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Headman of the village holding his court, 1847

Headman of the village holding his court, 1847


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Headman of the village holding his court, 1847

Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

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Media ID 14935414

© The Print Collector / Heritage-Images

Banyan Tree Cella Chief Corner Court Julia Julia Corner Julia Parley Law Court Lovechild Meeting Miss Corner Miss Julia Parley Rawlins Shrine Solomon Solomon Lovechild T J Rawlins Thomas Lovechild Thomas Parley Tj Rawlins Tropical Headman Hindoostan


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EDITORS COMMENTS
This print takes us back to the year 1847, immersing us in a scene of cultural significance. The image showcases the Headman of a vibrant Indian village as he presides over his court under the sheltering branches of a majestic banyan tree. This enchanting illustration is extracted from "The History of China and India" by Miss Julia Corner, an esteemed author whose work shed light on these ancient civilizations. In this rural setting, we witness the convergence of law and tradition as villagers gather around their respected leader. The atmosphere exudes tranquility, with nature's beauty harmonizing with human affairs. The towering banyan tree acts as both a physical landmark and spiritual shrine, symbolizing stability and wisdom within this close-knit community. Rendered through intricate engraving techniques, every detail comes to life: from the rustic attire worn by those present to the expressions etched upon their faces. Through this monochromatic lens, we are transported into a bygone era where customs prevailed over modernity. The collaboration between Unknown creator, Miss Corner's insightful narrative, and TJ Rawlins' skilled craftsmanship has resulted in an evocative piece that captures not only historical accuracy but also highlights the timeless essence of rural Indian life during the 19th century. As viewers engage with this print today, they are invited to appreciate its artistic merits while contemplating how societies have evolved since then - yet still hold onto traditions that shape their identity even now.

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