Demonic Collection

Baphomet by Eliphas Levi - Equilibrium of Opposites
Baphomet - associated with a " Sabbatic Goat" image drawn by Eliphas Levi (shown here), containing binary elements representing the " sum total of the universe" (e.g)

GOYA: WITCHES SABBATH. The Witches Sabbath. Oil on canvas, 1795-98, by Francisco Goya

Baphomet - Equilibrium of Opposites
Baphomet - associated with a " Sabbatic Goat" image drawn by Eliphas Levi (on which this illustration is based)

Witches Sabbat (Herr)
Diabolical goings-on at the sabbat - ladies yield to demonic temptations while the more intellectual read forbidden books

The Transfiguration of Christ, 1516-1520, by Raphael (1483-1
Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Transfiguration of Christ, 1516-1520. Pinacoteca Vaticana. Vatican City

A devil type figure, 1850
3478691 A devil type figure, 1850; (add.info.: Illustration depicting a devil type figure. Dated 19th Century.); Universal History Archive/UIG.

A Forest Demon
5311812 A Forest Demon; (add.info.: Woodcut engraving depicting a Forest Demon, supposed to have been captured in Germany in 1531, and reported to exist in the forests around Salzburg and Hamburg)

Illustration by Gustave Dore for the 1866 edition of John Milton's Paradise Lost - Satan resting on the mountain
5309207 Illustration by Gustave Dore for the 1866 edition of John Milton's Paradise Lost - Satan resting on the mountain; (add.info)

A woodcut depicting the exorcism of Nicole Aubry, Notre Dame de Laon, 1556
5311139 A woodcut depicting the exorcism of Nicole Aubry, Notre Dame de Laon, 1556. 29 demons supposedly possessed Nicole (to be seen as black specks flying near the roof of the Cathedral)

Woodblock engraving depicting a victim of the Spanish Inquisition being led to the stake wearing a San Benito
5308577 Woodblock engraving depicting a victim of the Spanish Inquisition being led to the stake wearing a San Benito, a linen overall painted with figures of demons and creatures from Hell

The Exorcism of Nicole Aubry
3330043 The Exorcism of Nicole Aubry; (add.info.: Woodblock print of the Exorcism of Nicole Aubry, a young married woman, 15 or 16 years of age)

The evils of drinking alcohol, 1850
3478293 The evils of drinking alcohol, 1850; (add.info.: Cartoon highlighting the evils of drinking alcohol. Dated 19th Century.); Universal History Archive/UIG.

The Devil carrying off a child
5312082 The Devil carrying off a child; (add.info.: Woodcut engraving depicting The Devil carrying off a child promised to him by it's parents in a pact)

Episodes in the Panchavati Forest, Folio from a Ramayana (Adventures of Rama), between 1775 and 1800 Creator: Unknown
Episodes in the Panchavati Forest, Folio from a Ramayana (Adventures of Rama), between 1775 and 1800

Demonic Figure (Rakshasa) (image 2 of 2), 14th-early 16th century. Creator: Unknown
Demonic Figure (Rakshasa) (image 2 of 2), 14th-early 16th century

Demonic Figure (Rakshasa) (image 1 of 2), 14th-early 16th century. Creator: Unknown
Demonic Figure (Rakshasa) (image 1 of 2), 14th-early 16th century

The Vision of Faust, 1878 (oil on canvas)
NUL386947 The Vision of Faust, 1878 (oil on canvas) by Falero, Luis Riccardo (1851-96); 145.4x117.5 cm; Private Collection; (add.info.: Scene from Faust by Johann Wolfgang von Goethe (1749-1832)

Victorian satire, Principle and Interest
Vintage engraving of Victorian satire, Principle and Interest. Clergyman tempted by the devil with power and money

191213

William Ramsey from Southend-on-Sea in the UK who was exorcised by Bishop Robert McKenna at Our Lady of the Rosary Chapel in Monroe, Fairfield County, Connecticut, USA. 28th July 1989

William Ramsey from Southend-on-Sea in the UK being exorcised by Bishop Robert McKenna at Our Lady of the Rosary Chapel in Monroe, Fairfield County, Connecticut, USA. 28th July 1989

DEMONIC HANDPRINT
DEVIL Sign of the Devil on persons back Date: 1897

Yes, Lord: yet the dogs under the table eat of the childrens crumbs, mid-late 19th century. Biblical scene, from Mark 7: 28: And she answered and said unto him, Yes

The Demons Ashtaroth, Abaddon and Mammon, 1801. Abaddon angel of the bottomless pit, Mammon god of this world and personification of wealth and miserliness and Ashtaroth the demon

Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli
2598950 Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); (add.info.: Lady Macbeth, Act)

The Fall of the Rebel Angels, 1554 (oil on panel)
471159 The Fall of the Rebel Angels, 1554 (oil on panel) by Floris, Frans (1519-70); 303x220 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Miltons Paradise Lost - O Earth, how like to Heaven
Vintage engraving by Gustave Dore, from Miltons Paradise Lost. O Earth, how like to Heaven, if not preferred More Justly

Our House Troll (oil on canvas)
OVR358725 Our House Troll (oil on canvas) by Kittelsen, Theodor Severin (1857-1914); 110.5x56 cm; Private Collection; Photo © O. Vaering

Indonesia, Bali, Ubud. Statue in Pura Tirta Empul temple

Seascape and the casting out of demons, c. 1600 (oil on copper)
3617957 Seascape and the casting out of demons, c.1600 (oil on copper) by Brueghel, Jan the Elder (1568-1625); 11.5x19 cm; Kunstmuseum, Basel

