Mid 19th Century Collection

A map from On the Mode of Communication of Cholera, 1855 (litho)
1195411 A map from On the Mode of Communication of Cholera, 1855 (litho) by Snow, John (1813-58) (after); 22, 5x14, 2 cm; Private Collection; (add.info.: Snow)

Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink)
985820 Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink) by Berger, Anthony (fl.1861-65); 10.1x6.1 cm; Private Collection; (add.info.: Abraham Lincoln)

Paolo and Francesca da Rimini, 1863 (oil on canvas)
989657 Paolo and Francesca da Rimini, 1863 (oil on canvas) by Dore, Gustave (1832-83); 280.6x193.6 cm; Private Collection; (add.info.: Paolo and Francesca da Rimini. Gustave Dore (1832-1883)

Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph)
985994 Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph) by Roberts, David (1796-1864); 62.5x45 cm; Private Collection; (add.info)

Iris Germanica, 1847 (hand-coloured engraving)
985712 Iris Germanica, 1847 (hand-coloured engraving) by Bauer, Ferdinand (1760-1826) (after); 47.4x33.3 cm; Private Collection; (add.info.: Iris Germanica. From Flora Graeca)

Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel)
824227 Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel) by Herring Snr, John Frederick (1795-1865); 34.9x45.1 cm; Private Collection; (add.info.: Orlando, a Bay Racehorse in a Loosebox)

A Flower Market Along the Seine, (oil on canvas)
827308 A Flower Market Along the Seine, (oil on canvas) by Stein, Georges (1818-90); 45.7x55.3 cm; Private Collection; (add.info.: A Flower Market Along the Seine. Georges Stein (1818-1890)

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Bloomsbury, A Chestnut Racehorse with Sam Templeman up, in a Landscape, (oil on canvas)
990566 Bloomsbury, A Chestnut Racehorse with Sam Templeman up, in a Landscape, (oil on canvas) by Prades, Alfred de (fl.c.1862-79); 47.6x66.1 cm; Private Collection; (add.info.: Bloomsbury)

Oliver Cromwell, 1867 (oil on canvas)
985100 Oliver Cromwell, 1867 (oil on canvas) by Leutze, Emanuel Gottlieb (1816-68); 145.1x107 cm; Private Collection; (add.info.: Oliver Cromwell. Emanuel Gottlieb Leutze (1816-1868). Oil on canvas

The Wrestling Scene in As You Like It, 1854 (oil on canvas)
1199485 The Wrestling Scene in As You Like It, 1854 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 129x177.1 cm; Private Collection; Photo © Christies Images

Coal (engraving)
5221742 Coal (engraving) by English School, (19th century); Private Collection; (add.info.: Coal. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Andromeda, 1869 (oil on canvas)
989658 Andromeda, 1869 (oil on canvas) by Dore, Gustave (1832-83); 255.2x171.5 cm; Private Collection; (add.info.: Andromeda. Gustave Dore (1832-1883). Oil on canvas. Signed and dated 1869

Female Nude Seated by Fireside, c. 1850-1900 (mantochrome, paper-taped)
990443 Female Nude Seated by Fireside, c.1850-1900 (mantochrome, paper-taped) by Mante, Louis Amedee (1826-1913) & Goldschmidt

Scene from The Mad Hatters Tea Party, c. 1865 (pen and brown ink)
985961 Scene from The Mad Hatters Tea Party, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 12.5x9.9 cm; Private Collection; (add.info.: Scene from The Mad Hatters Tea Party)

Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil
659831 Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil, watercolour and bodycolour) by Foster

The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847
1765061 The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847, With Stonehenge Beyond, 1847 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H

Ruffed Grouse, 1865 (hand-coloured lithograph)
991231 Ruffed Grouse, 1865 (hand-coloured lithograph) by Elliot, Daniel Girard (fl.1860-77); 59x47 cm; Private Collection; (add.info.: Ruffed Grouse; Bonasa Umbellus)

The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas)
827524 The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas) by Barker, Thomas Jones (1815-82) (after); 111.8x183.2 cm; Private Collection; (add.info)

