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Arthur William Douglas Cooper Collection

Arthur William Douglas Cooper was a renowned art collector and philanthropist who had an exceptional taste for the works of Henri de Toulouse-Lautrec

Background imageArthur William Douglas Cooper Collection: Madame Poupoule at her Toilet, 1898, (1952). Creator: Henri de Toulouse-Lautrec

Madame Poupoule at her Toilet, 1898, (1952). Creator: Henri de Toulouse-Lautrec
Madame Poupoule at her Toilet, 1898, (1952). Woman combing her hair in front of a mirror. Painting in the Musee Toulouse-Lautrec, Albi, France

Background imageArthur William Douglas Cooper Collection: La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec

La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec
La Toilette, 1889, (1952). A red-haired woman seated on the floor, seen from the back. Painting, also known as Rousse, and Redhead (Bathing), in the Musee d Orsay, Paris

Background imageArthur William Douglas Cooper Collection: The Modiste, 1900, (1952). Creator: Henri de Toulouse-Lautrec

The Modiste, 1900, (1952). Creator: Henri de Toulouse-Lautrec
The Modiste, 1900, (1952). Portrait of Parisian milliner Louise Blouet of Enguin. Painting in the Musee Toulouse-Lautrec, Albi, France. From " Henri De Toulouse-Lautrec" by Douglas Cooper

Background imageArthur William Douglas Cooper Collection: Portrait of the Artists Mother Reading, 1881, (1952). Creator: Henri de Toulouse-Lautrec

Portrait of the Artists Mother Reading, 1881, (1952). Creator: Henri de Toulouse-Lautrec
Portrait of the Artists Mother Reading, 1881, (1952). Comtesse Adele de Toulouse-Lautrec (1841-1930) in the salon at the Chateau Malrome, painted by her son Henri de Toulouse-Lautrec

Background imageArthur William Douglas Cooper Collection: Monsieur Boileau at the Cafe, 1893, (1952). Creator: Henri de Toulouse-Lautrec

Monsieur Boileau at the Cafe, 1893, (1952). Creator: Henri de Toulouse-Lautrec
Monsieur Boileau at the Cafe, 1893, (1952). Portrait of a man sitting at a table with dominoes, in Paris. The green drink is probably absinthe. Painting in the Cleveland Museum of Art, USA

Background imageArthur William Douglas Cooper Collection: Maxime Dethomas, 1896, (1952). Creator: Henri de Toulouse-Lautrec

Maxime Dethomas, 1896, (1952). Creator: Henri de Toulouse-Lautrec
Maxime Dethomas, 1896, (1952). French artist and costume designer Maxime Dethomas (1867-1929) at the Bal de l Opera in Paris. Painting in the National Gallery of Art, Washington DC, USA

Background imageArthur William Douglas Cooper Collection: A Corner of the Moulin de la Galette, 1892, (1952). Creator: Henri de Toulouse-Lautrec

A Corner of the Moulin de la Galette, 1892, (1952). Creator: Henri de Toulouse-Lautrec
A Corner of the Moulin de la Galette, 1892, (1952). Scene in a Parisian cafe. Painting in the National Gallery of Art, Washington DC, USA

Background imageArthur William Douglas Cooper Collection: At the Cafe La Mie, c1891, (1952). Creator: Henri de Toulouse-Lautrec

At the Cafe La Mie, c1891, (1952). Creator: Henri de Toulouse-Lautrec
At the Cafe La Mie, c1891, (1952). Man and woman drinking at a table, based on a staged photograph of Lautrecs friend Maurice Guibert. Painting in the Museum of Fine Arts, Boston, USA

Background imageArthur William Douglas Cooper Collection: Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec

Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando), 1888, (1952). Louis Fernando, and a female perfomer riding a horse at the circus in Paris. Painting in the collection of the Art Institute of Chicago, USA


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Arthur William Douglas Cooper was a renowned art collector and philanthropist who had an exceptional taste for the works of Henri de Toulouse-Lautrec. His collection included some of the artist's most iconic pieces, such as "Madame Poupoule at her Toilet, " "La Goulue at the Moulin Rouge, " and "La Toilette. " Cooper's admiration for Toulouse-Lautrec's talent extended beyond his famous portrayals of Parisian nightlife. He also cherished more intimate scenes like "Portrait of the Artist's Mother Reading" and "In a Private Dining Room (At the Rat Mort). " These artworks showcased Toulouse-Lautrec's ability to capture human emotions with great sensitivity. One can imagine Cooper immersing himself in these masterpieces, appreciating every brushstroke that brought Monsieur Boileau or Maxime Dethomas to life. His love for art went beyond mere acquisition; it was a deep connection with each piece he possessed. Among Cooper's prized possessions were also glimpses into everyday life, such as "In the Salon at Rue des Moulins" and "Rue des Moulins. " These paintings transported viewers back in time, allowing them to experience the bustling streets and vibrant atmosphere of late 19th-century Paris. Cooper understood that art has the power to evoke emotions, spark conversations, and inspire change. Through his dedication to collecting Toulouse-Lautrec's works, he ensured that these timeless creations would continue to be appreciated by future generations. As we admire Arthur William Douglas Cooper's remarkable collection today, we are reminded of his passion for preserving artistic legacies. His commitment to supporting artists like Henri de Toulouse-Lautrec has left an indelible mark on both the art world and our collective appreciation for beauty.