Thomas Lovechild Collection

Fort of Gwalior, India, 1847. Artist: Robinson
Fort of Gwalior, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Benares, India, 1847. Artist: Kirchner
Benares, India, 1847. The city of Varanasi on the River Ganges. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Bazaar in Bombay, India, 1847. Artist: Kirchner
Bazaar in Bombay, India, 1847. Market in Mumbai, with canopied balconies above. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Bazaar at Cabul, in the fruit season, 1847. Market in Kabul, Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chittapore road, Calcutta, 1847. The Indian city of Calcutta during the British Empire period. Some Europeans can just be seen in the centre of the street

Palace of Allahabad, India, 1847. Artist: Bonner
Palace of Allahabad, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Calcutta, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Town and fort of Agra, 1847. Artist: Robinson
Town and fort of Agra, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The Lall Bang, 1847. Artist: Robinson
The Lall Bang, 1847. The Lal Bagh gardens at Bangalore in India was commissioned by Hyder Ali and completed by his son, Tipu Sultan (1749-1799)

The last effort of Tippoo Saib at Seringapatam, 1799, (1847). The death of Tippoo Sahib (1753-1799), Sultan of Mysore at his stronghold, Seringapatam, India

The Zenana, 1847. Artist: Bonner
The Zenana, 1847. The zenana is the area in which women are secluded in some Hindu and Muslim families. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Setting in of the monsoon, Cannanore Fort, 1847. The coast at Kannur in Kerala, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

A street in Bombay, 1847. View of Mumbai during the British Empire period. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Town and fort of Trichinopoly, India, 1847. View of Tiruchirapalli, Tamil Nadu, during the British Empire period. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Grand Temple of the Bull, Tanjore, India, 1847. Artist: Kirchner
Grand Temple of the Bull, Tanjore, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles
Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Pavilion in Allahabad, Uttar Pradesh, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

View of Cabul, 1847. Artist: Giles
View of Cabul, 1847. The town of Kabul in Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Khan Lodi overpowered, 15th century, (1847). Artist: Robinson
Khan Lodi overpowered, 15th century, (1847). Indian sultan Bahlul Khan Lodhi (died 1489) was the first Sultan of the Lodhi Dynasty

The Gate of Akbers mausoleum, India, 1847. Artist: Robinson
The Gate of Akbers mausoleum, India, 1847. The tomb of Akbar the Great (1542-1605) at Sikandra, near Agra. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Pilgrims at the source of the Ganges, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Indian landscape and temple, 1847. Artist: Robinson
Indian landscape and temple, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co
Goa, from the Upper Curtain, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Dowlatabad, India, 1847. The detached and precipitous rock on which Daulatabad stands. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson
Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Portuguese explorer Vasco da Gama (1469-1524) is received by Manavikraman Raja, the Saamoothiri (or Zamorin) of Kozhikode

Temple of Somnath, Gujarat, India, 1847. Artist: Robinson
Temple of Somnath, Gujarat, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Caves of Ellora, India, 1847. Artist: Robinson
Caves of Ellora, India, 1847. Ellora is famous for its rock temples, a series of caves carved out of the rocky hillside, one and a quarter miles long, in three sections: Buddhist

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Map of India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Victoria Town, Hong Kong Island, 1847. Victoria City, one of the first urban settlements after Hong Kong became a British colony in 1842, was often said to be the capital of Hong Kong

Golden Island, China, 1847. Artist: Palmer
Golden Island, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

House at Ningbo, China, 1847. Artist: Armstrong
House at Ningbo, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Buddhist temple, China, 1847. Artist: Mason
Buddhist temple, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The bay and island of Hong Kong, 1847. Artist: E Gilks
The bay and island of Hong Kong, 1847. Drawn by B Clayton, from a painting by Borget. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Culture and preparation of tea, China, 1847. Artist: E Gilks
Culture and preparation of tea, China, 1847. Drawn by B Clayton, from a painting by Piqua. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Domestic scene, ladies at their usual employments, 1847. Artist: Evans
Domestic scene, ladies at their usual employments, 1847. Chinese women painting and playing musical instruments. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong
Ladies walking, garden scene of one of the wealthier classes, 1847. Chinese women with fans. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

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"Thomas Lovechild: Capturing the Essence of India in 1847" Step into the vibrant world as he takes us on a visual journey through colonial India. With his skilled brushstrokes, Lovechild brings to life the rich tapestry of landscapes and cityscapes that define this captivating land. In "Fort of Gwalior, India, " painted by Robinson, we are transported to an ancient stronghold where history whispers from every stone. The intricate details and majestic architecture evoke a sense of awe and wonder. Kirchner's "Benares, India" captures the spiritual essence of this holy city. The ethereal glow emanating from its temples reflects the deep devotion that permeates every corner. Moving on to Bombay, Kirchner's "Bazaar in Bombay" immerses us in a bustling marketplace teeming with colors and sounds. The vibrancy of everyday life is palpable as merchants peddle their wares amidst a sea of eager customers. Lovechild then takes us further north to Cabul with his painting titled "Bazaar at Cabul. " Here, during fruit season, we witness a riotous explosion of flavors and aromas as locals indulge in nature's bounty. The Fortress of Ghazni stands tall against an azure sky in Kirchner's masterpiece. Its two minars reaching for the heavens symbolize strength and resilience—a testament to India's enduring spirit. Robinson paints Lucknow with delicate strokes that capture both its grandeur and charm. In "City of Lucknow, " we glimpse ornate palaces nestled among lush gardens—a true oasis amidst urban chaos. Chittapore road comes alive under Calcutta's sun-drenched skies in 1847 as depicted by Lovechild himself. This bustling thoroughfare showcases daily life unfolding before our eyes—rickshaws weaving through crowds while vendors entice passersby with their goods. Bonner presents Allahabad Palace in all its regal glory.