A View of Oxford, William Turner of Oxford, 1789-1862, British

Landscape Mist Edo period 1615-1868 mid-19th century
Artokoloro

European plant hunters attacked by natives of South Africa in the mid-19th century
FLO4629396 European plant hunters attacked by natives of South Africa in the mid-19th century. Woodblock engraving from Louis van Houtte and Charles Lemaire's Flowers of the Gardens

Tintern Abbey, 19th century (b/w photo)
6266319 Tintern Abbey, 19th century (b/w photo); (add.info.: Tintern Abbey, Monmouthshire, Wales, United Kingdom. The abbey was founded in 1131)

Tales of the Hunt, (oil on canvas)
658526 Tales of the Hunt, (oil on canvas); 69.9x88.9 cm; Private Collection; (add.info.: Tales of the Hunt. de Smet (mid 19th century). Oil on canvas. 69.9 x 88.9cm.); © Andrew Macara

Lawrence or Laurence Saunders 1555)
864077 Lawrence or Laurence Saunders 1555); (add.info.: Lawrence or Laurence Saunders d1555), English Protestant martyr, burned for heretical views on transubstantiation, Coventry 8 February 1555

A Semi-Nude Woman Amongst Trees, c. 1850s-1860s (albumen print
991436 A Semi-Nude Woman Amongst Trees, c.1850s-1860s (albumen print, mounted within ruled borders) by Belloc, Auguste (1801-98); 20.95x16.51 (approx) cm; Private Collection; (add.info)

The Centre of Attention, (oil on canvas)
989879 The Centre of Attention, (oil on canvas) by Herpfer, Carl (1836-97); 98.5x77.5 cm; Private Collection; (add.info.: The Centre of Attention. Carl Herpfer (1836-1897). Oil on canvas

The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee
658599 The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee, 1856 (oil on panel) by Waldmuller, Ferdinand Georg (1793-1865); 82x66 cm; Private Collection; (add.info)

Three Nude Women on a Chaise Lounge, c. 1850 (albumen print, mounted within ruled borders)
991435 Three Nude Women on a Chaise Lounge, c.1850 (albumen print, mounted within ruled borders) by Belloc, Auguste (1801-98); 20.95x16.51 (approx) cm; Private Collection; (add.info)

Yuma Indians
3780516 Yuma Indians by Unknown Artist, (19th century); (add.info.: Yuma Indians, lived in Colorado, 1858 (Indians of the Far West. London Illustrated News 1858.)); Lebrecht History

Diegeno Indians travelling
3780515 Diegeno Indians travelling by Unknown Artist, (19th century); (add.info.: Diegeno Indians travelling. Lived in San Diego country, converted by the Jesuits. Indians of the Far West)

Papagos Women
3780519 Papagos Women by Unknown Artist, (19th century); (add.info.: Papagos Women. (Indians of the Far West. London Illustrated News 1858.)); Lebrecht History

Noo-Shimatt-Tash-Tanaki, or grisly bear, a Seminole Chief
3780517 Noo-Shimatt-Tash-Tanaki, or grisly bear, a Seminole Chief by Unknown Artist, (19th century); (add.info.: Noo-Shimatt-Tash-Tanaki, or Grisly Bear, a Seminole Chief 1858)

Pimo women, 1858 (print)
3780518 Pimo women, 1858 (print) by Unknown Artist, (19th century); (add.info.: Pimo women. Lived on the Mexican frontier)

An Erotic Scene, mid 19th century (gouache with gold paint on paper)
1196916 An Erotic Scene, mid 19th century (gouache with gold paint on paper) by Qajar School (19th century); 17.3x11.5 cm; Private Collection; Photo © Christies Images

A Standing Nude, (oil on panel)
989275 A Standing Nude, (oil on panel) by Verhas, Frans (1827-1897) (after); 88x59.7 cm; Private Collection; (add.info.: A Standing Nude. Frans Verhas (1827-1897). Oil on panel

