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Victorian Pictures Collection

Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era

Background imageVictorian Pictures Collection: A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour)

A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour)
828474 A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour) by Thorburn, Archibald (1860-1935); 24.4x34.9 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: Naomi and Ruth, 1887 (oil on canvas)

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Pictures Collection: A Question of Propriety, 1875 (oil on canvas)

A Question of Propriety, 1875 (oil on canvas)
658474 A Question of Propriety, 1875 (oil on canvas) by Long, Edwin Longsden (1829-91); 132x215 cm; Private Collection; (add.info.: A Question of Propriety. Edwin Long (1829-1891). Oil on canvas

Background imageVictorian Pictures Collection: Teatime (pencil and watercolour heightened with white on card)

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

Background imageVictorian Pictures Collection: Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)

Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)
1766697 Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x32.8 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: The Fortune Teller, 1907 (oil on canvas)

The Fortune Teller, 1907 (oil on canvas)
658467 The Fortune Teller, 1907 (oil on canvas) by Hardy, Heywood (1842-1933); 68.5x100.3 cm; Private Collection; (add.info.: The Fortune Teller. Heywood Hardy (1842-1933). Oil on canvas

Background imageVictorian Pictures Collection: A Stroll in the Garden, (oil on canvas)

A Stroll in the Garden, (oil on canvas)
659807 A Stroll in the Garden, (oil on canvas) by Walbourn, Ernest (1872-1927); 91.4x60.9 cm; Private Collection; (add.info.: A Stroll in the Garden. Ernest Walbourn (1872-1927). Oil on canvas

Background imageVictorian Pictures Collection: Study of a Head for The Bower Meadow, 1872 (black chalk)

Study of a Head for The Bower Meadow, 1872 (black chalk)
659777 Study of a Head for The Bower Meadow, 1872 (black chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.2x31.5 cm; Private Collection; (add.info.: Study of a Head for The Bower Meadow)

Background imageVictorian Pictures Collection: Elegant Conversation, (oil on canvas)

Elegant Conversation, (oil on canvas)
659850 Elegant Conversation, (oil on canvas) by King, Henry John Yeend (1855-1924); 45.9x66 cm; Private Collection; (add.info.: Elegant Conversation. Henry John Yeend King (1855-1924). Oil on canvas

Background imageVictorian Pictures Collection: Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil

Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil
659831 Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil, watercolour and bodycolour) by Foster

Background imageVictorian Pictures Collection: The Sleeping Girl, (oil on canvas)

The Sleeping Girl, (oil on canvas)
658486 The Sleeping Girl, (oil on canvas) by Corbet, Edith Ridley (c.1850-1920); 91.7x55.2 cm; Private Collection; (add.info.: The Sleeping Girl. Edith Corbet (1850-1920). Oil on canvas

Background imageVictorian Pictures Collection: Young Girl with Sheep, by a Cottage, (pencil and watercolour heightened with white)

Young Girl with Sheep, by a Cottage, (pencil and watercolour heightened with white)
659874 Young Girl with Sheep, by a Cottage, (pencil and watercolour heightened with white) by Sigmund, Benjamin D. (fl.1880-1904); 25.4x36.3 cm; Private Collection; (add.info.: Young Girl with Sheep)

Background imageVictorian Pictures Collection: Chivalry, 1885 (oil on canvas)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Background imageVictorian Pictures Collection: A Young Fishergirl by the Sea, 1884 (pencil and watercolour)

A Young Fishergirl by the Sea, 1884 (pencil and watercolour)
828460 A Young Fishergirl by the Sea, 1884 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 40.4x29.5 cm; Private Collection; (add.info.: A Young Fishergirl by the Sea)

Background imageVictorian Pictures Collection: Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas)

Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas)
1772159 Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas) by Laszlo, Philip Alexius de (1869-1937); 122x91.5 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: Lifes Ambitions, 1920? (oil on canvas)

