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Thomas Parley Collection

"Thomas Parley: Capturing the Essence of India in 1847" Step into the vibrant world of colonial India through the remarkable artworks of Thomas Parley

Background imageThomas Parley Collection: Fort of Gwalior, India, 1847. Artist: Robinson

Fort of Gwalior, India, 1847. Artist: Robinson
Fort of Gwalior, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Benares, India, 1847. Artist: Kirchner

Benares, India, 1847. Artist: Kirchner
Benares, India, 1847. The city of Varanasi on the River Ganges. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Bazaar in Bombay, India, 1847. Artist: Kirchner

Bazaar in Bombay, India, 1847. Artist: Kirchner
Bazaar in Bombay, India, 1847. Market in Mumbai, with canopied balconies above. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Bazaar at Cabul, in the fruit season, 1847

Bazaar at Cabul, in the fruit season, 1847. Market in Kabul, Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Chittapore road, Calcutta, 1847

Chittapore road, Calcutta, 1847. The Indian city of Calcutta during the British Empire period. Some Europeans can just be seen in the centre of the street

Background imageThomas Parley Collection: Palace of Allahabad, India, 1847. Artist: Bonner

Palace of Allahabad, India, 1847. Artist: Bonner
Palace of Allahabad, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Calcutta, India, 1847

Calcutta, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Town and fort of Agra, 1847. Artist: Robinson

Town and fort of Agra, 1847. Artist: Robinson
Town and fort of Agra, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: The Lall Bang, 1847. Artist: Robinson

The Lall Bang, 1847. Artist: Robinson
The Lall Bang, 1847. The Lal Bagh gardens at Bangalore in India was commissioned by Hyder Ali and completed by his son, Tipu Sultan (1749-1799)

Background imageThomas Parley Collection: The last effort of Tippoo Saib at Seringapatam, 1799, (1847)

The last effort of Tippoo Saib at Seringapatam, 1799, (1847). The death of Tippoo Sahib (1753-1799), Sultan of Mysore at his stronghold, Seringapatam, India

Background imageThomas Parley Collection: The Zenana, 1847. Artist: Bonner

The Zenana, 1847. Artist: Bonner
The Zenana, 1847. The zenana is the area in which women are secluded in some Hindu and Muslim families. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Setting in of the monsoon, Cannanore Fort, 1847

Setting in of the monsoon, Cannanore Fort, 1847. The coast at Kannur in Kerala, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: A street in Bombay, 1847

A street in Bombay, 1847. View of Mumbai during the British Empire period. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Town and fort of Trichinopoly, India, 1847

Town and fort of Trichinopoly, India, 1847. View of Tiruchirapalli, Tamil Nadu, during the British Empire period. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Background imageThomas Parley Collection: Grand Temple of the Bull, Tanjore, India, 1847. Artist: Kirchner

Grand Temple of the Bull, Tanjore, India, 1847. Artist: Kirchner
Grand Temple of the Bull, Tanjore, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles

Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles
Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Pavilion in Allahabad, Uttar Pradesh, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: View of Cabul, 1847. Artist: Giles

View of Cabul, 1847. Artist: Giles
View of Cabul, 1847. The town of Kabul in Afghanistan. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Khan Lodi overpowered, 15th century, (1847). Artist: Robinson

Khan Lodi overpowered, 15th century, (1847). Artist: Robinson
Khan Lodi overpowered, 15th century, (1847). Indian sultan Bahlul Khan Lodhi (died 1489) was the first Sultan of the Lodhi Dynasty

Background imageThomas Parley Collection: The Gate of Akbers mausoleum, India, 1847. Artist: Robinson

The Gate of Akbers mausoleum, India, 1847. Artist: Robinson
The Gate of Akbers mausoleum, India, 1847. The tomb of Akbar the Great (1542-1605) at Sikandra, near Agra. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Pilgrims at the source of the Ganges, India, 1847

Pilgrims at the source of the Ganges, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Indian landscape and temple, 1847. Artist: Robinson

Indian landscape and temple, 1847. Artist: Robinson
Indian landscape and temple, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co

Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co
Goa, from the Upper Curtain, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Dowlatabad, India, 1847

Dowlatabad, India, 1847. The detached and precipitous rock on which Daulatabad stands. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson

Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson
Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Portuguese explorer Vasco da Gama (1469-1524) is received by Manavikraman Raja, the Saamoothiri (or Zamorin) of Kozhikode

