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Bare Feet Collection

"Bare Feet: A Timeless Connection to Nature and Freedom" Springtime, 1873. Creator: Pierre Auguste Cot captures the essence in his masterpiece

Background imageBare Feet Collection: Street urchins in Lambeth (b / w photo)

Street urchins in Lambeth (b / w photo)
STC244751 Street urchins in Lambeth (b/w photo) by English Photographer, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageBare Feet Collection: Brotherly Affection; Affetto fraterno, c. 1900 (oil on canvas)

Brotherly Affection; Affetto fraterno, c. 1900 (oil on canvas)
1197530 Brotherly Affection; Affetto fraterno, c. 1900 (oil on canvas) by Chierici, Gaetano (1838-1920); 33x42 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageBare Feet Collection: Springtime, 1873. Creator: Pierre Auguste Cot

Springtime, 1873. Creator: Pierre Auguste Cot
Springtime, 1873

Background imageBare Feet Collection: Naomi and Ruth, 1887 (oil on canvas)

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBare Feet Collection: Portrait of Marie-Adeline Plunkett, 1854. Creator: Richard Buckner

Portrait of Marie-Adeline Plunkett, 1854. Creator: Richard Buckner
Portrait of Marie-Adeline Plunkett, 1854. Marie Adeline Plunkett was a star of the Romantic ballet. She made her first appearance in the ballet company of her Majestys Theatre, London in 1843

Background imageBare Feet Collection: Girl in the Dunes, mid-19th-early 20th century. Creator: Jozef Israels

Girl in the Dunes, mid-19th-early 20th century. Creator: Jozef Israels
Girl in the Dunes, mid-19th-early 20th century

Background imageBare Feet Collection: Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s

Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s

Background imageBare Feet Collection: The Dancing Lesson, 1878. Creator: Thomas Eakins

The Dancing Lesson, 1878. Creator: Thomas Eakins
The Dancing Lesson, 1878

Background imageBare Feet Collection: Dressing for the Carnival, 1877. Creator: Winslow Homer

Dressing for the Carnival, 1877. Creator: Winslow Homer
Dressing for the Carnival, 1877

Background imageBare Feet Collection: The Last Supper, ca. 1325-30. Creator: Ugolino da Siena

The Last Supper, ca. 1325-30. Creator: Ugolino da Siena
The Last Supper, ca. 1325-30

Background imageBare Feet Collection: The Palace Guard, 1892 (oil on canvas)

The Palace Guard, 1892 (oil on canvas)
989239 The Palace Guard, 1892 (oil on canvas) by Deutsch, Ludwig (1855-1935); 132.4x83.8 cm; Private Collection; (add.info.: The Palace Guard. Ludwig Deutsch (1855-1935). Oil on canvas

Background imageBare Feet Collection: Sea Horses

Sea Horses
BAL9295 Sea Horses by Morgan, Frederick (1856-1927); Private Collection; English, out of copyright

Background imageBare Feet Collection: Young children having holiday fun in the sea at Eastbourne. 9 August 1916

Young children having holiday fun in the sea at Eastbourne. 9 August 1916

Background imageBare Feet Collection: Meditation, c. 1942 (gouache on newsprint on board)

Meditation, c. 1942 (gouache on newsprint on board)
987589 Meditation, c.1942 (gouache on newsprint on board) by Ramos Martinez, Alfredo (1871-1946); 57.8x43 cm; Private Collection; (add.info.: Meditation; Meditacion)

Background imageBare Feet Collection: Gama Sennin (Chinese Hou Xiansheng) and his three-legged toad, Edo period, 18th century

Gama Sennin (Chinese Hou Xiansheng) and his three-legged toad, Edo period, 18th century
Gama Sennin (Chinese Hou Xiansheng) and his three-legged toad, Edo period, mid-late 18th century

Background imageBare Feet Collection: The Sleeping Girl, (oil on canvas)

The Sleeping Girl, (oil on canvas)
658486 The Sleeping Girl, (oil on canvas) by Corbet, Edith Ridley (c.1850-1920); 91.7x55.2 cm; Private Collection; (add.info.: The Sleeping Girl. Edith Corbet (1850-1920). Oil on canvas

Background imageBare Feet Collection: Drawing on Door, 1887. Creator: A. Rinder

Drawing on Door, 1887. Creator: A. Rinder
Drawing on Door, 1887

Background imageBare Feet Collection: Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria

Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria, early 16th century

Background imageBare Feet Collection: St. Mary Magdalene Penitent, 1585. Creator: Hendrik Goltzius

St. Mary Magdalene Penitent, 1585. Creator: Hendrik Goltzius
St. Mary Magdalene Penitent, 1585

Background imageBare Feet Collection: St. Alexis, 1649. Creator: Claude Mellan

St. Alexis, 1649. Creator: Claude Mellan
St. Alexis, 1649

Background imageBare Feet Collection: A Breezy Day at the Seaside (w / c and pencil on paper)

A Breezy Day at the Seaside (w / c and pencil on paper)
XPG366355 A Breezy Day at the Seaside (w/c and pencil on paper) by Blacklock, William Kay (1872-1922); Private Collection; English, out of copyright

