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Astray Collection

"Astray: Lost in the Maze of Artistic Masterpieces" Embark on a journey through the captivating world of art

Background imageAstray Collection: astray

astray
Gilbert Claes

Background imageAstray Collection: The Time I ve Lost in Wooing, (oil on canvas)

The Time I ve Lost in Wooing, (oil on canvas)
659900 The Time I ve Lost in Wooing, (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 63.5x54 cm; Private Collection; (add.info.: The Time I ve Lost in Wooing)

Background imageAstray Collection: A Cavalier on a White Horse, 1890 (oil on canvas)

A Cavalier on a White Horse, 1890 (oil on canvas)
1769864 A Cavalier on a White Horse, 1890 (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 95.3x67.3 cm; Private Collection; (add.info.: A Cavalier on a White Horse)

Background imageAstray Collection: Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid

Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid
650904 Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid on board) by Remington, Frederic (1861-1909); 35.6x59.6 cm; Private Collection; (add.info)

Background imageAstray Collection: Lead, Kindly Light, amid the Encircling Gloom, lead thou me on

Lead, Kindly Light, amid the Encircling Gloom, lead thou me on
659901 Lead, Kindly Light, amid the Encircling Gloom, lead thou me on!...and with the Morn those Angel Faces Smile, which I Have Loved Long Since, and Lost Awhile, 1894 (oil on board) by Paton

Background imageAstray Collection: Bathsheba; Bethsabee, 1896 (gilt bronze)

Bathsheba; Bethsabee, 1896 (gilt bronze)
658178 Bathsheba; Bethsabee, 1896 (gilt bronze) by Gerome, Jean Leon (1824-1904); height: 82.8 cm; Private Collection; (add.info.: Bathsheba; Bethsabee. Jean Leon Gerome (1824-1904). Gilt-bronze

Background imageAstray Collection: Lost in the Storm, (oil on canvas)

Lost in the Storm, (oil on canvas)
827107 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

Background imageAstray Collection: La Siesta- Souvenir d Espagne, 1868 (oil on canvas)

La Siesta- Souvenir d Espagne, 1868 (oil on canvas)
659020 La Siesta- Souvenir d Espagne, 1868 (oil on canvas) by Dore, Gustave (1832-83); 279.4x195.6 cm; Private Collection; (add.info.: La Siesta- Souvenir d Espagne. Gustave Dore (1832-1883)

Background imageAstray Collection: Margot, 1881 (oil on canvas)

Margot, 1881 (oil on canvas)
988981 Margot, 1881 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 60.6x49.5 cm; Private Collection; (add.info.: Margot. Henri de Toulouse-Lautrec (1864-1901). Oil on canvas

Background imageAstray Collection: 'You know me?'whispered the witch exultantly, 'It is I who have been leading Tony astray'(litho)

"You know me?"whispered the witch exultantly, "It is I who have been leading Tony astray"(litho)
6002379 " You know me?" whispered the witch exultantly, " It is I who have been leading Tony astray" (litho) by Browne

Background imageAstray Collection: The Idolatry of Solomon, c. 1675 - 1695 (oil on canvas)

The Idolatry of Solomon, c. 1675 - 1695 (oil on canvas)
1217508 The Idolatry of Solomon, c. 1675 - 1695 (oil on canvas) by Florentine School, (17th Century); 90x66 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageAstray Collection: The Mocking of Ceres, 1645 (oil on panel)

The Mocking of Ceres, 1645 (oil on panel)
990085 The Mocking of Ceres, 1645 (oil on panel) by Koninck, Salomon (1609-56); 67x55.5 cm; Private Collection; (add.info.: The Mocking of Ceres. Salomon Koninck (1609-1656). Oil on panel

Background imageAstray Collection: Puzzled, 1881 (watercolour on paper)

Puzzled, 1881 (watercolour on paper)
651112 Puzzled, 1881 (watercolour on paper) by Hovenden, Thomas (1840-95); 51.5x36.4 cm; Private Collection; (add.info.: Puzzled. Thomas Hovendon (1840-1895). Watercolour on paper

Background imageAstray Collection: The Lost Path, (oil on canvas)

The Lost Path, (oil on canvas)
659731 The Lost Path, (oil on canvas) by Redgrave, Richard (1804-88); 77.5x101.6 cm; Private Collection; (add.info.: The Lost Path. Richard Redgrave (1804-1888). Oil on canvas. Dated 1852

Background imageAstray Collection: Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)

Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)
1197554 Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas) by Gericault, Theodore (1791-1824); 37.7x45.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageAstray Collection: The Outlandish Knight (chromolitho)

The Outlandish Knight (chromolitho)
1056883 The Outlandish Knight (chromolitho) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Outlandish Knight)

Background imageAstray Collection: Study for Paradis Perdu, (oil on canvas)

Study for Paradis Perdu, (oil on canvas)
989910 Study for Paradis Perdu, (oil on canvas) by Cabanel, Alexandre (1823-89); 61x45.7 cm; Private Collection; (add.info.: Study for Paradis Perdu. Alexandre Cabanel (1824-1889). Oil on canvas

