Fraud Blocker Skip to main content

Cooper Arthur William Douglas Collection

Cooper Arthur William Douglas was a man of many faces, captured in the vibrant and expressive works of Henri de Toulouse-Lautrec

Background imageCooper Arthur William Douglas Collection: Madame Poupoule at her Toilet, 1898, (1952). Creator: Henri de Toulouse-Lautrec

Madame Poupoule at her Toilet, 1898, (1952). Creator: Henri de Toulouse-Lautrec
Madame Poupoule at her Toilet, 1898, (1952). Woman combing her hair in front of a mirror. Painting in the Musee Toulouse-Lautrec, Albi, France

Background imageCooper Arthur William Douglas Collection: La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec

La Toilette, 1889, (1952). Creator: Henri de Toulouse-Lautrec
La Toilette, 1889, (1952). A red-haired woman seated on the floor, seen from the back. Painting, also known as Rousse, and Redhead (Bathing), in the Musee d Orsay, Paris

Background imageCooper Arthur William Douglas Collection: The Modiste, 1900, (1952). Creator: Henri de Toulouse-Lautrec

The Modiste, 1900, (1952). Creator: Henri de Toulouse-Lautrec
The Modiste, 1900, (1952). Portrait of Parisian milliner Louise Blouet of Enguin. Painting in the Musee Toulouse-Lautrec, Albi, France. From " Henri De Toulouse-Lautrec" by Douglas Cooper

Background imageCooper Arthur William Douglas Collection: Portrait of the Artists Mother Reading, 1881, (1952). Creator: Henri de Toulouse-Lautrec

Portrait of the Artists Mother Reading, 1881, (1952). Creator: Henri de Toulouse-Lautrec
Portrait of the Artists Mother Reading, 1881, (1952). Comtesse Adele de Toulouse-Lautrec (1841-1930) in the salon at the Chateau Malrome, painted by her son Henri de Toulouse-Lautrec

Background imageCooper Arthur William Douglas Collection: Monsieur Boileau at the Cafe, 1893, (1952). Creator: Henri de Toulouse-Lautrec

Monsieur Boileau at the Cafe, 1893, (1952). Creator: Henri de Toulouse-Lautrec
Monsieur Boileau at the Cafe, 1893, (1952). Portrait of a man sitting at a table with dominoes, in Paris. The green drink is probably absinthe. Painting in the Cleveland Museum of Art, USA

Background imageCooper Arthur William Douglas Collection: Maxime Dethomas, 1896, (1952). Creator: Henri de Toulouse-Lautrec

Maxime Dethomas, 1896, (1952). Creator: Henri de Toulouse-Lautrec
Maxime Dethomas, 1896, (1952). French artist and costume designer Maxime Dethomas (1867-1929) at the Bal de l Opera in Paris. Painting in the National Gallery of Art, Washington DC, USA

Background imageCooper Arthur William Douglas Collection: A Corner of the Moulin de la Galette, 1892, (1952). Creator: Henri de Toulouse-Lautrec

A Corner of the Moulin de la Galette, 1892, (1952). Creator: Henri de Toulouse-Lautrec
A Corner of the Moulin de la Galette, 1892, (1952). Scene in a Parisian cafe. Painting in the National Gallery of Art, Washington DC, USA

Background imageCooper Arthur William Douglas Collection: At the Cafe La Mie, c1891, (1952). Creator: Henri de Toulouse-Lautrec

At the Cafe La Mie, c1891, (1952). Creator: Henri de Toulouse-Lautrec
At the Cafe La Mie, c1891, (1952). Man and woman drinking at a table, based on a staged photograph of Lautrecs friend Maurice Guibert. Painting in the Museum of Fine Arts, Boston, USA

Background imageCooper Arthur William Douglas Collection: Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec

Equestrienne (At the Cirque Fernando), 1888, (1952). Creator: Henri de Toulouse-Lautrec
Equestrienne (At the Cirque Fernando), 1888, (1952). Louis Fernando, and a female perfomer riding a horse at the circus in Paris. Painting in the collection of the Art Institute of Chicago, USA


All Professionally Made to Order for Quick Shipping

Cooper Arthur William Douglas was a man of many faces, captured in the vibrant and expressive works of Henri de Toulouse-Lautrec. From the whimsical world of Madame Poupoule at her Toilet to the lively atmosphere of La Goulue at the Moulin Rouge, Cooper's essence shines through each brushstroke. In La Toilette, we catch a glimpse of Cooper's introspective nature as he contemplates his own reflection. The Modiste showcases his impeccable taste and style, while Portrait of the Artist's Mother Reading reveals his deep appreciation for family bonds and intellectual pursuits. But it is In a Private Dining Room (At the Rat Mort) that we truly see Cooper come alive. Surrounded by friends and indulging in fine cuisine, he exudes an air of sophistication and joie de vivre. Monsieur Boileau at the Cafe captures him in a moment of animated conversation, captivating those around him with his wit and charm. Maxime Dethomas portrays Cooper as a man with depth and complexity - someone who defies easy categorization. And in The Salon at Rue des Moulins, we witness his ability to navigate social circles effortlessly, leaving an indelible mark wherever he goes. Rue des Moulins transports us to another era - one where Cooper thrives amidst bohemian revelry and artistic fervor. A Corner of Moulin de la Galette shows him basking in the energy of Parisian nightlife, dancing into the early hours with carefree abandon. Finally, Quadrille at Moulin Rouge encapsulates all that makes Cooper unique - his love for music, dance, laughter, and connection, and is here that he finds solace among kindred spirits; their collective spirit igniting a fire within him that cannot be extinguished. Through these masterpieces by Henri de Toulouse-Lautrec, we catch glimpses into Cooper Arthur William Douglas' multifaceted persona.