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Premium Framed Print : The Gate of Akbers mausoleum, India, 1847. Artist: Robinson

The Gate of Akbers mausoleum, India, 1847. Artist: Robinson



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The Gate of Akbers mausoleum, India, 1847. Artist: Robinson

The Gate of Akbers mausoleum, India, 1847. The tomb of Akbar the Great (1542-1605) at Sikandra, near Agra. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Heritage Images features heritage image collections

Media ID 14935430

© The Print Collector / Heritage-Images

Akbar Akbar The Great B Clayton Clayton Corner Gate Jalaluddin Muhammad Akbar Timurid Julia Julia Corner Julia Parley Lovechild Mausoleum Miss Corner Miss Julia Mughal Mughal Empire Parley Robinson Sikandra Solomon Solomon Lovechild Thomas Lovechild Thomas Parley Uttar Pradesh


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 22.7cm (15.6" x 8.9")

Estimated Product Size is 58.4cm x 48.2cm (23" x 19")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Chinese

> Architecture > Country > India

> Architecture > Related Images

> Architecture > Styles > Empire Architecture

> Arts > Artists > Related Images

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > India > Agra

> Asia > India > Related Images


The Gate of Akber's Mausoleum, India, 1847

EDITORS COMMENTS
is a captivating print that takes us back in time to the majestic Mughal Empire. The artist Robinson skillfully captures the intricate architecture of this historical site, transporting us to the tomb of one of India's greatest rulers - Akbar the Great. The gate stands tall and proud against a serene landscape, evoking a sense of grandeur and reverence. Its detailed engravings showcase the craftsmanship and artistic prowess prevalent during the seventeenth century. As we gaze upon this print, we can almost feel the weight of history surrounding us. Akbar's mausoleum at Sikandra near Agra serves as a testament to his legacy. Known for his progressive rule and cultural patronage, Akbar left an indelible mark on Indian history. This image allows us to appreciate not only his architectural achievements but also reflects upon themes such as life, death, burial rites, and remembrance. Illustrated by Miss Corner for "The History of China and India" published in London in 1847, this print offers a glimpse into both past eras - nineteenth-century colonialism and seventeenth-century Mughal splendor. It reminds us how art can bridge gaps between cultures and generations. Through Robinson's skilled handiwork combined with Miss Corner's expertise in historical documentation, this print becomes more than just an image; it becomes a portal through which we can explore centuries-old stories etched within

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