Lifes Ambitions, 1920? (oil on canvas)
828452 Lifes Ambitions, 1920? (oil on canvas) by Collings, Albert Henry (fl.1893-d.1947); 200x143.8 cm; Private Collection; (add.info.: Lifes Ambitions. Albert Henry Collings (1868- 1947)

Background imageVictorian Pictures Collection: Deeply Interesting, 1904 (pencil and watercolour)

Deeply Interesting, 1904 (pencil and watercolour)
659793 Deeply Interesting, 1904 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 41x57.2 cm; Private Collection; (add.info.: Deeply Interesting. Carlton Alfred Smith (1853-1946)

Background imageVictorian Pictures Collection: Portrait of H. R. H. Prince Boris of Bulgaria, Duke of Saxony, later King of Bulgaria

Portrait of H. R. H. Prince Boris of Bulgaria, Duke of Saxony, later King of Bulgaria, 1894 (oil on canvas)
1772127 Portrait of H.R.H. Prince Boris of Bulgaria, Duke of Saxony, later King of Bulgaria, 1894 (oil on canvas) by Laszlo

Background imageVictorian Pictures Collection: Young Girl Feeding Chickens Outside a Cottage, (pencil and watercolour with touches of white)

Young Girl Feeding Chickens Outside a Cottage, (pencil and watercolour with touches of white heightening)
659890 Young Girl Feeding Chickens Outside a Cottage, (pencil and watercolour with touches of white heightening) by Stannard

Background imageVictorian Pictures Collection: Azalea in a Japanese Bowl, with Chinese Vases on an Oriental Rug, in an Interior

Azalea in a Japanese Bowl, with Chinese Vases on an Oriental Rug, in an Interior, 1887 (oil on Panel)
659887 Azalea in a Japanese Bowl, with Chinese Vases on an Oriental Rug, in an Interior, 1887 (oil on Panel) by Hayllar, Jessica (1858-1940); 28x22.5 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: A Cottage Garden with a Cat in the Foreground; and a Cottage Border in Summer

A Cottage Garden with a Cat in the Foreground; and a Cottage Border in Summer
828448 A Cottage Garden with a Cat in the Foreground; and a Cottage Border in Summer, (pencil and watercolour heightened with bodycolour) by Stannard

Background imageVictorian Pictures Collection: In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and)

In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and)
659743 In the Olden Days, 1909 (In the Olden Days. Carlton Alfred Smith (1853-1946). Pencil and) by Smith, Carlton Alfred (1853-1946); 53.3x36.2 cm; Private Collection; (add.info.: In the Olden Days)

Background imageVictorian Pictures Collection: New Friends, 1881 (oil on canvas)

New Friends, 1881 (oil on canvas)
659753 New Friends, 1881 (oil on canvas) by Smith, Carlton Alfred (1853-1946); 45.7x61.6 cm; Private Collection; (add.info.: New Friends. Carlton Alfred Smith (1853-1946). Oil on canvas

Background imageVictorian Pictures Collection: Fuel for the Fire, 1895 (pencil and watercolour)

Fuel for the Fire, 1895 (pencil and watercolour)
828455 Fuel for the Fire, 1895 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 42.5x61.5 cm; Private Collection; (add.info.: Fuel for the Fire. Carlton Alfred Smith (1853-1946)

Background imageVictorian Pictures Collection: Absent Thoughts, 1884 (pencil and watercolour)

Absent Thoughts, 1884 (pencil and watercolour)
659867 Absent Thoughts, 1884 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 42.5x32.5 cm; Private Collection; (add.info.: Absent Thoughts. Carlton Alfred Smith (1853-1946)

Background imageVictorian Pictures Collection: San Vigilio, Italy (oil on oval canvas, framed)

San Vigilio, Italy (oil on oval canvas, framed)
1772140 San Vigilio, Italy (oil on oval canvas, framed) by Glehn, Wilfred Gabriel de (1870-1951); 99x132.1 cm; Private Collection; (add.info.: San Vigilio, Italy)

Background imageVictorian Pictures Collection: Portrait of Sarah Bernhardt, 1889 (oil on panel)