Background imageBare Feet Collection: Barefoot woman carrying a sack on her head, walking to sell tissues, Mark's district, ... 1900-1910

Barefoot woman carrying a sack on her head, walking to sell tissues, Mark's district, ... 1900-1910
Barefoot woman carrying a sack on her head, walking to sell tissues, Mark's district, -xaback parish, Vastergotland, 1900-1910

Background imageBare Feet Collection: Young woman in costume seated full length. (c1860s). Creator: Vilhelm Wallander

Young woman in costume seated full length. (c1860s). Creator: Vilhelm Wallander
Young woman in costume seated full length. (c1860s)

Background imageBare Feet Collection: Boy with leather apron on a chair, Orsa, 9 July 1867. Creator: Julius Kronberg

Boy with leather apron on a chair, Orsa, 9 July 1867. Creator: Julius Kronberg
Boy with leather apron on a chair, Orsa, 9 July 1867

Background imageBare Feet Collection: Costume study in trouser kimono for the performance of Julius Bittner's 'The Coat of Love'... 1909

Costume study in trouser kimono for the performance of Julius Bittner's "The Coat of Love"... 1909
Costume study in trouser kimono for the performance of Julius Bittner's "The Coat of Love" in the Garden Theater of the Internationale Kunstschau, Vienna 1909, 1909

Background imageBare Feet Collection: Wallachians and Moldovans, 1862. Creator: Karl Fiale

Wallachians and Moldovans, 1862. Creator: Karl Fiale
Wallachians and Moldovans, 1862. Sheet 15 from the album "Description ethnographique des peuples de la Russie", volume 1

Background imageBare Feet Collection: Bulgarians, 1862. Creator: Karl Fiale

Bulgarians, 1862. Creator: Karl Fiale
Bulgarians, 1862. Sheet 10 from the album "Description ethnographique des peuples de la Russie", volume 1. Description ethnographique des peuples de la Russie

Background imageBare Feet Collection: The whaler-Clayoquot, c1910. Creator: Edward Sheriff Curtis

The whaler-Clayoquot, c1910. Creator: Edward Sheriff Curtis
The whaler-Clayoquot, c1910. Nootka Indian standing on shore with spear

Background imageBare Feet Collection: Zuni girls, c1903. Creator: Edward Sheriff Curtis

Zuni girls, c1903. Creator: Edward Sheriff Curtis
Zuni girls, c1903. Two Zuni girls standing in front of pueblo buildings

Background imageBare Feet Collection: The delights of childhood, c1900. Creator: Edward Sheriff Curtis

The delights of childhood, c1900. Creator: Edward Sheriff Curtis
The delights of childhood, c1900. Two Hopi girls seated on ground eating melon

Background imageBare Feet Collection: Moki melon eaters, c1900. Creator: Edward Sheriff Curtis

Moki melon eaters, c1900. Creator: Edward Sheriff Curtis
Moki melon eaters, c1900. Two Hopi girls seated on ground eating melons

Background imageBare Feet Collection: Moki melon eaters, c1900. Creator: Edward Sheriff Curtis

Moki melon eaters, c1900. Creator: Edward Sheriff Curtis
Moki melon eaters, c1900. Two Hopi girls seated on ground eating melons

Background imageBare Feet Collection: Hopi children, c1905. Creator: Edward Sheriff Curtis

Hopi children, c1905. Creator: Edward Sheriff Curtis
Hopi children, c1905

Background imageBare Feet Collection: A woman with a cradle, 1890. Creator: Unknown

A woman with a cradle, 1890. Creator: Unknown
A woman with a cradle, 1890. The album "Views of the Yakutsk Region" contains 151 photographs. Subjects include the Lena River shore; various forms of river transport--including boats

Background imageBare Feet Collection: Two barefoot children standing in muddy street in front of the Lindholm's large... (1899?)

Two barefoot children standing in muddy street in front of the Lindholm's large... (1899?)
Two barefoot children standing in muddy street in front of the Lindholm's large house, Shefnerovskaia Street, Vladivostok, Russia, (1899?)

Background imageBare Feet Collection: Goldi people from Usuri, 1865-1871. Creator: VV Lanin

Goldi people from Usuri, 1865-1871. Creator: VV Lanin
Goldi people from Usuri, 1865-1871. This album contains 154 photographs taken in the second half of the 1860s and 1870s by a local photographer from the Far East, V. V. Lanin. The merchant V. P

Background imageBare Feet Collection: Poles from different provinces. Radom. Lublin. Warsaw. Plock Augustvo. 1862. Creator: Karlis Huns

Poles from different provinces. Radom. Lublin. Warsaw. Plock Augustvo. 1862. Creator: Karlis Huns
Poles from different provinces. Radom. Lublin. Warsaw. Plock Augustvo, 1862. Sheet 11from the album "Description ethnographique des peuples de la Russie", volume 1

Background imageBare Feet Collection: 'The First-Born', by F. Goodall, A.R.A. in the International Exhibition, 1862. Creator: E. Skill