Standing Female Nude, c. 1855 (albumen print, mounted)
991515 Standing Female Nude, c.1855 (albumen print, mounted) by Le Gray, Gustave (1820-1884); 29.4x21.8 cm; Private Collection; (add.info.: Standing Female Nude. Gustave Le Gray (1820-1884)

The Farewell, 1842 (oil on board)
658764 The Farewell, 1842 (oil on board) by Becker, Jakob (1810-40); 92x73 cm; Private Collection; (add.info.: The Farewell. Jakob Becker (1810-1872). Oil on board. Signed and dated 1842

Maharao Kishor Singh dressed as a Vallabha priest worshipping Krishna as Brijrajji, mid 1800s

Canada, Ontario, Hamilton, Dundurn Castle, former mid-19th century home of Canadian Prime Minister Sir Allan Napier McNab

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas)
1195776 Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas) by Villevalde, Alexander (1857-after 1906); 116x156 cm; Private Collection; (add.info.: Villevalde)

The Page, (watercolour)
826683 The Page, (watercolour) by Maclise, Daniel (Croquis, Alfred) (1806-70); 30.3x14 cm; Private Collection; (add.info.: The Page. Daniel Maclise (1806-70). Watercolour

Algeciras, (oil on canvas)
823584 Algeciras, (oil on canvas) by Morel-Fatio, Antoine Leon (1810-1871); 46.3x123.2 cm; Private Collection; (add.info.: Algeciras. Antoine-Leon Morel-Fatio (1810-1871). Oil on canvas

Grandeur Dechue, (oil on canvas)
658491 Grandeur Dechue, (oil on canvas) by Leroy, Jules (1833-1865); 46.3x55.9 cm; Private Collection; (add.info.: Grandeur Dechue. Jules Le Roy (1833-1865). Oil on canvas

Rough Legged Buzzard (Female), c. 1841 (hand-coloured engraving)
986249 Rough Legged Buzzard (Female), c.1841 (hand-coloured engraving) by Shield, George (1804-80) (after); 71x63.5 cm; Private Collection; (add.info.: Rough Legged Buzzard (Female)

Common Gallinule (Moorhen)(Male, female and young), c. 1841 (hand-coloured engraving)
986250 Common Gallinule (Moorhen)(Male, female and young), c.1841 (hand-coloured engraving) by Shield, George (1804-80) (after); 50.5x61.5 cm; Private Collection; (add.info)

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Step back in time to the mid 19th century, a period filled with artistic marvels and historical milestones. The Iris Germanica, a stunning hand-coloured engraving from 1847, showcases the beauty of nature captured on paper. Meanwhile, Orlando, a Bay Racehorse in a Loosebox immortalized in oil on panel in 1845, portrays the grace and strength of these majestic creatures. The Viaduct across the Sankey Valley stands as an architectural masterpiece from 1831. Its colour aquatints and partly hand-coloured details transport us to an era where engineering marvels were celebrated. Bloomsbury, A Chestnut Racehorse with Sam Templeman up, takes us into the world of horse racing through its captivating oil on canvas depiction set against a picturesque landscape. Art lovers are treated to The Wrestling Scene in As You Like It painted by an unknown artist in 1854. This oil on canvas piece captures the intensity and drama of Shakespearean theater. Paolo and Francesca da Rimini transports us further into history with its emotional portrayal of doomed love rendered beautifully on canvas in 1863. In this era marked by significant political events, we encounter Abraham Lincoln's signed carte-de-visite from 1864. This vignette photograph framed with gold-ruled borders serves as a reminder of his influential role during this tumultuous time. Andromeda's ethereal presence shines through an oil painting created in 1869 while Scene from The Mad Hatters Tea Party offers whimsy through pen and brown ink around c. 1865. Fowl House Farm at Witley brings rural life to our attention with pencil sketches depicting children playing alongside shepherds tending their flock nearby. Lastly, we witness The Wiltshire Great Coursing Meeting Held at Amesbury capturing moments from March16-20th, 1847; it invites us into the excitement surrounding coursing events during this period.