Portrait of Sarah Bernhardt, 1889 (oil on panel)
659904 Portrait of Sarah Bernhardt, 1889 (oil on panel) by Robertson, Walford Graham (1867-1948); 43.2x30.2 cm; Private Collection; Photo © Christies Images

Background imageVictorian Pictures Collection: The Time I ve Lost in Wooing, (oil on canvas)

The Time I ve Lost in Wooing, (oil on canvas)
659900 The Time I ve Lost in Wooing, (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 63.5x54 cm; Private Collection; (add.info.: The Time I ve Lost in Wooing)

Background imageVictorian Pictures Collection: Lady Making Posies from Primroses, 1887 (oil on panel)

Lady Making Posies from Primroses, 1887 (oil on panel)
659886 Lady Making Posies from Primroses, 1887 (oil on panel) by Hayllar, Jessica (1858-1940); 29x21.5 cm; Private Collection; (add.info.: Lady Making Posies from Primroses)

Background imageVictorian Pictures Collection: William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas)

William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas)
659791 William Penn Receiving the Charter of Pennsylvania from Charles II, 1913 (oil on canvas) by Stewart, Allan (1865-1951); 122x183 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: Swan Pond, 1911 (oil on canvas)

Swan Pond, 1911 (oil on canvas)
1772171 Swan Pond, 1911 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 77x102.8 cm; Private Collection; (add.info.: Swan Pond. Edward Atkinson Hornel (1864-1933). Oil on canvas

Background imageVictorian Pictures Collection: Ring-a-Ring-a-Roses, 1909 (oil on canvas)

Ring-a-Ring-a-Roses, 1909 (oil on canvas)
1772167 Ring-a-Ring-a-Roses, 1909 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 76.2x109.6 cm; Private Collection; (add.info.: Ring-a-Ring-a-Roses. Ernest Atkinson Hornel (1864-1933)

Background imageVictorian Pictures Collection: A Hot-House Flower, 1909 (watercolour, bodycolour, gum arabic, heightened with gold)

A Hot-House Flower, 1909 (watercolour, bodycolour, gum arabic, heightened with gold)
1765048 A Hot-House Flower, 1909 (watercolour, bodycolour, gum arabic, heightened with gold) by Poynter, Edward John (1836-1919); 61x49.5 cm; Private Collection; (add.info.: A Hot-House Flower)

Background imageVictorian Pictures Collection: The Reapers (watercolour on paper)

The Reapers (watercolour on paper)
1765039 The Reapers (watercolour on paper) by Allingham, Helen (1848-1926); 15.9x23.5 cm; Private Collection; (add.info.: The Reapers. Helen Allingham (1848-1926). Watercolour on paper

Background imageVictorian Pictures Collection: Sea Nymph, (bodycolour on brown paper)

Sea Nymph, (bodycolour on brown paper)
1199589 Sea Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Pictures Collection: Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)

Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)
1199587 Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum) by Clarke, Harry (1889-1931); 21x15.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageVictorian Pictures Collection: Portrait of William Michael Rossetti, 1846 (pencil on buff paper)

Portrait of William Michael Rossetti, 1846 (pencil on buff paper)
1199579 Portrait of William Michael Rossetti, 1846 (pencil on buff paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.8x10.8 cm; Private Collection; Photo eChristies Images; English

Background imageVictorian Pictures Collection: Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper)

Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper)
1199576 Portrait of William Holman Hunt, 1854 (pen and brown ink, on paper) by Rossetti, William Michael (1829-1919); 21.3x16.2 cm; Private Collection; (add.info.: Rossetti)

Background imageVictorian Pictures Collection: Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageVictorian Pictures Collection: Sir Galahad, 1867-1892 (oil on canvas)

Sir Galahad, 1867-1892 (oil on canvas)
1767297 Sir Galahad, 1867-1892 (oil on canvas) by Hughes, Arthur (1832-1915); 89x113.5 cm; Private Collection; (add.info.: Concieved in 1867, completed in 1892); Photo eChristies Images; English

