Schiavonetti Collection

Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of
FLO4623656 Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of Tipu Sultan Recognized by his Family

Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonettis painting The Body of Tipu Sultan Recognized by his Family

Portrait of the singer Luigi Marchesi (1754-1829), 1790. Private Collection

The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813

The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813

The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813

Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813

The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem by Robert Blair, March 1, 1813

A Master of Arts in his usual Dress, 1796. Creator: Luigi Schiavonetti
A Master of Arts in his usual Dress, 1796. A Mr Lambert wearing an academic gown, tasselled mortar board, breeches, silk stockings and gloves

The Honourable Mrs. Damer, 1794. Creator: Luigi Schiavonetti
The Honourable Mrs. Damer, 1794. Portrait of English sculptor Anne Seymour Damer, nee Conway, (1749-1828). [Anthony Molteno, London]

Milk below Maids, Cries of London, c1795. Artist: Luigi Schiavonetti
Milk below Maids. A milk seller handing a cupful of milk to a boy and girl on a London street, with a dog walking past and a lamp on the right. From Cries of London, c1795

The Battle of Bucaco on September 27, 1810, 1813
The Battle of Buc aco on September 27, 1810, 1813. Private Collection

King Lear. Act III. Scene IV, 1792. Artist: Luigi Schiavonetti
King Lear. Act III. Scene IV, 1792. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Marchioness of Camden, 1777, (1908). Artist: Luigi Schiavonetti
Marchioness of Camden, 1777. After Sir Joshua Reynolds (1723-1792). From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

New Mackrel, New Mackrel, 1795, (1929). Artist: Nicolo Schiavonetti
New Mackrel, New Mackrel, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Artist: Luigi Schiavonetti
Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

A Ghost, 1905. Artist: Henri-Arthur Bonnefoy
A Ghost, 1905. From The Connoisseur magazine (March 1905)

Milk Below Maids, 1793. Artist: Luigi Schiavonetti
Milk Below Maids, 1793. A plate from Cries of London, published in 1793

Le retour la vertu Le Brun Charles 1619-1690
Le retour a la vertu, Le Brun, Charles, 1619-1690, Schiavonetti, Niccolo, 1771-1813, Stipple engraving, etching, black-and-white, 1795

NiccolA Schiavonetti after Francis Wheatley, Italian (1771-1813), New Mack rel
Niccol Schiavonetti after Francis Wheatley, Italian (1771-1813), New Mack rel, 1795, color stipple engraving

Luigi Schiavonetti after Francis Wheatley, Italian (1765-1810), Two Bunches a Penny, Primroses, 1793, color stipple engraving

Luigi Schiavonetti after Francis Wheatley (Italian, 1765 - 1810), Milk below Maids, 1793, color stipple engraving

Female figure in drapery, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Looking in the mirror, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

touch, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Hearing, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Odor, Ludwig Gottlieb Portman, Schiavonetti, 1787 - 1828

Taste, Ludwig Gottlieb Portman, Schiavonetti, 1787-1828

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Luigi Schiavonetti, an Italian engraver and artist, left a lasting impact on the art world with his intricate and emotive works. His talent for capturing the essence of various subjects is evident in his diverse portfolio. One of Schiavonetti's notable pieces is "The Tragic Death of Tipu Sultan, " depicting the final moments of this revered Indian ruler. The intensity and sorrow portrayed in this artwork showcase Schiavonetti's ability to convey emotion through his engravings. In contrast, "Portrait of Luigi Marchesi" showcases Schiavonetti's skill in capturing the likeness and character of individuals. This piece immortalizes the renowned singer with remarkable attention to detail, highlighting Schiavonetti's mastery over portraiture. It also delved into illustrating literary works such as Robert Blair's poem "The Grave. " In hauntingly beautiful engravings like "The Death of the Good Old Man" or "The Soul Exploring the Recesses of the Grave, " he brings to life scenes from these poetic verses, evoking a sense of contemplation about mortality. Not limited to somber themes, it also depicted lighter subjects like London street vendors in artworks such as "Milk below Maids, Cries of London. " These lively scenes capture everyday life with vibrant energy and attention to detail. Furthermore, historical events found their place within Schiavonetti's repertoire. One example is "The Battle of Bucaco, " which portrays a significant conflict during the Peninsular War. Through meticulous engraving techniques, he captures both action and drama on paper, not only skilled at portraying people but also excelled at illustrating theatrical scenes like Shakespeare's play King Lear. His rendition transports viewers into Act III Scene IV with its expressive characters and dramatic atmosphere. Throughout his career spanning several decades, Luigi Schiavonetti showcased his versatility and artistic prowess.