"The First-Born", by F. Goodall, A.R.A. in the International Exhibition, 1862. Creator: E. Skill
"The First-Born", by F. Goodall, A.R.A. in the International Exhibition, 1862. Engraving of a painting. "The First-born" is distinguished for its splendour

Background imageBare Feet Collection: 'The Cradle', by J. Israëls, in the International Exhibition, 1862. Creator: W Thomas

"The Cradle", by J. Israëls, in the International Exhibition, 1862. Creator: W Thomas
"The Cradle", by J. Israels, in the International Exhibition, 1862. Engraving of a painting. We have observed that..."The Cradle" is greatly admired by the ladies

Background imageBare Feet Collection: Female allegorical figure, 1800/1820. Creator: Michelangelo Maestri

Female allegorical figure, 1800/1820. Creator: Michelangelo Maestri
Female allegorical figure, 1800/1820

Background imageBare Feet Collection: Female allegorical figure, 1800/1820. Creator: Michelangelo Maestri

Female allegorical figure, 1800/1820. Creator: Michelangelo Maestri
Female allegorical figure, 1800/1820

Background imageBare Feet Collection: The International Exhibition: 'A Girl with a Pitcher', by T. Gainsborough, 1862. Creator: E. Skill

The International Exhibition: "A Girl with a Pitcher", by T. Gainsborough, 1862. Creator: E. Skill
a painting. At the first glance we cannot help sympathising with the poor little rustic maiden, despite her rags, her scanty dress, her unkempt hair

Background imageBare Feet Collection: The International Exhibition: 'The Grapplers', group in bronzed zinc... 1862. Creator: Unknown

The International Exhibition: "The Grapplers", group in bronzed zinc... 1862. Creator: Unknown
The International Exhibition: "The Grapplers", group in bronzed zinc, modelled by J.P. Molin, 1862. There is the true old fiery Norse spirit in the grim duel of these two men

Background imageBare Feet Collection: Native of Tahiti, 1859. Creator: Joseph Selleny

Native of Tahiti, 1859. Creator: Joseph Selleny
Native of Tahiti, 1859

Background imageBare Feet Collection: Indian children and mother at entrance of tent, between c1900 and 1927. Creator: Unknown

Indian children and mother at entrance of tent, between c1900 and 1927. Creator: Unknown
Indian children and mother at entrance of tent, between c1900 and 1927

Background imageBare Feet Collection: The International Exhibition: 'Fetching the Old Mare Home' by F. W. Keyl, 1862. Creator: W Thomas

The International Exhibition: "Fetching the Old Mare Home" by F. W. Keyl, 1862. Creator: W Thomas
The International Exhibition: "Fetching the Old Mare Home" by F. W. Keyl, 1862. Engraving of a painting. This carefully and powerfully painted picture tells its simple story well

Background imageBare Feet Collection: The International Exhibition: marble statue - 'Purity' by Matthew Noble, 1862

The International Exhibition: marble statue - "Purity" by Matthew Noble, 1862. Creator: Mason Jackson
The International Exhibition: marble statue - "Purity" by Matthew Noble, 1862....we may say that there is a sort of double conventionalism in the abstract representations of the virtues

Background imageBare Feet Collection: The Prince of Wales in Egypt: the Royal Party leaving the Hall of Columns, Karnak... 1862

The Prince of Wales in Egypt: the Royal Party leaving the Hall of Columns, Karnak... 1862. Creator: Unknown
The Prince of Wales in Egypt: the Royal Party leaving the Hall of Columns, Karnak, on their return to Luxor, 1862. The future King Edward VII in Africa....horses having been provided



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"Bare Feet: A Timeless Connection to Nature and Freedom" Springtime, 1873. Creator: Pierre Auguste Cot captures the essence in his masterpiece. The delicate brushstrokes bring forth a sense of liberation as the figures embrace the warmth of spring on their skin. In Naomi and Ruth, 1887 (oil on canvas), we witness the bond between two women depicted through their bare feet. It symbolizes trust, loyalty, and an unbreakable connection that transcends time. Richard Buckner's Portrait of Marie-Adeline Plunkett, 1854 showcases her elegance with her dainty bare feet peeking from beneath her gown. It hints at her inner strength and resilience hidden behind a refined facade. Jozef Israels' Girl in the Dunes portrays a young girl standing barefoot amidst sandy terrain. Her footprints tell stories of exploration and adventure while embracing nature's beauty without any inhibitions. Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s celebrates cultural diversity by showcasing ornate jewelry against palm trees backdrop while emphasizing their groundedness through their exposed feet. The Dancing Lesson by Thomas Eakins transports us to a lively ballroom where dancers glide gracefully across the floor with nimble bare feet. Their movements speak volumes about passion and freedom expressed through every step they take. Winslow Homer's Dressing for the Carnival depicts individuals preparing for festivities with carefree abandon - some adorned in extravagant costumes but all sharing one thing in common - their liberated bare feet ready to dance away into joyous celebration. Ugolino da Siena's The Last Supper captures Jesus Christ surrounded by his disciples who gather around him humbly baring their souls along with their vulnerable yet powerful naked soles – signifying humility before divinity itself.