Luigi Schiavonetti Collection

William Blake, 1808, published 1813. Creators: Thomas Phillips, Luigi Schiavonetti
William Blake, 1808, published 1813

Milk below Maids, 1793. Creator: Luigi Schiavonetti
Milk below Maids, 1793

Two Bunches a Penny, Primroses, 1793. Creator: Luigi Schiavonetti
Two Bunches a Penny, Primroses, 1793

William Blake
5668965 William Blake by Schiavonetti, Luigi (1765-1810); (add.info.: William Blake (1757-1827): idiosyncratic and influential English artist

The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813

The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813

The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813

Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813

The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem by Robert Blair, March 1, 1813

Christ Descending into the Grave. Creator: Luigi Schiavonetti (Italian, 1765-1810)
Christ Descending into the Grave

A Master of Arts in his usual Dress, 1796. Creator: Luigi Schiavonetti
A Master of Arts in his usual Dress, 1796. A Mr Lambert wearing an academic gown, tasselled mortar board, breeches, silk stockings and gloves

The Honourable Mrs. Damer, 1794. Creator: Luigi Schiavonetti
The Honourable Mrs. Damer, 1794. Portrait of English sculptor Anne Seymour Damer, nee Conway, (1749-1828). [Anthony Molteno, London]

Milk below Maids, Cries of London, c1795. Artist: Luigi Schiavonetti
Milk below Maids. A milk seller handing a cupful of milk to a boy and girl on a London street, with a dog walking past and a lamp on the right. From Cries of London, c1795

King Lear. Act III. Scene IV, 1792. Artist: Luigi Schiavonetti
King Lear. Act III. Scene IV, 1792. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Marchioness of Camden, 1777, (1908). Artist: Luigi Schiavonetti
Marchioness of Camden, 1777. After Sir Joshua Reynolds (1723-1792). From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Artist: Luigi Schiavonetti
Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

A Ghost, 1905. Artist: Henri-Arthur Bonnefoy
A Ghost, 1905. From The Connoisseur magazine (March 1905)

Milk Below Maids, 1793. Artist: Luigi Schiavonetti
Milk Below Maids, 1793. A plate from Cries of London, published in 1793

Christ Descending Grave Luigi Schiavonetti Italian
Christ Descending into the Grave. Luigi Schiavonetti (Italian, 1765-1810). Etching

Luigi Schiavonetti after Francis Wheatley, Italian (1765-1810), Two Bunches a Penny, Primroses, 1793, color stipple engraving

Luigi Schiavonetti after Francis Wheatley (Italian, 1765 - 1810), Milk below Maids, 1793, color stipple engraving

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Luigi Schiavonetti, an Italian artist born in 1765, was a master of his craft. His work spanned various genres and subjects, showcasing his versatility and skill. One of his notable creations is the engraving titled "Christ Descending into the Grave, " which captures the profound moment with intricate detail. Schiavonetti's talent extended beyond religious themes. In 1796, he depicted a Master of Arts in his usual dress, highlighting the intellectual pursuits of academia. This piece showcases Schiavonetti's ability to capture not only physical likeness but also convey a sense of character and personality. Another captivating creation by Schiavonetti is "The Honourable Mrs. Damer" from 1794. This portrait exudes elegance and poise as it immortalizes an influential figure from that era. The attention to detail in her attire and expression demonstrates Schiavonetti's dedication to capturing the essence of his subjects. In addition to portraits, Schiavonetti delved into scenes depicting everyday life such as "Milk below Maids" from the series "Cries of London. " This artwork transports viewers back to bustling streets filled with vendors selling their wares while offering a glimpse into historical London society. Schiavonetti also ventured into illustrating literary works like Shakespeare's tragedy "King Lear. " His depiction of Act III Scene IV encapsulates the emotional intensity and turmoil within this pivotal moment on stage. However, one cannot discuss Luigi Schiavonetti without mentioning his collaboration with poet Robert Blair on "The Grave. " Through engravings like "The Death of the Good Old Man" or "Deaths Door, " Schiavonetti brought Blair's words to life visually, exploring themes surrounding mortality and spirituality.