Background imageAstray Collection: The Lost Hind, 1894 (pencil and w / c on paper)

The Lost Hind, 1894 (pencil and w / c on paper)
1199572 The Lost Hind, 1894 (pencil and w/c on paper) by Thorburn, Archibald (1860-1935); 71.1x115.9 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageAstray Collection: Two Seated Girls Before Birch Trunks; Zwei sitzende Madchen vor Birkenstammen

Two Seated Girls Before Birch Trunks; Zwei sitzende Madchen vor Birkenstammen
1768251 Two Seated Girls Before Birch Trunks; Zwei sitzende Madchen vor Birkenstammen, 1904 (oil on board) by Modersohn-Becker

Background imageAstray Collection: The Lost Stitch, 1886 (watercolour on paper)

The Lost Stitch, 1886 (watercolour on paper)
822889 The Lost Stitch, 1886 (watercolour on paper) by Wood, Thomas Waterman (1823-1903); 50.8x35.6 cm; Private Collection; (add.info.: The Lost Stitch. Thomas Waterman Wood (1823-1903)

Background imageAstray Collection: Lost in the Storm, (oil on canvas)

Lost in the Storm, (oil on canvas)
827525 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

Background imageAstray Collection: DAUGHTER OF G SHEPHERD

DAUGHTER OF G SHEPHERD
FILLE DU BON-PASTEUR Daughter of the Good Shepherd This order was recruited from girls who had gone astray in the paths of vice

Background imageAstray Collection: Jose Millan Astray and Terreros (1879-1954), Spanish militar, founder of

Jose Millan Astray and Terreros (1879-1954), Spanish militar, founder of the Spanish Legion in 1920

Background imageAstray Collection: Dantes Inferno, the gloomy wood

Dantes Inferno, the gloomy wood
Dantes Inferno. Canto I, lines 1-2: In the midway of this our mortal life, I [Dante] found me in a gloomy wood, astray. Italian poet Dante Alighieri (1265-1321)

Background imageAstray Collection: Artful Dodger at Work

Artful Dodger at Work
The Artful Dodger teaches Oliver to pickpocket from the rich

Background imageAstray Collection: Jeek the puppy strays into a cottage garden

Jeek the puppy strays into a cottage garden
Jeek the mongrel puppy loses his way on a day at the seaside and strays into a fishermans cottage garden. Date: 1940

Background imageAstray Collection: The farmer soon heard where his sheep went astray, And arrived at Dames door

The farmer soon heard where his sheep went astray, And arrived at Dames door, with his faithful dog tray. He knocked with his crook,

Background imageAstray Collection: The farmer soon heard where his sheep went astray, And arrived at Dames door, with

The farmer soon heard where his sheep went astray, And arrived at Dames door, with his faithful dog tray. He knocked with his crook,

Background imageAstray Collection: Spain

Spain. First swearing in allegiance to the flag of the Legion. Lieutenant Colonel Mill n Astray and

Background imageAstray Collection: General Franco

General Franco
Francisco Franco (first line, fourth left side) and Jos頍 illᮭ Astray (at his right) during the ceremony giving the Legions sabre of honour. Ministry of the War in Madrid, 1927

Background imageAstray Collection: Puck as Will O the Wisp

Puck as Will O the Wisp
Puck, a sprite, mischievously leads travellers astray as a will o the wisp, luring the unwary into marshy pools

Background imageAstray Collection: Baggage at Croydon

Baggage at Croydon
Little chance of baggage going astray ! Luggage of passengers arriving at Croydon from Zurich is unloaded into a handcart and taken into the terminal by hand


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"Astray: Lost in the Maze of Artistic Masterpieces" Embark on a journey through the captivating world of art, where time seems to slip away and emotions take center stage. From "The Time I've Lost in Wooing" to "A Cavalier on a White Horse, " each stroke of paint tells a story that resonates deep within our souls. In "Mexican Gendarmes asking the Way, " we witness the struggle of finding one's path amidst chaos and confusion. The artist's pen and brush delicately capture the vulnerability of being astray, searching for guidance in an unfamiliar land. As we gaze upon "Lead, Kindly Light, amid the Encircling Gloom, " our hearts yearn for direction and solace. This gilt bronze sculpture titled "Bathsheba; Bethsabee" reminds us that even in moments of vulnerability, there is strength waiting to be discovered. Nature's fury unfolds before our eyes in "Lost in the Storm. " The tempestuous waves mirror our own inner turmoil as we navigate through life's challenges. Meanwhile, "La Siesta- Souvenir d'Espagne" transports us to a serene moment under the Spanish sun—a respite from feeling astray. Intrigue surrounds us as we encounter Margot with her enigmatic gaze captured on canvas. Her mysterious allure leaves us questioning whether she too has been led astray by her desires or if she holds secrets untold. Whispered words echo through time as we hear the witch exultantly declare, "You know me? It is I who have been leading Tony astray. " In this lithograph, darkness intertwines with mischief—an invitation into a realm where boundaries blur and choices become blurred. "The Idolatry of Solomon" serves as a cautionary tale about straying from one's beliefs—how easily power can corrupt and lead even kings down treacherous paths.