Background imageVictorian Pictures Collection: A Garden by the Sea (oil on canvas)

A Garden by the Sea (oil on canvas)
1767296 A Garden by the Sea (oil on canvas) by Topham, Frank William Warwick (1838-1924); 43.8x35.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Pictures Collection: A View of the Houses of Parliament from the River Thames, London (oil on canvas)

A View of the Houses of Parliament from the River Thames, London (oil on canvas)
1766776 A View of the Houses of Parliament from the River Thames, London (oil on canvas) by Greenhalgh, Thomas (fl.1884); Private Collection; (add.info)

Background imageVictorian Pictures Collection: The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)

The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)
1766750 The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

Background imageVictorian Pictures Collection: The Gladiators Wife, 1884 (oil on canvas)

The Gladiators Wife, 1884 (oil on canvas)
1766745 The Gladiators Wife, 1884 (oil on canvas) by Leighton, Edmund Blair (1853-1922); Private Collection; (add.info.: The Gladiators Wife. Edmund Blair Leighton (1853-1922). Oil on canvas

Background imageVictorian Pictures Collection: Cottage at West Horsley, Surrey (watercolour with scratching out)

Cottage at West Horsley, Surrey (watercolour with scratching out)
1766689 Cottage at West Horsley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 14.3x13.0 cm; Private Collection; (add.info.: Cottage at West Horsley, Surrey)

Background imageVictorian Pictures Collection: Going to Church, 1880 (oil on canvas)

Going to Church, 1880 (oil on canvas)
1766677 Going to Church, 1880 (oil on canvas) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Going to Church. John Atkinson Grimshaw (1836-1893)

Background imageVictorian Pictures Collection: The Angel of the Sea, 1906 (oil on canvas)

The Angel of the Sea, 1906 (oil on canvas)
1766667 The Angel of the Sea, 1906 (oil on canvas) by Frampton, Edward Reginald (1872-1923); 121.9x68.6 cm; Private Collection; (add.info.: The Angel of the Sea. Edward Reginald Frampton (1872-1923)

Background imageVictorian Pictures Collection: Summer on the Firth of Fourth (oil on canvas)

Summer on the Firth of Fourth (oil on canvas)
1766658 Summer on the Firth of Fourth (oil on canvas) by Hardie, Charles Martin (1858-1916); Private Collection; (add.info.: Summer on the Firth of Fourth. Charles Martin Hardie (1858-1916)



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Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era. In "Teatime, " delicate pencil and watercolour strokes are heightened with white on card, creating a scene that transports us to an elegant afternoon tea. The Fortune Teller, painted in 1907 using oil on canvas, invites us into the mystical world of divination and intrigue. A leisurely stroll through a lush garden is beautifully depicted in "A Stroll in the Garden. " The artist's skillful use of oil on canvas brings this idyllic scene to life, allowing us to imagine ourselves amidst blooming flowers and whispering trees. Elegant Conversation takes center stage as figures engage in lively discussions against a backdrop of rich colors. This captivating oil on canvas painting draws us into their world, where intellectual exchange reigns supreme. Fowl House Farm welcomes us with open arms as children play alongside sheep under the watchful eye of a shepherd. Executed with meticulous detail using pencil, this charming piece evokes feelings of warmth and nostalgia. Naomi and Ruth tell their timeless tale through bold brushstrokes and vibrant hues. This compelling oil on canvas masterpiece showcases deep emotions intertwined within its narrative. Beside the Old Church Gate Farm transports us to Smarden, Kent through delicate watercolours enhanced by scratching out techniques. We can almost feel the rustic charm emanating from this quaint countryside setting. The Cock and Hen Pheasant at the Edge of a Wood captivates our attention with intricate pencil lines delicately washed over with watercolours. Nature comes alive as we witness these majestic birds amidst their woodland habitat. Study of a Head for The Bower Meadow showcases black chalk mastery as it captures every nuanced expression upon closer inspection. This preparatory sketch reveals the artist's dedication to capturing human emotion authentically.