & ink with tempera on canvas)
1113188 Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas) by Blake, William (1757-1827); Manchester Art Gallery

Background imageWilliam Blake Collection: Dante Alighieri, c. 1800-03 (pen & ink with tempera on canvas)

Dante Alighieri, c. 1800-03 (pen & ink with tempera on canvas)
MAN350937 Dante Alighieri, c.1800-03 (pen & ink with tempera on canvas) by Blake, William (1757-1827); 42.5x87.8 cm; Manchester Art Gallery

Background imageWilliam Blake Collection: John Milton, c. 1800-03 (tempera on canvas)

John Milton, c. 1800-03 (tempera on canvas)
MAN62920 John Milton, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 40.1x90.9 cm; Manchester Art Gallery, UK; (add.info)

Background imageWilliam Blake Collection: William Shakespeare, c. 1800-03 (tempera on canvas)

William Shakespeare, c. 1800-03 (tempera on canvas)
MAN62919 William Shakespeare, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 41x79.5 cm; Manchester Art Gallery

Background imageWilliam Blake Collection: William Blake's Room, 1882 (oil on canvas)

William Blake's Room, 1882 (oil on canvas)
5043056 William Blake's Room, 1882 (oil on canvas) by Shields, Frederic James (1833-1911); 30.5x39.5 cm; Manchester Art Gallery, UK; (add.info.: A bedroom interior)

Background imageWilliam Blake Collection: John Dryden, c. 1800 (tempera on canvas)

John Dryden, c. 1800 (tempera on canvas)
1772300 John Dryden, c.1800 (tempera on canvas) by Blake, William (1757-1827); 40x81 cm; Manchester Art Gallery, UK; (add.info.: John Dryden (1631 - 12 May 1700) was an English poet, literary critic

Background imageWilliam Blake Collection: Alonso de Ercilla y Zuniga, c. 1800 (tempera on canvas)

Alonso de Ercilla y Zuniga, c. 1800 (tempera on canvas)
1772307 Alonso de Ercilla y Zuniga, c.1800 (tempera on canvas) by Blake, William (1757-1827); 42x52 cm; Manchester Art Gallery, UK; (add.info.: Alonso de Ercilla y Zuniga (August 7)

Background imageWilliam Blake Collection: Louis Vaz de Camoens, c. 1800 (tempera on canvas)

Louis Vaz de Camoens, c. 1800 (tempera on canvas)
1772295 Louis Vaz de Camoens, c.1800 (tempera on canvas) by Blake, William (1757-1827); 42x57 cm; Manchester Art Gallery, UK; (add.info.: Luis Vaz de Camoes (c)

Background imageWilliam Blake Collection: Thomas Otway (oil on canvas)

Thomas Otway (oil on canvas)
MAN329196 Thomas Otway (oil on canvas) by Blake, William (1757-1827); Manchester Art Gallery, UK; (add.info.: Thomas Otway (1652-1685);); © Manchester Art Gallery

Background imageWilliam Blake Collection: Homer, c. 1800-03 (tempera on canvas)

Homer, c. 1800-03 (tempera on canvas)
MAN62922 Homer, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 40x84 cm; Manchester Art Gallery, UK; (add.info.: Homer (750-700 BC) Greek poet;); © Manchester Art Gallery

Background imageWilliam Blake Collection: Alexander Pope, c. 1800-03 (tempera on canvas)

Alexander Pope, c. 1800-03 (tempera on canvas)
MAN62921 Alexander Pope, c.1800-03 (tempera on canvas) by Blake, William (1757-1827); 48.9x79.4 cm; Manchester Art Gallery

Background imageWilliam Blake Collection: Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)

Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas)
7146819 Our lady adoring the infant Jesus asleep on a cross, about 1799-1800 (tempera on canvas) by Blake, William (1757-1827); Victoria & Albert Museum, London

Background imageWilliam Blake Collection: St. Matthew, 1799 (tempera on canvas)

St. Matthew, 1799 (tempera on canvas)
XOS5885433 St. Matthew, 1799 (tempera on canvas) by Blake, William (1757-1827); 38.5x26.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: by William Blake (1757-1827))



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William Blake, a renowned British artist and poet, left an indelible mark on the world of art and literature. His works spanned various mediums, from paintings to illustrations and poetry collections. One such masterpiece is "Hermes, " painted by Jonnard in 1886, which captures the essence of Greek mythology with its depiction of the messenger god. Another notable illustration from Blake's collection is "The Lamb" from Songs of Innocence and Experience. Created between 1770-1820, this piece showcases his unique style that combines innocence with profound symbolism. In contrast to the gentle nature portrayed in "The Lamb, " Blake also explored darker themes like Dionysus and the Maenads in his painting from 1901. This work delves into ancient Greek mythology once again but focuses on wild revelry and chaos associated with Dionysian cults. Blake's artistic prowess extended beyond paintings as seen in his hand-coloured relief-etching watercolour rendition of "The Lamb" dating back to 1789. The meticulous attention to detail highlights his mastery over multiple artistic techniques. "The Tyger" is another iconic creation by William Blake circa 1825 that showcases his ability to evoke powerful emotions through words alone. This poem explores themes of creation, destruction, and the duality within human nature. Beyond his creative endeavors, William Blake resided at 23 Hercules Road in London until he passed away in 1827. Frederick Adcock captured this historical location through a captivating artwork created in 1912. One cannot discuss William Blake without mentioning some of his literary contributions such as "The Last Judgment. " This thought-provoking piece reflects both European influences and English sensibilities while exploring moralistic themes surrounding judgment day. Blake's talent was not limited to showcasing only his own writings; he also illustrated works by other poets like Thomas Gray's poems including "The Fatal Sisters" (1797-98) and "The Triumphs of Owen" (1797-98).