Background imageThomas Parley Collection: Temple of Somnath, Gujarat, India, 1847. Artist: Robinson

Temple of Somnath, Gujarat, India, 1847. Artist: Robinson
Temple of Somnath, Gujarat, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Headman of the village holding his court, 1847

Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Caves of Ellora, India, 1847. Artist: Robinson

Caves of Ellora, India, 1847. Artist: Robinson
Caves of Ellora, India, 1847. Ellora is famous for its rock temples, a series of caves carved out of the rocky hillside, one and a quarter miles long, in three sections: Buddhist

Background imageThomas Parley Collection: Vishnu, Shiva, and Brahma, 1847. Artist: Robinson

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Map of India, 1847

Map of India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Victoria Town, Hong Kong Island, 1847

Victoria Town, Hong Kong Island, 1847. Victoria City, one of the first urban settlements after Hong Kong became a British colony in 1842, was often said to be the capital of Hong Kong

Background imageThomas Parley Collection: Golden Island, China, 1847. Artist: Palmer

Golden Island, China, 1847. Artist: Palmer
Golden Island, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: House at Ningbo, China, 1847. Artist: Armstrong

House at Ningbo, China, 1847. Artist: Armstrong
House at Ningbo, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Buddhist temple, China, 1847. Artist: Mason

Buddhist temple, China, 1847. Artist: Mason
Buddhist temple, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: The bay and island of Hong Kong, 1847. Artist: E Gilks

The bay and island of Hong Kong, 1847. Artist: E Gilks
The bay and island of Hong Kong, 1847. Drawn by B Clayton, from a painting by Borget. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Culture and preparation of tea, China, 1847. Artist: E Gilks

Culture and preparation of tea, China, 1847. Artist: E Gilks
Culture and preparation of tea, China, 1847. Drawn by B Clayton, from a painting by Piqua. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Domestic scene, ladies at their usual employments, 1847. Artist: Evans

Domestic scene, ladies at their usual employments, 1847. Artist: Evans
Domestic scene, ladies at their usual employments, 1847. Chinese women painting and playing musical instruments. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Background imageThomas Parley Collection: Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong

Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong
Ladies walking, garden scene of one of the wealthier classes, 1847. Chinese women with fans. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Background imageThomas Parley Collection: Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Background imageThomas Parley Collection: Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

Background imageThomas Parley Collection: The Emperors vow, 18th century, (1847). Artist: Evans

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Background imageThomas Parley Collection: Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: The annual spring festival, 1847. Artist: Evans

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Background imageThomas Parley Collection: Annual ceremony of presenting the almanacks, 1847. Artist: Giles

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Grand ceremony of trying the cannon, 1847. Artist: Giles

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Interior of a mandarins house, China, 1847. Artist: Walmsley

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageThomas Parley Collection: Mandarins house, China, 1847. Artist: Armstrong

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)



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"Thomas Parley: Capturing the Essence of India in 1847" Step into the vibrant world of colonial India through the remarkable artworks of Thomas Parley. With his keen eye for detail, Parley transports us to iconic locations across this diverse land. In Fort of Gwalior, India (1847), Robinson's brushstrokes bring alive the grandeur and strength of this historic fortress. The towering walls whisper tales of battles fought and won. Kirchner's Benares, India (1847) takes us on a spiritual journey along the sacred Ganges River. The artist skillfully captures the ethereal beauty and tranquility that permeates this ancient city. Immerse yourself in the bustling energy of Bombay with Kirchner's Bazaar in Bombay, India (1847). Every stroke reveals a kaleidoscope of colors and textures as merchants ply their trade amidst a sea of people. Parley also ventures beyond well-known cities, taking us to unexpected places like Cabul during fruit season (1847). In Bazaar at Cabul, we witness an explosion of flavors and aromas as locals engage in lively commerce. Ghazni's Fortress with its two Minars stands tall against time in Kirchner's masterpiece from 1847. Its majestic presence reminds us of bygone eras when empires rose and fell within these very walls. Robinson paints a vivid picture with City Lucknow, India (1847), showcasing its architectural marvels amidst lush landscapes. This artwork invites us to explore every nook and cranny while unraveling stories hidden within its streets. Chittapore road, Calcutta (1847) unveils a bustling thoroughfare where cultures collide amid horse-drawn carriages and vibrant market stalls. Bonner's Palace Allahabad, India (1847) showcases regal opulence against serene riverbanks—a testament to Indian craftsmanship at its finest.