"Poor man! Where art thou now? Thy day is night. "from The Pilgrim
5615786 " Poor man! Where art thou now? Thy day is night." from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

Demonic Deity, Lopburi culture (bronze)
834201 Demonic Deity, Lopburi culture (bronze) by Siamese School, (12th Century); height:16 cm; Private Collection; Photo eDirk Bakker; Thai, out of copyright

Detail from Demons in a Wild Landscape, c. 1600 (opaque w / c & gold on paper)
874273 Detail from Demons in a Wild Landscape, c.1600 (opaque w/c & gold on paper) by Indian School, (17th century); 21.4 x12.5 cm; San Diego Museum of Art

Gargoyle (stone)
KW237468 Gargoyle (stone) by Portuguese School; Palacio Nacional da Pena, Sintra, Portugal; (add.info.: central block built under rule of Dom Joao I in 1415; ); out of copyright

The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching)
NCO190474 The Coalition-Dance, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); 24.7x34.7 cm; Courtesy of the Warden and Scholars of New College

Devilish Alphabet, engraved by Delannois, 1825 (litho) (b / w photo) (detail
CHT184309 Devilish Alphabet, engraved by Delannois, 1825 (litho) (b/w photo) (detail, see also 184307, 184308, 184310 to 184312) by Delaporte (fl.1825) (after); Bibliotheque des Arts Decoratifs

Fancy dress costume for Mephistopheles, from L Art du Travestissement
CHT173752 Fancy dress costume for Mephistopheles, from L Art du Travestissement by Leon Salut, 1885 (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Fancy dress costume for a female devil, from L Art du Travestissement
CHT173728 Fancy dress costume for a female devil, from L Art du Travestissement by Leon Salut, 1885 (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Abhisarika Nayika, c. 1820 (opaque pigments and gold on paper)
6040415 Abhisarika Nayika, c.1820 (opaque pigments and gold on paper) by Central Indian School, (19th century); 20x15 cm; San Diego Museum of Art, USA; (add.info.: From Madhya Pradesh)

Punch cartoon: Anton Rubinstein, Russian pianist, composer and conductor (engraving)
6034901 Punch cartoon: Anton Rubinstein, Russian pianist, composer and conductor (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info.: Punch cartoon)

Cartoon, The Kaisers Monster, WW1 cartoon by Harry Furniss. 1915

Devilish Alphabet, engraved by Delannois, 1825 (litho) (b / w photo) (detail
CHT349714 Devilish Alphabet, engraved by Delannois, 1825 (litho) (b/w photo) (detail, see also 184307 to 184312) by Delaporte (fl.1825) (after); Bibliotheque des Arts Decoratifs, Paris

Costume design for The Devil in Love, a ballet after the original work by
CHT173733 Costume design for The Devil in Love, a ballet after the original work by Jacques Cazotte (1719-92) 1840 (w/c and gouache on paper) by Lormier

The Temptation of St. Anthony (oil on panel)
HOL243523 The Temptation of St. Anthony (oil on panel) by Venne, Jan van de (1590-1651); 57.1x73.7 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Flemish, out of copyright

Gargoyle of a sea monster (stone)
KW237471 Gargoyle of a sea monster (stone) by Portuguese School; Palacio Nacional da Pena, Sintra, Portugal; out of copyright

Ms Fr 22912 Fol. 2v Detail of Hell, from The City of God
BNP159944 Ms Fr 22912 Fol.2v Detail of Hell, from The City of God by Saint Augustine (354-430) translated by Raoul de Presles (1316-82) c.1400-50 (vellum) by French School

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"Demonic: Exploring the Equilibrium of Opposites in Art and History" Delve into the enigmatic world of demons and their representation in art throughout history. From Eliphas Levi's iconic depiction of Baphomet, a symbol embodying the equilibrium between opposing forces, to Francisco Goya's haunting masterpiece "The Witches Sabbath, " we are confronted with the allure and darkness surrounding these supernatural beings. In Herr's mesmerizing painting "Witches Sabbat, " we witness a gathering where witches engage in mysterious rituals, evoking both fear and fascination. Raphael's "The Transfiguration of Christ" captivates us with its portrayal of divine transformation juxtaposed against demonic figures lurking beneath. As we journey through time, we encounter epidemics that plagued humanity during the 16th century, reminding us of our vulnerability to unseen malevolent forces. In "The Vision of Faust, " an oil on canvas by an unknown artist from 1878, Faust is depicted making a pact with a demon – a cautionary tale about the consequences of unchecked desires. Even Victorian satire did not shy away from exploring themes related to demons; as seen in "Principle and Interest, " society is satirically portrayed as being driven by greed and temptation. The statue of a winged lion with a human head found at Nimrud adds another layer to our understanding of ancient beliefs surrounding hybrid creatures associated with power and mysticism. Shakespearean tragedy comes alive through Henry Fuseli’s painting inspired by Lady Macbeth’s infamous line: “Why then 'tis time to do't. ” This chilling scene captures her descent into madness under demonic influence. Amongst all these depictions lies an eerie reminder - the presence left behind by demonic handprints imprinted on surfaces throughout history. These marks serve as unsettling evidence that there may be more than meets the eye when it comes to supernatural entities. Ultimately, this collection invites contemplation on the blurred boundaries between good and evil, light and darkness.