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Poster Print : The Time I ve Lost in Wooing, (oil on canvas)
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The Time I ve Lost in Wooing, (oil on canvas)
659900 The Time I ve Lost in Wooing, (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 63.5x54 cm; Private Collection; (add.info.: The Time I ve Lost in Wooing. Daniel Maclise (1806-1870). Oil on canvas. 63.5 x 54cm.); Photo © Christies Images; Irish, out of copyright
Media ID 25131700
© Christie's Images / Bridgeman Images
082012upload Affair Astray British Art Brown Hair Brunette Courting Courtship Daniel Daniel Maclise Dark Hair Dating Effort Endeavour Gnome Hands Clasped Listen Listening Little Lost Mid 19th Century Mid Nineteenth Century Midget Natural Phenomena Negative Concept Relationship Size Small Group Small Group Of People Three People Time Victorian Art Victorian Pictures Wooing Ethnic Origin Maclise
A2 (59.4 x 42cm) Poster Print
Experience the captivating allure of Daniel Maclise's masterpiece, "The Time I've Lost in Wooing," with our high-quality Media Storehouse Poster Prints. This exquisite oil on canvas artwork, originally created by Maclise and Alfred Croquis, showcases the intricate details and vibrant colors that bring this romantic scene to life. Our poster prints are perfect for adding a touch of fine art to any space, whether in your home or office. With our premium printing process, you'll receive a stunning, museum-quality reproduction that is sure to impress. Bring the timeless beauty of "The Time I've Lost in Wooing" into your world with a Media Storehouse Poster Print.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 52.3cm (16.5" x 20.6")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Time I've Lost in Wooing
EDITORS COMMENTS
is a captivating oil painting by Daniel Maclise that captures the essence of courtship and the passing of time. In this nineteenth-century artwork, we are transported to an outdoor setting where a small group of people engage in the delicate dance of romance. The focal point of the painting is a young man, his posture revealing his earnest endeavor to woo a beautiful brunette woman. With hands clasped and eyes fixed on her, he listens intently as she speaks. The atmosphere is filled with anticipation and longing as they navigate the complexities of love. Surrounding them, other figures observe their courtship from afar. A midget gnome-like character adds an element of whimsy to the scene, while Victorian-era men and women stand nearby, lost in their own romantic pursuits. Maclise's masterful use of color and brushstrokes brings life to each character, capturing their emotions and desires. The natural phenomena depicted in the background further enhance the mood, creating a sense of enchantment within this mid-nineteenth-century world. "The Time I've Lost in Wooing" invites viewers to reflect on our own experiences with love and relationships. It serves as a reminder that amidst life's distractions and obligations, it is essential to cherish those moments dedicated to connecting with others on a deeper level. This exquisite piece showcases Maclise's talent for capturing human emotion through artistry—an enduring testament to his contribution to British fine art during this era.
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