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Setting in of the monsoon, Cannanore Fort, 1847

Setting in of the monsoon, Cannanore Fort, 1847


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Setting in of the monsoon, Cannanore Fort, 1847

Setting in of the monsoon, Cannanore Fort, 1847. The coast at Kannur in Kerala, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

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Media ID 14935448

© The Print Collector / Heritage-Images

Beach Corner Julia Julia Corner Julia Parley Kerala Lovechild Miss Corner Miss Julia Monsoon Palm Tree Parley Rawlins Solomon Solomon Lovechild T J Rawlins Thomas Lovechild Thomas Parley Tj Rawlins Tropical Hindoostan Kannur


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Setting in of the Monsoon, Cannanore Fort, 1847

EDITORS COMMENTS
. This print takes us back to the enchanting coastal town of Kannur in Kerala, India. Captured in the 19th century by an unknown artist, it portrays a mesmerizing landscape as the monsoon season begins to unfold. The scene is dominated by a majestic palm tree swaying gently in the tropical breeze, its slender silhouette contrasting against the dark clouds gathering above. In this picturesque setting, we witness life unfolding along the shore. A group of Indian people can be seen going about their daily activities amidst nature's dramatic display. A traditional boat gracefully glides through the water transport system that has been vital for centuries along these shores. The monochrome engraving beautifully captures both the tranquility and power of this natural phenomenon. It transports us to a time when transportation relied on boats like these and highlights how geography shapes our lives and culture. This historical artwork comes from "The History of China and India" authored by Miss Julia Corner and published by Dean & Co. , London in 1847. Its inclusion within this publication demonstrates its significance as an illustration depicting Hindoostan (India) during that era. As we admire this exquisite print today, let it serve as a reminder of our deep connection with nature's forces and how they have shaped human existence throughout history.

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