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Yes, Lord: yet the dogs under the table eat of the childrens crumbs, mid-late 19th century
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Yes, Lord: yet the dogs under the table eat of the childrens crumbs, mid-late 19th century
Yes, Lord: yet the dogs under the table eat of the childrens crumbs, mid-late 19th century. Biblical scene, from Mark 7: 28: And she answered and said unto him, Yes, Lord: yet the dogs under the table eat of the childrens crumbs. Then Jesus told her, " Because of this answer, you may go. The demon has left your daughter". Jesus casts out a demon from the daughter of the Canaanite woman. Engraving after The Woman Of Canaan At The Feet Of Christ, a painting of 1784 by Jean-Germain Drouais in the Louvre Museum, Paris
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Media ID 19299375
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Bare Feet Begging Belief Canaan Canaanite Demonic Drouais Faith Germain Hall Jewish Judaism Miracle Miraculous Pleading Possessed Possession Senior Barefoot
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EDITORS COMMENTS
The print titled "Yes, Lord: yet the dogs under the table eat of the children's crumbs, mid-late 19th century" captures a powerful biblical scene from Mark 7:28. In this momentous event, Jesus casts out a demon from the daughter of a Canaanite woman. The engraving is based on Jean-Germain Drouais' painting "The Woman Of Canaan At The Feet Of Christ" created in 1784 and housed in the Louvre Museum in Paris. The image depicts a poignant interaction between faith and compassion. A kneeling woman, barefoot and pleading for her daughter's deliverance, demonstrates unwavering belief as she addresses Jesus with humility and reverence. Despite being referred to as a dog by Jesus due to her non-Jewish background, she responds with profound wisdom that even dogs are allowed to partake in the blessings meant for children. This scene showcases both religious devotion and divine intervention. Through her resolute faith and heartfelt plea, the Canaanite woman touches Jesus' heart, leading him to heal her daughter by banishing the demon within her. It serves as an inspiring reminder that true faith knows no boundaries or limitations. Henry Bryan Hall I skillfully captures this transformative moment through his engraving technique during the mid-late 19th century. His rendition preserves not only Drouais' original masterpiece but also its spiritual significance for generations to come.
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