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Premium Framed Print : Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec
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Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando), 1888, (1952). Louis Fernando, and a female perfomer riding a horse at the circus in Paris. Painting in the collection of the Art Institute of Chicago, USA. From " Henri De Toulouse-Lautrec" by Douglas Cooper. [Thames and Hudson, London, 1952]
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Media ID 19658817
© The Print Collector/Heritage Images
Arthur William Douglas Arthur William Douglas Cooper Circus Circus Performer Cooper Cooper Arthur William Douglas Cooper Douglas Douglas Douglas Cooper Douglas Lord Equestrian Fernando Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Horsewoman Lautrec Lautrec Henri De Toulouse Lord Lord Douglas Louis Parisian Post Impressionism Post Impressionist Ring Ringmaster Toulouse Lautrec Toulouse Lautrec Henri De Toulouse Lautrec Monfa Impressionist
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 24.2cm (15.6" x 9.5")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Equestrienne (At the Cirque Fernando), 1888, (1952)" by Henri de Toulouse-Lautrec captures a mesmerizing moment at the circus in Paris. The painting, housed in the esteemed Art Institute of Chicago, USA, showcases Louis Fernando and a female performer gracefully riding a horse under the big top. Toulouse-Lautrec's keen eye for detail is evident in this piece as he masterfully depicts the vibrant colors and lively atmosphere of the circus. The artist's signature post-impressionist style adds depth and movement to every brushstroke, immersing viewers into this enchanting world. As we gaze upon this artwork, we are transported back to 19th century France where entertainment was brought to life through equestrian performances. The skillful rider effortlessly guides her majestic steed around the ring while Louis Fernando stands tall as an authoritative figure overseeing the spectacle. This image not only celebrates the beauty of equestrian artistry but also pays homage to Toulouse-Lautrec's fascination with capturing scenes from Parisian nightlife. Through his unique perspective, he invites us to witness a fleeting moment frozen in time - an exquisite blend of elegance and excitement that can only be found within the walls of a circus tent. With each glance at this remarkable print, we are reminded of Toulouse-Lautrec's extraordinary talent for immortalizing moments that would otherwise fade away into history. It serves as a testament to his lasting legacy as one of art history's most celebrated masters.
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